Duncan Rawlinson - Duncan.co

Palouse After Harvest

Duncan Rawlinson photographed the Palouse in eastern Washington, a region of rolling farmland. The freshly harvested wheat fields show contour lines left by farm equipment curving across the hills. Storm clouds overhead cast blue light across the sky while the stubble fields below hold warm, straw-colored tones. The composition emphasizes the sculptural quality of the land. This photograph was made during a summer trip in 2018, capturing the agricultural character and natural geometry of the Palouse after harvest.

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Harvest Scarecrow with Pumpkins

Duncan Rawlinson photographed this Halloween scarecrow decoration during a fall drive through Ontario in 2018. The figure wears a red-and-white gingham shirt and a straw hat topped with sunflowers, its white pumpkin head surrounded by green raffia hair. Three orange pumpkins rest on log stumps at its base, with dried flowers and soft green grass nearby. The shallow depth of field keeps the scarecrow sharp against the blurred background. This seasonal display shows autumn festivities in rural Canada, combining traditional harvest motifs with playful Halloween decoration.

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Unnamed Island, Thousand Islands

Duncan Rawlinson photographed this small, unnamed island in the Thousand Islands region of Ontario, Canada. The rocky outcrop rises from calm blue water, crowned with birch and cedar trees that cling to the granite. Late afternoon sun brings out the warm tones in the stone and the fresh greens of summer foliage. A single flat rock rests in the foreground water, adding scale and depth. The composition isolates the island against the surrounding water, showing the undeveloped character of this part of the St. Lawrence River. This aerial view captures the Canadian Shield meeting freshwater.

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July 4th 2026 Fireworks At Boldt Castle

On July 4th, 2026, Duncan Rawlinson photographed the Independence Day fireworks bursting over Boldt Castle on Heart Island in Alexandria Bay, New York. Shot during the last minutes of twilight, the display filled the sky with gold, crimson, and violet while the fading sunset still glowed along the horizon behind the castle. Dozens of spectator boats gathered on the St. Lawrence River, their lights scattered across the water and the reflections of the show shimmering between them.

This is an annual tradition. See the fireworks at Boldt Castle from my previous years: 2025, 2024, 2023, 2022, 2019, 2018, and 2017.

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Wet Meadow in Sage

Duncan Rawlinson created this image through a combination of contemporary photography techniques and artificial intelligence. The piece presents a wildflower meadow in soft focus, where dew clings to stems and petals beneath diffused early light. Pale sage and muted olive tones dominate the grasses, while dandelions and small violets punctuate the foreground. A low mist hovers just above the ground, softening the scene further and lending an air of early-spring calm. The color scheme stays restrained, favoring subdued greens and gentle yellows over saturated hues. The composition invites a slow, unhurried look across the field, where each flower holds its own small moment of morning moisture and rest.

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Wildflower Field at Dawn

Duncan Rawlinson created this image using artificial intelligence, combining digital art techniques with contemporary floral rendering. The work shows a wildflower field in soft focus, with pale pink, deep blue, and warm orange blossoms scattered among slender stems and grasses. Droplets of dew cling to petals and leaves, while a diffused blue sky stretches behind. The composition places foreground flowers against a hazy middle distance, suggesting early morning light and the still atmosphere of spring. Muted greens and gentle color shifts give the work a painterly quality, emphasizing texture and mood over sharp detail.

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Orange and Navy Flower

Duncan Rawlinson created this piece using artificial intelligence to explore stylized floral forms. The flower displays flat planes of saturated orange-red against deep navy petals, each edge traced with rainbow chromatic aberration that mimics optical distortion. The cream background carries faint dust specks and artifacts, lending the digital artwork a tactile, analog quality. The flower’s simplified geometry and high-contrast colors recall mid-century illustration techniques. The stamen and center details are rendered in bold navy strokes that anchor the composition. This AI-generated work merges botanical subject matter with graphic design principles, resulting in a decorative piece that balances natural form with abstracted color blocking.

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Magnolia in Coral and Navy

Duncan Rawlinson created this image using artificial intelligence, blending digital art techniques with botanical illustration. A single magnolia flower dominates the frame, its petals rendered in cream, coral, and pink tones against a deep navy background marked by distressed texture. Fine linear details trace the petal structure and stamens, while the stem and leaves are outlined in warm copper. Pink accents bleed into the lower left corner, adding a layer of visual interest. The work combines the precision of line drawing with a painterly color treatment, resulting in a contemporary take on floral art that balances graphic clarity with organic form.

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Chromatic Tulip Study

Duncan Rawlinson created this AI-generated artwork that merges botanical illustration with digital color experimentation. The tulip’s petals shift from red-orange to deep navy in flat, graphic planes, while rainbow chromatic aberration traces the petal edges. Two teal leaves flank the stem against a neutral background textured to resemble aged paper or scanned film. The piece combines the precision of traditional botanical drawing with the color freedom of contemporary AI art. Small imperfections—dust specks, faint smudges—add analog warmth to the digital composition. This work explores how artificial intelligence can reinterpret classic floral subjects through computational methods.

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Glass Meadow

Duncan Rawlinson created this image using artificial intelligence, combining digital art techniques with photographic composition. The field shows translucent flower forms that catch and refract light into soft pinks, blues, and purples against a cool gray sky. Each stem carries what appears to be crystalline petals, their surfaces holding droplets that split incoming light into small flares. The arrangement reads as both botanical and synthetic, a constructed space where natural growth patterns meet material impossibility. The color gradation moves from darker, denser clusters on the right to more open, scattered flowers on the left, guiding the eye across the frame. The piece sits within a body of work exploring the visual language of nature through computational tools.

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