Duncan Rawlinson - Duncan.co

Snow-Covered Island with Waterfowl

Duncan Rawlinson photographed this aerial view of a small island in the 1000 Islands region of Ontario, Canada. White snow covers most of the island, contrasting with exposed rock and vegetation at the edges, while dark water surrounds the landmass. Flocks of waterfowl gather in the shallows and open water around the island. The overhead perspective shows the irregular shape of the snow cover and submerged rock formations visible through the clear water. Bare shrubs rise through the snow surface. White, gray, brown, and green tones define this late-winter scene in the freshwater archipelago.

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Diagonal Rows in Growing Corn

Duncan Rawlinson photographed this cornfield from above, revealing the precise diagonal rows that define modern row-crop agriculture. The green plants form a repeating pattern across the frame, with subtle variations in tone marking the spacing between each planted line. Shot from a drone perspective, the image reduces the field to its essential geometry—parallel furrows that curve gently across the terrain. The even light brings out the texture of the crop canopy without strong shadows. This is a document of agricultural land use and the visual order imposed by planting machinery.

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Winter Channel, 1000 Islands

Shot by Duncan Rawlinson. Duncan Radwlinson photographed this black-and-white aerial view of the 1000 Islands region in Ontario, Canada. Dark water winds between snow-covered shores and small wooded islands, their conifers heavy with fresh accumulation. The monochrome rendering strips away color, leaving only frozen land, open channel, and winter-clad trees. Ice clings to the edges of the waterway while the center remains unfrozen, creating a natural corridor through the archipelago. The high vantage reveals the geographic structure, where narrow passages separate forested islets blanketed in white. Overcast light eliminates harsh shadows, producing even tones across the scene.

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Private Islands, Spring Foliage

Duncan Rawlinson photographed this aerial view of private island homes in the 1000 Islands region of Ontario, Canada. The frame reveals several islands dotted with cottages and boathouses, their docks extending into calm water. Fresh spring foliage wraps each landmass in varying shades of green, from bright lime to deeper forest tones. The water shifts from blue-gray in the distance to teal and olive in the shallows, where light penetrates to the rocky bottom. The elevated perspective flattens the scene into a patchwork of land and water, showing how closely these small islands cluster. The image documents a region where private retreats sit just meters apart, connected only by boat.

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Islands Through Morning Fog

Duncan Rawlinson photographed this aerial view of the 1000 Islands region in Ontario, Canada. Low-lying fog drifts across the water, wrapping around wooded islands and revealing scattered homes along the shorelines. The monochrome treatment emphasizes the layered depth of the scene, with bare trees and evergreens defining each landmass. Calm water reflects the overcast sky, while the mist softens the middle distance. The composition captures early spring in this archipelago, where fog often settles over the St. Lawrence River and creates moments of reduced visibility and heightened atmosphere.

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Autumn Shoreline, 1000 Islands

Duncan Rawlinson photographed this aerial view of a small island shoreline in Ontario’s 1000 Islands region. The frame captures a mix of fall foliage—red and orange maples alongside still-green trees—set against the deep blue of the St. Lawrence River. Late-afternoon light picks out individual branches and the rocky edge where land meets water. A narrow path traces the shore, and a small structure sits tucked among the trees. The overhead perspective reveals the texture of the terrain and the clarity of the water.

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Storm Clouds Over Antelope Island

Duncan Rawlinson photographed this scene at Antelope Island State Park in Utah, where rust-toned rocks anchor the foreground beneath a darkening sky. The Great Salt Lake stretches across the middle ground, its shallow channels reflecting muted tones of gray and white. Storm clouds build overhead, casting diffused light across the arid hillsides and the water’s edge. The composition contrasts the rough, weathered textures of the foreground boulders with the smooth, receding planes of the lake and distant terrain. Sparse vegetation clings to the rocky outcrops, emphasizing the dry, open character of the high-desert environment. The photograph captures a moment of atmospheric tension, where the weight of the approaching weather meets the calm of the land.

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Petal Burst on Pink

Duncan Rawlinson made this abstract with AI as part of his work joining artificial intelligence with a photographer’s eye for color. Teardrop and petal shapes fan out from a low center point, spreading up and outward like a slow explosion. The forms overlap in translucent oranges, greens, purples, and blues, each shape shifting the color of the one beneath it. Thin contour lines ride across several petals, and small dots of red, blue, and green float in the open ground around the burst. A pale border holds the whole arrangement on its pink field. The palette is loud but the structure underneath is symmetrical and calm.

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Indigo Drop and Nodal Ripple

Duncan Rawlinson created this image using photography and artificial intelligence. The work captures an indigo droplet striking water, producing concentric rings and radial structures similar to spherical harmonics—the patterns that appear when a sphere vibrates at specific frequencies. The liquid forms nodal lines that divide the surface into zones of high and low displacement, freezing a physical event in time. Deep blues and purples fill the frame, contrasted by lighter tones where the water reflects light. The central column rises sharply, topped by a single bead, while the surrounding ripples spread outward in symmetrical waves. This piece examines vibrational symmetry and the visual properties of fluid mechanics, rendering transient phenomena into a structured, repeatable form.

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Ghostly Twirling

Duncan Rawlinson created this image with AI, part of his ongoing blend of contemporary photography and artificial intelligence. A ghost of a woman turns mid-step, and the motion renders her white gown as long streaks of light against a dark brown ground. Her wide-brimmed hat catches the brightest light in the frame, with a ribbon trailing off it like a brushmark. The figure reads somewhere between a long-exposure and an old painting, with the darks built up the way varnished oils go dark. Everything is in motion.

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