This series marks a pivotal epoch in the Digital Renaissance, a period defined by the exponential rise of artificial intelligence across all facets of creativity and industry. Duncan Rawlinson’s photographic mastery, combined with Syd Steyerhart’s groundbreaking acc/deco aesthetic, captures the essence of the e/acc philosophy—a world on the cusp of a technological metamorphosis. Each image is a visual narrative of the current takeoff phase, where AI’s transformative power reshapes our reality, echoing the profound societal shifts of the historical Renaissance but on a scale and speed unparalleled in human history.
The silent saga of a planet’s genesis, etched into the very rock itself, inviting contemplation of the cosmic forces at play.
https://Duncan.co/elara-the-strata-of-another-worldAn alien stratum unfurls, hinting at the complex history of an uncharted planet.
https://Duncan.co/elara-the-strata-of-another-worldThe swirling sediment of an alien world paints the grandeur of the universe.
https://Duncan.co/elara-the-strata-of-another-worldThe rugged landscape of a distant world, where each layer tells a story of cosmic antiquity.
https://Duncan.co/elara-the-strata-of-another-world
In the collection “Elara: The Strata of Another World,” Duncan Rawlinson offers a series that brings together the simplicity of photography with the emerging field of artificial intelligence, to craft a vision of what the surface of a far-off exoplanet, Elara, might look like. The images are a humble attempt to interpret landscapes that no human eye has seen, using the language of imagined geology. They are less about showcasing the technology behind their creation and more about evoking a sense of curiosity and wonder about the universe. These pictures are an invitation to ponder the geological narratives that distant worlds could hold, gently nudging the viewer to consider the vastness of space and the stories etched in the landscapes we have yet to see.