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  • Ghostly Twirling

    Ghostly Twirling

    Duncan Rawlinson created this image with AI, part of his ongoing blend of contemporary photography and artificial intelligence. A ghost of a woman turns mid-step, and the motion renders her white gown as long streaks of light against a dark brown ground. Her wide-brimmed hat catches the brightest light in the frame, with a ribbon trailing off it like a brushmark. The figure reads somewhere between a long-exposure and an old painting, with the darks built up the way varnished oils go dark. Everything is in motion.

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  • Glass Garden on Black

    Glass Garden on Black

    Duncan Rawlinson created this image using artificial intelligence and digital art techniques. The work shows a fantastical garden where translucent, glass-like plants rise from textured ground in purple, green, coral, and magenta. Orbs and filament-like stems arch across a dark background, with light refracting through each form. The crystalline structures suggest a world where plant life takes on mineral qualities. This AI-generated artwork presents a speculative vision of botanical forms reimagined through digital synthesis.

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  • Tangle of Rings and Ribbons

    Tangle of Rings and Ribbons

    An AI-assisted abstract by Duncan Rawlinson, who works with artificial intelligence alongside his photography. Interlocking rings, loops, and rounded ribbon shapes pack into a dense cluster on a cream ground. The colors run saturated and warm: pinks, oranges, and yellows pushing against blues, greens, and a few near-black shapes that give the cluster its depth. Fine white contour lines track across several of the forms like engraving marks. A soft grain texture holds the whole surface together. The composition presses everything toward the center and leaves the edges open, with a single green dot low in the corner as a counterweight.

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  • Red Sphere Through Green Beads

    Red Sphere Through Green Beads

    Duncan Rawlinson created this image using artificial intelligence, constructing a scene where thousands of green faceted spheres hang on taut cords, each strand blown horizontal by an unseen force. A red sphere tears through the field at speed, dragging a wake of disrupted beads and scattered cords along its entire path. The projectile has already punched a ragged hole through a standing screen of orange backed by deep blue at the right edge of the frame. Among the green strands, a single yellow bead and a line of violet beads break the dominant green. The work captures a frozen moment of high-velocity disruption, with color, motion, and structure locked in a single artificial instant.

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  • Yellow Cups in Red Flow

    Yellow Cups in Red Flow

    Duncan Rawlinson created this work using artificial intelligence to explore a ceramic rupture. A rigid green door-slab has blown free, releasing a thick red flow studded with intact yellow vessels. The torrent carries cups and bowls across the frame, their forms preserved mid-motion. One cup has landed rim-down in a cushion of deep violet, creating a pronounced dimple without shattering. Blue handles, orange chips, and white hairline cracks punctuate the textured surfaces. The piece combines impossibly bright hues—phthalo green, cadmium red, lemon yellow, and lavender—into a frozen moment of controlled chaos. Duncan Rawlinson’s AI-assisted artwork examines the tension between fragility and force, using digital tools to construct a scene no kiln could produce.

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  • Y2K Magazine Portrait in Chrome

    Y2K Magazine Portrait in Chrome

    Duncan Rawlinson created this AI-generated artwork that recreates the visual language of early 2000s Japanese street fashion magazines. The composition centers on a figure adorned with chrome eyelashes, glitter makeup, and translucent accessories set against a hot pink and black gradient. Lime green Japanese title text dominates the top of the frame, while electric blue and silver type clusters scatter across the layout in asymmetrical patterns. White and orange annotations, manga doodles, sticker graffiti, and QR-code fragments layer the design with the controlled chaos characteristic of FRUiTS and TUNE-era publications. Barcodes, pricing, and vertical side text complete the magazine aesthetic. The piece channels the hyper-saturated cyber-inspired look that defined turn-of-the-millennium Tokyo youth culture.

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  • Molten Red Splits on Orange Anvil

    Molten Red Splits on Orange Anvil

    Duncan Rawlinson created this artwork through artificial intelligence, exploring a vertical channel split by a central obstruction. A continuous column of red descends between deep blue canyon walls, meeting an orange protrusion at mid-height that divides the flow into twin braids before they reunite below. The opposing walls are textured with fine vertical striations, framing the red descent and the blue wedge carved behind the orange obstacle. Small accents of yellow, white, and violet mark the split point. The composition centers on the moment of division, where the falling form encounters resistance and adapts its path downward.

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  • Red Fall Split by Orange Anvil

    Red Fall Split by Orange Anvil

    Duncan Rawlinson created this image using artificial intelligence, blending digital techniques with a contemporary art approach. A column of deep red descends through a narrow passage flanked by textured walls of dense green and blue. Midway through its fall, the flow encounters a jutting form of bright orange that splits the column into two braided streams, which reunite below around a wedge of cool blue. A sliver of yellow and violet punctuates the orange obstruction. The composition centers on the moment of division, where the descending red meets the horizontal barrier and fractures into parallel paths.

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  • Red Flow Split by Orange Wedge

    Red Flow Split by Orange Wedge

    Duncan Rawlinson created this image using artificial intelligence and contemporary digital techniques. A flow of red descends through a narrow canyon bordered by textured green walls. Midway down, an orange anvil-shaped form juts into the stream, splitting the fall into twin braided channels that wrap around a wedge of deep blue before reuniting below. Small accents of yellow and violet mark the deflection point. The piece explores color collision and directional interruption within a tall, compressed format.

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  • Four Columns Over Blue Terrain

    Four Columns Over Blue Terrain

    An AI-assisted work by Duncan Rawlinson, fusing photography and artificial intelligence. Duncan Radwlinson created this image using artificial intelligence and digital art techniques. Four tall columns of coral-pink light rise from rolling blue hills, each topped with bulbous cloud formations in peach and cerulean tones. Two slender trees stand in the middle ground, their dark silhouettes providing scale against the bright columns. The scene sits beneath a star-filled sky that darkens from navy to black, while the foreground shows smooth water reflecting the columns’ light. The colors shift from warm coral at the base to cool blues above. This AI-generated artwork reimagines atmospheric phenomena where natural forms meet impossible geometry.

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