Duncan Rawlinson - Duncan.co

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Glazed Pebble Field, Teal to Red

This is part two of a four-part series, an AI-generated artwork by Duncan Rawlinson that blends contemporary photography aesthetics with artificial intelligence. A tightly packed crowd of rounded, lumpy cells fills the frame, each one finished like a ceramic glaze with pooled color and tiny red and yellow flecks. Teal and deep blue-green cells gather along the left and lower edges, while brick red, burnt orange and cream cells cluster toward the upper left and center, so the color shifts gradually across the sheet. Thin pale rims separate each cell and give the surface a tiled, cobblestone-like pattern, with small round beads filling the gaps between larger shapes. The whole panel sits on a deckled-edge sheet of handmade-looking paper laid on a woven, oatmeal-colored linen ground. The vertical crop and even, soft lighting keep attention on the repeating forms and their changing sizes. It suits interior walls, textile and surface design references, and collectors who like organic abstract pattern work. Pair it with the other three pieces in the series for a larger display.

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Garnet Cells Fading to Cream Discs

Duncan Rawlinson made this AI-generated artwork as one panel in a four-part series, and it is meant to be shown alongside the other three. The image fills a tall vertical frame with hundreds of rounded, lumpy, glass-like cells packed tightly together. Their color moves from deep garnet and near-black maroon in the upper left through burnt orange and coral to pale peach, cream and faint ice blue in the lower right. Two circular discs with fine concentric rings and ribbed, sunburst-style edges sit against the right side, and they break up the cell pattern with a smooth radial form. A plain tan, linen-textured strip runs down the right edge, and tiny white pinholes show between the cells. Surfaces look wet and translucent, with soft highlights on each cell and a warm, even light across the whole piece. It suits warm-toned interiors, textile and ceramic design references, and editorial or licensing work that needs an organic abstract pattern.

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Seven Eyed Lamp Creatures

Duncan Rawlinson made this AI-generated artwork by blending a contemporary photographic look with artificial intelligence, and it is an image rather than a photograph. Seven small, spindly creatures stand in a row on a grassy rise, each with a lit head and wide, staring eyes. Four have jellyfish-style bells with trailing tendrils in coral, red and teal. The others are thin, jointed puppet-like figures, one with a round black afro and orange eyes, another with long dark hair and curled horns. Their long, bony legs end in clawed feet planted in the grass. Small red lights are scattered across the dark hillside behind them and repeat the warm orange of the creatures’ heads. The sky is a cool blue-lavender with a low band of cloud, and the wide, evenly spaced arrangement gives the scene a procession-like order. It suits editorial, fantasy, festival, book-cover and creature-design projects.

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Camel Caravan Inside Hourglass

This digital artwork by Duncan Rawlinson, made with AI assistance, shows an oversized glass hourglass lying on its side in a meadow of red poppies and blue cornflowers. The lower bulb holds a small scene of pale sand dunes with a camel caravan crossing them, so a desert sits inside a flowering field. The upper bulb is filled with deep blue, matching the cloudless sky behind it. Bright specular edges run along the curved glass, and a soft film-like grain gives the image a printed, illustrated look. Red poppies crowd the foreground, with a scrubby hillside and dark green trees on the left. The colors are saturated red, cobalt blue and cream, and the diagonal of the hourglass gives a strong low-angle composition. It suits editorial use on themes of time, contrast and passing seasons, and works as a wall print.

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Flower Serpent Below Smoking Volcano

An AI-assisted piece by Duncan Rawlinson, this artwork combines contemporary image-making with artificial intelligence and has the look of a detailed gouache painting. A black volcanic cone rises from a dark blue bay, with a thin line of lava on its slope and smoke drifting into pink-edged clouds. A crescent moon and scattered four-point stars sit in a black sky, and a band of pink light runs along the far shore. In the foreground, a thick ring of red, coral, white and cobalt flowers is dotted with tiny points of light and set among tree ferns, palms and twisting red-limbed trees. A dark mound in the middle sends orange lava down into a teal pool, and on the left a serpent made of red flowers curls along the water’s edge. The square composition reads in clear bands from flowers to water to volcano to sky, and the saturated red, pink and teal stand out against deep blue and black. This tropical night scene is imaginary and not a real place, and it suits large prints, posters, book covers and editorial licensing.

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Tall Ship in the Teacup Tower

Duncan Rawlinson made this AI-generated artwork, a blend of contemporary photography sensibility and artificial intelligence. Four blue-and-white porcelain teacups with gold rims and scrolling gilt ornament are stacked on a single saucer. Each cup holds a different piece of weather. A square-rigged sailing ship rides rough swells in the middle cup, and a dark storm cloud with lightning pours out of the top cup into churning waves below. A ribbon of glowing steam spirals through the stack and trails down a short flight of stone steps at lower left. The cool navy and cobalt tones are broken by warm gold highlights and a low sunset reflection in the lowest cup. A rocky shoreline and calm water frame the base against a dark, empty sky. The tall vertical format suits large prints, book covers, and editorial illustration of themes like a storm in a teacup.

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Coral Ruffle Among Green Petals

This AI-generated artwork by Duncan Rawlinson shows a single flower built from overlapping translucent petals, made to resemble alcohol ink on paper. A ruffled orange-red center with a small cluster of yellow stamens sits in front of wide petals in pale green, aqua and peach. Each petal has a thin darker rim where the pigment appears to pool, and the colors bleed into one another without hard breaks. The warm coral and orange at the middle read as affection and passion, while the cooler greens and aqua around them add calm and balance. The flower sits slightly off-center on a creamy off-white background with plenty of empty space, and two pale stems trail out of the bottom edge. It suits romantic, anniversary, wedding and sympathy settings where a floral image should carry emotion without being literal.

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Rose and Mint Petal Rings

Duncan Rawlinson made this AI-generated artwork, a blend of contemporary photographic sensibility and artificial intelligence. Five translucent, nested forms spread outward from a small yellow-orange center, each overlapping the last so the colors show through. The inner shapes run from saffron through coral red to hot pink, and the outer petals soften into pale rose, mint, and lime green. Fine radial lines and frayed, feathered edges make the shapes resemble ink bleeding across wet paper. The composition is centered and square, set on an off-white ground with generous empty margin around the flower-like form. Rose pink and warm red carry the romantic tone, while the cool green keeps the piece fresh rather than sweet. It suits prints for bedrooms, wedding or anniversary gifts, and editorial work on love, tenderness, and renewal.

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Devotion in Coral and Jade

Duncan Rawlinson made this AI-generated artwork, blending contemporary photographic sensibility with artificial intelligence, as a study in love and tenderness. A wide, ruffled fan of pale jade green streaks spreads outward in a petal-shaped outline, with a deeper teal ring tracing its inner edge. At the center, concentric bands of coral, orange and red tighten around a small gold-toned nucleus, and a single thin drip runs down toward the bottom edge. The washes are translucent and the edges crinkle where pigment seems to have pooled and dried, in the manner of alcohol ink on paper. The warm red core against cool green recalls the rose-and-leaf pairing long tied to romance and renewal. That makes the piece a natural fit for anniversary gifts, wedding spaces, bedrooms and boutique interiors. It is composed dead center on a warm off-white ground with even margins, which keeps the image balanced and easy to hang.

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Rose Love in Nested Ink

Duncan Rawlinson made this AI-generated artwork, an original piece that sits between contemporary photography and digital image-making. Five overlapping, translucent forms spread outward from a small orange-yellow center, each with a ruffled, fibrous edge that looks like pigment settling on paper. The coral and rose pink at the middle read as a rose in full opening, or as two soft lobes pressed together, which is why the piece suits themes of love, tenderness and affection. A turquoise ring separates that warm core from outer lobes of lime green, peach and tangerine. The square composition is centered and balanced on a clean off-white ground, with generous empty space on every side. The colors are warm, bright and cheerful, and the thin darker outlines where one form overlaps another give the work depth without adding clutter. It works well as wall art for a bedroom, nursery or living room, as a wedding or anniversary gift, and as a background for greeting cards and editorial pieces about romance and care.

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