Departure Point, from the series Forms of Return. A bold pink loop crossed by orange and green lines over soft peach shapes on a square sheet.
Duncan.co/departure-point
-
Departure Point
-
At the Crossing
At the Crossing, from the series Forms of Return. Translucent pink, orange, green and blue loops cross one another, with a long pink line reaching toward the upper right.
Duncan.co/at-the-crossing
-
The Red Divide
The Red Divide, from the series Lines of Tension. A sweeping orange and red arc rises above soft pink, orange and teal washes, with fine threads of colour spreading across the pale ground.
Duncan.co/the-red-divide
-
An Open Turn
An Open Turn, from the series Lines of Tension. A wide red arc wraps translucent pink and orange shapes, with yellow, green and blue lines crossing the centre.
Duncan.co/an-open-turn
-
Held Together
Held Together, from the series Lines of Tension. A heavy red brushstroke curls around a tangle of thin pink, orange, green and teal lines, with soft purple and pink washes.
Duncan.co/held-together
-
A Moment of Release
A Moment of Release, from the series Lines of Tension. A looping red and orange gesture crossed by thin pink and green lines, with patches of purple, teal and blue on a pale ground.
Duncan.co/a-moment-of-release
-
Arched Tree with Waterfall Roots
Duncan Rawlinson made this digital artwork using artificial intelligence to explore themes of growth and continuity. A large tree with white blossoms and dark, gnarled branches dominates the center of an arched frame, its trunk visibly merging into cascading water below. The canopy glows softly against a muted gray-green sky, while streams in the foreground add motion and flow to the scene. Ornate decorative borders at the top lend a classical, formal quality to the composition. The palette—soft greens, creams, grays, and touches of gold—creates a calm, contemplative mood. This AI-generated piece combines natural forms with stylized architectural framing to suggest cycles of renewal.
Duncan.co/arched-tree-with-waterfall-roots
-
Iris Over the City
Duncan Rawlinson created this AI-generated image, combining digital art techniques with a photographic approach. A massive eye-shaped formation hovers above a sprawling city and central structure, its deep blue iris and dark pupil dominating the frame. Concentric bands of teal and navy ripple outward like geological strata, softened by clouds and atmospheric haze. Below, a large structure anchors a radial urban plan, surrounded by farmland in terracotta and green. The composition merges anatomical and architectural elements, raising questions about observation, scale, and the boundary between organic and built forms. Cool blues and teals fill the upper portion, while warm earth tones anchor the lower third.
Duncan.co/iris-over-the-city
-
Cloud Tethered by Falling Light
Duncan Rawlinson created this image using artificial intelligence, merging digital art methods with a painterly sensibility. A towering cumulus mass hovers directly above a hilltop settlement, connected by countless threads of bright, falling light that descend like rain. The sky behind shifts from peach to rose, while the rolling countryside below stretches in muted greens and grays. The hilltop village, with its pale clustered structures, suggests a Mediterranean or southern European setting. The composition balances the heavy cloud form against the vertical streams of light, creating a strong visual link between sky and earth. This AI-generated artwork sits at the boundary between observed reality and imaginative possibility, presenting a scene that feels both impossible and oddly convincing.
Duncan.co/cloud-tethered-by-falling-light
-
Coral Cathedral III
The third and last piece in the Coral Cathedral series, Coral Cathedral III is an artwork Duncan Rawlinson created with AI. A dark teal coral tower rises from a flat, mist-covered plain, its surface marked with vertical ridges that look like organic growth. Three openings glow an intense orange, their edges appearing molten against the cooler exterior. The tallest arch sits in the centre, with two smaller openings on the left side. Above it the sky moves from soft coral to pale lavender. Low fog drifts across the sparse foreground, and unlike the first two pieces there is no figure here, only the tower.
Duncan.co/coral-cathedral-iii
