Here are my Burning Man 2024 Photos! There are one nonillion photos on this page. Please be patient while this page loads. You browser might even yell at you because this page eats way too much memory. Sorry not sorry! All of my Burning Man images are licensed under a Creative Commons Attribution-Non Commercial license. If you share them, please attribute the photographs to me by name and link back here to Duncan.co In other words please do not sell my photographs, make prints of them, or make money from them in any way whatsoever. That includes advertising on a website.
Please Help! I make plenty of mistakes when posting so many photographs like this. FWIW I post so many because I can never predict how or why an image my be meaningful and we have infinite space here on the internet. But when I post so many images it’s almost impossible to get all the captions correct, so I always appreciate any comments (very bottom of page, waaaaay down below) or direct emails helping me fix my mistakes. You can email me ( DuncanRawlinson@gmail.com ) to tell me how I’m doing it wrong or where the mistakes are. I will update this post to reflect your comment or email. Please include lots of detail and any relevant links. Please copy the link to the photo or email me the photo so I know which photograph it is. My only other request is that you don’t instantly ask more from me right now. When I post these photos every year the community bombards my email with requests for more photographs despite me already posting way too many. Shooting 17408 photos during the burn, driving ~2600 miles both ways then processing all of this and getting it online uses more than all I have in the tank so to speak. Not to mention my other commitments. Point is, I’m running on empty right now. So be patient with me if you reach out!
More Information Nobody Is Going To Read Except You: The images below are mostly in reverse chronological order. Click on any photo to open it at full resolution in a new tab. This was first published September, 24th 2024 and only exists here. The photos are not on Flickr or anywhere else yet.
Updates: I’m fixing the formatting of the captions now. Right now the titles and captions are blending together like this: “Title Caption” so please bear with me while I clean that up.
Music To Go With These Images: Here is my Burning Man 2024 playlist. I made this so you have something to listen to while browsing these images. (open this link in another window or in the Spotify app…) If this music doesn’t suit you, Burning Man legend @muloka has compiled this massive collection of music from Burning Man 2024 here.
Please see my thank you note at the very bottom as well. You have been exercising your scroll finger right? :)
Ogoh Ogoh The Karmic Questioner by I Wayan Sunarinta and The Karma Collective from Bali, Indonesia “The Ogoh Ogoh embodies the essence of karmic belief, serving as a tangible reminder of the power of compassion and empathy. It symbolizes the inner struggles faced when confronted with doing what’s right, even when it seems daunting. Amidst life’s chaos, it serves as a beacon of light, urging the embrace of both light and shadows. The Ogoh Ogoh, rooted in Balinese tradition, takes on a sacred role in cleansing the soul of negativity. It’s a profound reminder that by doing good deeds and embracing self-awareness, one can navigate life’s complexities with curiosity and grace. URL: https://www.instagram.com/bali.karma.collective/ Contact: brieanabreeze@gmail.com
Ogoh Ogoh The Karmic Questioner by I Wayan Sunarinta and The Karma Collective from Bali, Indonesia “The Ogoh Ogoh embodies the essence of karmic belief, serving as a tangible reminder of the power of compassion and empathy. It symbolizes the inner struggles faced when confronted with doing what’s right, even when it seems daunting. Amidst life’s chaos, it serves as a beacon of light, urging the embrace of both light and shadows. The Ogoh Ogoh, rooted in Balinese tradition, takes on a sacred role in cleansing the soul of negativity. It’s a profound reminder that by doing good deeds and embracing self-awareness, one can navigate life’s complexities with curiosity and grace. URL: https://www.instagram.com/bali.karma.collective/ Contact: brieanabreeze@gmail.com
Prismatic Perspectives by Alyssa Oliveira, Alpine Artists Collective from Alpine Meadows, CA A view of Prismatic Perspectives from the outside will appear to be a little house entirely made of doors and windows…but not just any doors. These doors have stories to tell. Inside, from sunrise to sunset, the installation allows onlookers to experience the magic that always surrounds them. By harnessing the power to create rainbows like never before, a not-so-fleeting rainbow covers anything in its path, creating an unforgettable moment that stays with the person long after they leave the art installation. At night black lights create a captivating kaleidoscope effect through the same prismatic windows. The artist hopes to evoke feelings of child-like curiosity and playfulness to all. URL: https://www.instagram.com/alpine_artists_collective Contact: alyssago0634@gmail.com
Prismatic Perspectives by Alyssa Oliveira, Alpine Artists Collective from Alpine Meadows, CA A view of Prismatic Perspectives from the outside will appear to be a little house entirely made of doors and windows…but not just any doors. These doors have stories to tell. Inside, from sunrise to sunset, the installation allows onlookers to experience the magic that always surrounds them. By harnessing the power to create rainbows like never before, a not-so-fleeting rainbow covers anything in its path, creating an unforgettable moment that stays with the person long after they leave the art installation. At night black lights create a captivating kaleidoscope effect through the same prismatic windows. The artist hopes to evoke feelings of child-like curiosity and playfulness to all. URL: https://www.instagram.com/alpine_artists_collective Contact: alyssago0634@gmail.com
Colors on the Playa
Prismatic Perspectives by Alyssa Oliveira, Alpine Artists Collective from Alpine Meadows, CA A view of Prismatic Perspectives from the outside will appear to be a little house entirely made of doors and windows…but not just any doors. These doors have stories to tell. Inside, from sunrise to sunset, the installation allows onlookers to experience the magic that always surrounds them. By harnessing the power to create rainbows like never before, a not-so-fleeting rainbow covers anything in its path, creating an unforgettable moment that stays with the person long after they leave the art installation. At night black lights create a captivating kaleidoscope effect through the same prismatic windows. The artist hopes to evoke feelings of child-like curiosity and playfulness to all. URL: https://www.instagram.com/alpine_artists_collective Contact: alyssago0634@gmail.com
Prismatic Perspectives by Alyssa Oliveira, Alpine Artists Collective from Alpine Meadows, CA A view of Prismatic Perspectives from the outside will appear to be a little house entirely made of doors and windows…but not just any doors. These doors have stories to tell. Inside, from sunrise to sunset, the installation allows onlookers to experience the magic that always surrounds them. By harnessing the power to create rainbows like never before, a not-so-fleeting rainbow covers anything in its path, creating an unforgettable moment that stays with the person long after they leave the art installation. At night black lights create a captivating kaleidoscope effect through the same prismatic windows. The artist hopes to evoke feelings of child-like curiosity and playfulness to all. URL: https://www.instagram.com/alpine_artists_collective Contact: alyssago0634@gmail.com
Prismatic Perspectives by Alyssa Oliveira, Alpine Artists Collective from Alpine Meadows, CA A view of Prismatic Perspectives from the outside will appear to be a little house entirely made of doors and windows…but not just any doors. These doors have stories to tell. Inside, from sunrise to sunset, the installation allows onlookers to experience the magic that always surrounds them. By harnessing the power to create rainbows like never before, a not-so-fleeting rainbow covers anything in its path, creating an unforgettable moment that stays with the person long after they leave the art installation. At night black lights create a captivating kaleidoscope effect through the same prismatic windows. The artist hopes to evoke feelings of child-like curiosity and playfulness to all. URL: https://www.instagram.com/alpine_artists_collective Contact: alyssago0634@gmail.com
Robot Heart Robot and Radial Sonic Runway
Sainte Vie
Radial Sonic Runway by The Runway Crew from Berkeley, CA The Runway Crew is back! The Radial Sonic Runway visualizes sound waves rippling across the desert. Twenty-five gates with LED spokes form a corridor stretching out into the open playa, through which participants can walk or bike. A microphone at one end triggers patterns of light that ripple out at the speed of sound. The original Sonic Runway, in 2003, was one-dimensional – a streak of strobe lights triggered by each bass thump. In 2016, we added another dimension – each gate was illuminated with a string of LEDs, allowing for complex patterns representing different frequencies. With this new piece, audio waves can truly reshape the space itself. As it picks up sound and music, the Radial Sonic Runway twists, pulses, and ripples to life! URL: https://www.sonicrunway.com/ Contact: sonicrunway@gmail.com
Lovely Burner
Radial Sonic Runway by The Runway Crew from Berkeley, CA The Runway Crew is back! The Radial Sonic Runway visualizes sound waves rippling across the desert. Twenty-five gates with LED spokes form a corridor stretching out into the open playa, through which participants can walk or bike. A microphone at one end triggers patterns of light that ripple out at the speed of sound. The original Sonic Runway, in 2003, was one-dimensional – a streak of strobe lights triggered by each bass thump. In 2016, we added another dimension – each gate was illuminated with a string of LEDs, allowing for complex patterns representing different frequencies. With this new piece, audio waves can truly reshape the space itself. As it picks up sound and music, the Radial Sonic Runway twists, pulses, and ripples to life! URL: https://www.sonicrunway.com/ Contact: sonicrunway@gmail.com
Lovely Burner
Sainte Vie is Amazing
Lovely Burner
Cone for Scale
Everywhere I saw this participant just about everywhere. He was making the most of his first burn that’s for sure! Nice!
Celestial Syzygy Garden by Shane and Toby Robinson and Family from Dolan Springs, AZ You spot two large Saguaro cacti and an apparatus rising up from the landscape. Approaching, you find stunning, beautifully realistic Saguaro, Ocotillo, Organ Pipe, Joshua Tree, Prickly Pear, and Barrel cacti in a circle around a massive swinging platform. Swings, benches, and posts make an octagon shape with light “stars” hanging above. Surfaces of the swings, benches, and posts have sun, moon, star, and deity cut-outs with lights inside. You rest and interact with other Burners; at first sitting by yourself on the benches revitalizing your soul, then lounging on the swings intermingling with all. Laying on the large swing with Burners, all the stars above and lights shining through the metal cut-outs is magical and you feel at peace! URL: https://www.trmmetal.com
Lovely Burner
The Cone and Maxa
Lovely Burner
6 from The Man to Greeters
After meetting this wonderful burner from Paris he said “Thank You For My Life” in with a wonderful french accent. Every time I saw him again around BRC after that I would repeat that phrase back to him with entusiasm. In fact I’d like to say it to anyone reading this, Thank You For My Life!
The End of Time by Andrea Greenlees and Andy Tibbetts from London, UK and Reno, NV The End of Time is a dying clock, in fact it is a murdered clock. As a consequence, Time has stopped and now it will forever be Teatime. This artwork illustrates the death of one clock, which results in the death of all clocks and therefore Time itself. It does so in a whimsical manner designed to disturb but entertain at the same time. This 22-foot tall, climbable, surreal, collapsing clock has been pierced by a gigantic sword, its mechanism is broken and exposed, its numerals and hands distorted, and it has a giant Teacup and Saucer perched precariously at the top. The Teacup can accommodate 6 people at a time sitting on a circular bench in a surprisingly intimate setting. A huge, mysterious key hangs inside the clock but what is it for? URL: https://andreagreenlees.com Contact: andrea@hylemo.com
Lovely Burner
Sky Gazing by Patrick Shearn, Poetic Kinetics Studio from: Colorado Springs, CO Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
Name Unknown
Name Unknown
Hábitat by Mark Rivera aka Kidnetick from Santurce, Puerto Rico A habitat is where an organism lives. The goal of Hábitat is to show the beauty of coexistence and community through a sculpture thats feels like it is a living organism, breathing and thriving when whatever is living inside can live together in peace. Contact: kidnetickart@gmail.com
The Bug Mutant Vehicle Ignition Sequence Burners are amazing. When this mutant vehicle begins to move it has an incredible audio soundtrack playing that sounds like a legit NASA Go/No-Go poll. The sound is incredible and it takes off smoke and all. So fun and so cool! Great job team!
Enjoy The Show I wasn’t able to find the names of the people who made this wonderful movie theatre with rows and seats and popcorn that tasted exactly like movie theatre popcorn. I enjoyed this very much thank you! Great movie too!
Enjoy The Show I wasn’t able to find the names of the people who made this wonderful movie theatre with rows and seats and popcorn that tasted exactly like movie theatre popcorn. I enjoyed this very much thank you! Great movie too!
Enjoy The Show I wasn’t able to find the names of the people who made this wonderful movie theatre with rows and seats and popcorn that tasted exactly like movie theatre popcorn. I enjoyed this very much thank you! Great movie! Two Thumbderdome Thumbs Up!
Reclamation of a Stolen Heart by Bronze Holbein and Strength in Numbers Collective from Martinez, CA Reclamation of a Stolen Heart will act as a beacon to those who seek peace for their hearts, offering them a place to congregate and inviting them to reflect on their heart’s path toward healing. The 10′ tall heart sculpture will be adorned with various kinds of reclaimed scrap metal that will incorporate different interactive and kinetic features to capture the curiosity of its viewers. A heart-shaped bench will spread out from the sculpture’s base and surround a heart-shaped bonfire pit, allowing guests of the installation to take a moment to rest their weary legs and warm up before venturing off on their next adventure. Various colored LEDs will light the sculpture at night. Contact: roash2024@gmail.com
P.O.D.S. (Plants of Dimensional Spatiality) by Tyler FuQua Creations from Eagle Creek, OR PODS is a group of plant-like seating pods which are covered in colorful blossoms. Connecting the three pods is a series of stems that join together in the middle to form one stem, on which sits a colossal flower. Each POD will feature a beautiful circular wooden bench that is made from reclaimed wood. PODS is designed to create a space for people to chill and hang with friends new and old. Contact: tyfu@me.com
COQUÍ, a symbol of artist NiNo’s homeland, Puerto Rico, is a charming arboreal frog who sings amid the sounds of the rainforest where he lives. This project will invite our community to explore Coquí’s many attributes, taking a trip inside his enlarged throat, and being fully immersed in his world as he sings. URL: http://www.leaveittonino.com Contact: elninoalicea@gmail.com
Playing Chase This was an adorable moment. This father and son were playing chase and running through a large crowd of burners on bikes and into a clearing. The little boy was running away, dad was playing chase, and I was chasing them like an absolute weirdo to make these pictures. Thankfully dad was ok when I asked if I could make their picture.
Playing Chase This was an adorable moment. This father and son were playing chase and running through a large crowd of burners on bikes and into a clearing. The little boy was running away, dad was playing chase, and I was chasing them like an absolute weirdo to make these pictures. Thankfully dad was ok when I asked if I could make their picture.
Playing Chase This was an adorable moment. This father and son were playing chase and running through a large crowd of burners on bikes and into a clearing. The little boy was running away, dad was playing chase, and I was chasing them like an absolute weirdo to make these pictures. Thankfully dad was ok when I asked if I could make their picture.
Playing Chase This was an adorable moment. This father and son were playing chase and running through a large crowd of burners on bikes and into a clearing. The little boy was running away, dad was playing chase, and I was chasing them like an absolute weirdo to make these pictures. Thankfully dad was ok when I asked if I could make their picture.
P.O.D.S. (Plants of Dimensional Spatiality) by Tyler FuQua Creations from Eagle Creek, OR PODS is a group of plant-like seating pods which are covered in colorful blossoms. Connecting the three pods is a series of stems that join together in the middle to form one stem, on which sits a colossal flower. Each POD will feature a beautiful circular wooden bench that is made from reclaimed wood. PODS is designed to create a space for people to chill and hang with friends new and old. Contact: tyfu@me.com
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
Dream Slide by William Nemitoff from New Orleans, LA A glowing unicorn, larger than life. A journey into dreams and out the other side. White facets by day, a luminescent aurora by night. A slide runs down the glowing mane. Dream Slide embodies childhood wonder and fantastic visions, responding to our bodies as our dreams respond to our minds. Contact: thedreamslide@gmail.com
DMV Line
The Center
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
Finding the Light by Kevin Necessary from Bend, OR The art installation “Finding the Light” consists of 3 large steel and stained-glass monoliths. They are strategically placed on playa with exact distances from each other and perfectly aligned with the sun. As the sun heads to the west, the shadows and colors of the stained glass begin to elongate and interact with the playa surface. The monoliths alone are abstract geometric forms which can be explored and interacted with throughout the day. Twice a day, sunrise and set, the long shadows from the monoliths and colors from the stained glass will form a beautiful church on the playa surface. An 8′ high observation deck with a preacher’s podium, perfectly placed for the sunset shadow, will be placed on playa as well. Contact: necessaryphoto@mac.com
Finding the Light by Kevin Necessary from Bend, OR The art installation “Finding the Light” consists of 3 large steel and stained-glass monoliths. They are strategically placed on playa with exact distances from each other and perfectly aligned with the sun. As the sun heads to the west, the shadows and colors of the stained glass begin to elongate and interact with the playa surface. The monoliths alone are abstract geometric forms which can be explored and interacted with throughout the day. Twice a day, sunrise and set, the long shadows from the monoliths and colors from the stained glass will form a beautiful church on the playa surface. An 8′ high observation deck with a preacher’s podium, perfectly placed for the sunset shadow, will be placed on playa as well. Contact: necessaryphoto@mac.com
Temple of Together by Caroline Ghosn and Temple Crew The Temple of Together is about the light that emerges when we come together with all parts of ourselves and with the oneness we share with every other living being. In this time of global challenge and conflict, she invites each of us to unfurl under her protection and be seen, loved, and inspired. URL: http://www.2024temple.com Contact: volunteer@2024temple.com
Temple of Together by Caroline Ghosn and Temple Crew The Temple of Together is about the light that emerges when we come together with all parts of ourselves and with the oneness we share with every other living being. In this time of global challenge and conflict, she invites each of us to unfurl under her protection and be seen, loved, and inspired. URL: http://www.2024temple.com Contact: volunteer@2024temple.com
Temple of Together by Caroline Ghosn and Temple Crew The Temple of Together is about the light that emerges when we come together with all parts of ourselves and with the oneness we share with every other living being. In this time of global challenge and conflict, she invites each of us to unfurl under her protection and be seen, loved, and inspired. URL: http://www.2024temple.com Contact: volunteer@2024temple.com
BRC Snow Club FTW
BRC Snow Club FTW
BRC Snow Club FTW
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Coney McConeface: The Life and Death of a Traffic Cone by Chris “Kiwi” Hankins and the ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Banana for Scale by Caroline Kamm from Brussels, Belgium The banana is used online as a universal measuring stick, to provide a concept of scale when photographing objects. Banana for Scale plays with the disorienting size and contrasting visual cues of Black Rock Desert, by placing a massive inflatable banana on the playa. This enormous banana offers little to no real visual information, and that’s the point! Banana for Scale celebrates the importance of silliness in our lives and work as artists. It also highlights one of the unique challenges of making art for Burning Man: everything looks small in the expanse of the desert. This piece intentionally pokes fun at the conundrum of perspective on the playa, as well as the seemingly arbitrary choice of using a banana to demonstrate scale. URL: https://thebananaforscale.com/ Contact: hello@thebananaforscale.com
KokoMotive (the alice!) nice
The Man Opens
Ogoh Ogoh The Karmic Questioner by I Wayan Sunarinta and The Karma Collective from Bali, Indonesia “The Ogoh Ogoh embodies the essence of karmic belief, serving as a tangible reminder of the power of compassion and empathy. It symbolizes the inner struggles faced when confronted with doing what’s right, even when it seems daunting. Amidst life’s chaos, it serves as a beacon of light, urging the embrace of both light and shadows. The Ogoh Ogoh, rooted in Balinese tradition, takes on a sacred role in cleansing the soul of negativity. It’s a profound reminder that by doing good deeds and embracing self-awareness, one can navigate life’s complexities with curiosity and grace. URL: https://www.instagram.com/bali.karma.collective/ Contact: brieanabreeze@gmail.com
Ogoh Ogoh The Karmic Questioner by I Wayan Sunarinta and The Karma Collective from Bali, Indonesia “The Ogoh Ogoh embodies the essence of karmic belief, serving as a tangible reminder of the power of compassion and empathy. It symbolizes the inner struggles faced when confronted with doing what’s right, even when it seems daunting. Amidst life’s chaos, it serves as a beacon of light, urging the embrace of both light and shadows. The Ogoh Ogoh, rooted in Balinese tradition, takes on a sacred role in cleansing the soul of negativity. It’s a profound reminder that by doing good deeds and embracing self-awareness, one can navigate life’s complexities with curiosity and grace. URL: https://www.instagram.com/bali.karma.collective/ Contact: brieanabreeze@gmail.com
Curious Floral Display by Jeff Tangen from Port Townsend, ME A Curious Bouquet is an assemblage of fanciful flowers and foliage constructed out of several different materials, including parts from disassembled machines and recycled materials. The goal is to create fun and interesting objects that make people happy and spark their sense of wonder. Contact: tangenjeff@gmail.com
Zozobot by Walker Babington from New Orleans, LA Zozobot is a representation of the vulnerability of human creation. It is a reminder that what we create is an extension of us and is inherently our ethical responsibility. As creators of modern technology we bear the weight of being its moral compass. We are the subject of its curiosity. Zozo’s motto is “disco a te” – which translates to “I learn from you” Contact: walkerbabington@gmail.com
Zozobot by Walker Babington from New Orleans, LA Zozobot is a representation of the vulnerability of human creation. It is a reminder that what we create is an extension of us and is inherently our ethical responsibility. As creators of modern technology we bear the weight of being its moral compass. We are the subject of its curiosity. Zozo’s motto is “disco a te” – which translates to “I learn from you” Contact: walkerbabington@gmail.com
Forest of Confusion by Forest of Confusion from Denver, CO A group of Colorado Blue Spruce trees, with a central clearing, where participants can wander between the trees. Twenty-five trees make up the grove, and they will be spaced out in a way that obstructs the central clearing from the outside. During the night, the networked trees will light up together in a blue spruce color. The trees will be proximity-sensored, and the participants will have to interact with each tree to unlock a new color pattern. After a set amount of time, the tree color patterns will time out and revert to a solid color. If participants activate every tree before the time runs out on any of them, they will unlock the full forest grove of patterns. URL: https://www.instagram.com/forestofconfusion/
Ephemeral City Under Construction
Name Unknown
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
The King by David Posner from Charlottesville, VA The King is a geometrically shaped, octagonal King Chess Piece of monumental scale. The King is designed to express the shortcomings and follies of contemporary power dynamics and gender roles. We want the citizens of BRC to first be inspired by the scale and construction of the piece. Then, as they explore and inhabit the spaces, we hope to invoke thought and discussion around the roles we play and the ways we participate in contemporary patriarchy. We believe that these roles are damaging to all people, and we aim to create an approachable platform for that idea to be shared. URL: https://thekingburns.weebly.com/ Contact: posner.david@gmail.com
Mokosh Temple by Hania Abramowicz from Warsaw, Poland In Mokosh’s realm, we seek to find, A union of hearts, of like-minded kind. The goddess of life, of earth and of care, Guides our journey, with love to share. In her sacred womb, a temple stands tall, With an empowering center, defying all. A symbol of freedom, of strength and of grace, Inviting expression in this hallowed space. Here, hearts beat in a rhythmic dance, In a spectacle of light, we’re lost in trance. Each pulse, a note in a symphony grand, Uniting us all, hand in hand. As day turns to night, the temple glows, In the heart of Mokosh, our collective heart shows. The beats of life, the soul’s gentle call, In this magical space, we are one and all. In the heart of Mokosh, our spirits soar free, In this temple of wonder, our unity we see.
Mokosh Temple by Hania Abramowicz from Warsaw, Poland In Mokosh’s realm, we seek to find, A union of hearts, of like-minded kind. The goddess of life, of earth and of care, Guides our journey, with love to share. In her sacred womb, a temple stands tall, With an empowering center, defying all. A symbol of freedom, of strength and of grace, Inviting expression in this hallowed space. Here, hearts beat in a rhythmic dance, In a spectacle of light, we’re lost in trance. Each pulse, a note in a symphony grand, Uniting us all, hand in hand. As day turns to night, the temple glows, In the heart of Mokosh, our collective heart shows. The beats of life, the soul’s gentle call, In this magical space, we are one and all. In the heart of Mokosh, our spirits soar free, In this temple of wonder, our unity we see.
The Small and the Big I love the small mutant vehicles. They’re so charming. Actually who am I kidding I love all the mutant vehicles of BRC.
Trampoline at Entheos
Lovely Burner
Mansonian Museum Build
The Shirt He Always Wanted
Name Unknown
Lovely Burner
Naked Heart
Cybertruck
Lovely Burner
Mutant Vehicle at DMV
DMV Line
A Capsule of Curiosity by GryphonArt Collective from Reno, NV The Creativity Capsule, a collaborative endeavor by the GryphonArt Collective, stands as a testament to innovation and unity. This inflatable marvel, accompanied by student-created Creativity Capsules, serves as both art, sanctuary, and place to contemplate curiosity. Its memorizing presence in Black Rock City invites wanderers to explore its depths, igniting curiosity and sparking connections. Crafted by students, teachers, and parents, it symbolizes the boundless possibilities when art class transcends the classroom.
Mothership Mutant Vehicle
Mothership Mutant Vehicle
Mothership Mutant Vehicle and The Man
Mothership Mutant Vehicle
Mothership Mutant Vehicle Back
Mothership Mutant Vehicle Front
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
Dust Devil From Above From up here you can see how the shadow of the top of the Dust Devil (off to the right) disappears as it thins out.
The (Im)possible Dialogue by Jean Collin-Satre, Ben Pitzer, FAFA Camp from Poissy, France and Oakland, CA The installation is a circle of big heads, reminiscent of a blend between Stonehenge and Easter Island. Each head is fixed on an axis and turns 360 degrees. They are likely to be facing different directions, hence having an impossible dialogue. When someone approaches a head, they hear some gibberish or white noise. When the head is turned on its axis, the sound changes, like when you are searching for a certain frequency on a radio tuner. As you turn the heads toward the center of the circle, the sound becomes a clear note. Similarly, the color of the light inside the head changes and becomes brighter. Once the heads are all facing each other, a burst of light arises, as well as a magnificent chord composed by the respective notes of each head. URL: https://www.instagram.com/the.im.possible.dialogue/ Contact: impossibledialogue@gmail.com
Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
Sky Gazing by Patrick Shearn, Poetic Kinetics Studio from: Colorado Springs, CO Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
Sky Gazing by Patrick Shearn, Poetic Kinetics Studio from: Colorado Springs, CO Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
Sky Gazing by Patrick Shearn, Poetic Kinetics Studio from: Colorado Springs, CO Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
Post Office Build – Almost Done!
Phalange Federation THUMBderdome by Robadasar from Renton, WA The Phalange Federation THUMBderdome is a dystopian space where one can try their hand in combat; well, they can try their thumbs in combat! A small arena where two thumbs enter and one thumb leaves!
Phalange Federation THUMBderdome by Robadasar from Renton, WA The Phalange Federation THUMBderdome is a dystopian space where one can try their hand in combat; well, they can try their thumbs in combat! A small arena where two thumbs enter and one thumb leaves!
Phalange Federation THUMBderdome by Robadasar from Renton, WA The Phalange Federation THUMBderdome is a dystopian space where one can try their hand in combat; well, they can try their thumbs in combat! A small arena where two thumbs enter and one thumb leaves!
Greed by Michael Spraker and Marco Minaya, Night Visions Studio from Capistrano Beach, CA Greed is a twenty first century, larger-than-life winged gargoyle, perched on top of the earth and lording over humanity. Greed depicts the ageless crisis of individuals, institutions, and countries striving for power and control at the expense of humanity and our environment. As the viewer stands in front of this frightening monster, we are faced with multiple mirrors on its chest that reflect, in part, both the problem and the solution to the crisis—us. Our goal is to generate anger at what is happening in our world today, such as oppression, exploitation, predatory violence, institutional greediness, and environmental degradation. Next, to spark introspection and self-reflection about how we contribute to the problem through insatiable consumerism. Contact: tofst2ctch@aol.com
Greed by Michael Spraker and Marco Minaya, Night Visions Studio from Capistrano Beach, CA Greed is a twenty first century, larger-than-life winged gargoyle, perched on top of the earth and lording over humanity. Greed depicts the ageless crisis of individuals, institutions, and countries striving for power and control at the expense of humanity and our environment. As the viewer stands in front of this frightening monster, we are faced with multiple mirrors on its chest that reflect, in part, both the problem and the solution to the crisis—us. Our goal is to generate anger at what is happening in our world today, such as oppression, exploitation, predatory violence, institutional greediness, and environmental degradation. Next, to spark introspection and self-reflection about how we contribute to the problem through insatiable consumerism. Contact: tofst2ctch@aol.com
The King by David Posner from Charlottesville, VA The King is a geometrically shaped, octagonal King Chess Piece of monumental scale. The King is designed to express the shortcomings and follies of contemporary power dynamics and gender roles. We want the citizens of BRC to first be inspired by the scale and construction of the piece. Then, as they explore and inhabit the spaces, we hope to invoke thought and discussion around the roles we play and the ways we participate in contemporary patriarchy. We believe that these roles are damaging to all people, and we aim to create an approachable platform for that idea to be shared. URL: https://thekingburns.weebly.com/ Contact: posner.david@gmail.com
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
Heave by Michael Christian https://www.michaelchristian.com/portfolio/heave/
Heave by Michael Christian https://www.michaelchristian.com/portfolio/heave/
Heave by Michael Christian https://www.michaelchristian.com/portfolio/heave/
Heave by Michael Christian https://www.michaelchristian.com/portfolio/heave/
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Beacon by David Oliver from Ventura, CA A pillar reaching into the sky twenty-four feet. Dressed with three illuminated stained-glass Tiffany style “Collection Pan” lamps up high, and topped with a highly reflective steel alloy “Beacon Ball” that measures two feet in diameter. Shadowed light runs vertically below the lamps on the main body tucked neatly inside the applied steel tubing called, “Transfer Pipes”. Four louvered panel “Exhaust Fins” are also internally illuminated, emit smoke (fog), and act as feet to support this towering structure. All steel components of project Beacon are to be of a metallic finish ranging from aluminum to copper. URL: https://www.facebook.com/groups/511422599441315/
Beacon by David Oliver from Ventura, CA A pillar reaching into the sky twenty-four feet. Dressed with three illuminated stained-glass Tiffany style “Collection Pan” lamps up high, and topped with a highly reflective steel alloy “Beacon Ball” that measures two feet in diameter. Shadowed light runs vertically below the lamps on the main body tucked neatly inside the applied steel tubing called, “Transfer Pipes”. Four louvered panel “Exhaust Fins” are also internally illuminated, emit smoke (fog), and act as feet to support this towering structure. All steel components of project Beacon are to be of a metallic finish ranging from aluminum to copper. URL: https://www.facebook.com/groups/511422599441315/
The Shop
#KOKON by Misha Libertee from Yerevan, Armenia and Los Angeles, CA A colossal inflatable baby unicorn stands majestically at Burning Man. #Kokon embodies purity and simplicity, mirroring the direct and focused way children with autism interact with their surroundings. The unicorn, a symbol of grace and uniqueness, celebrates the beauty of seeing the world differently, inviting a deeper appreciation for diverse perspectives. URL: https://libertee.art/kokon Contact: misha@libertee.art
Nebula Rider, Goldie and Minnie by Adrian Landon from Reno, NV Adrian Landon returns with some new vibes and energies through mechanical marvel and sculpture, with kinetic horses and Pegasi of various scales. URL: https://adrianlandon.com/ Contact: adrianlandon@hotmail.com
CONFLUIR is the result of different suggestions of contrasts: interior and exterior, appear and camouflage, rigid and malleable, reflect and veil, environment and detail. Its distorted reflections embody the contexts that surround it, including the spectators who inhabit it. By concentrating on its outer and concave side, the protagonist of your mirror is an image more similar to the real one, slightly deforming any information that surrounds it. On their interior and convex faces, the prisms produce an abstract result, fragmenting everything we observe into small parts. Contact: ccastanox@gmail.com
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
COQUÍ, a symbol of artist NiNo’s homeland, Puerto Rico, is a charming arboreal frog who sings amid the sounds of the rainforest where he lives. This project will invite our community to explore Coquí’s many attributes, taking a trip inside his enlarged throat, and being fully immersed in his world as he sings. URL: http://www.leaveittonino.com Contact: elninoalicea@gmail.com
Harmonia by TheWiz Trammell from Portland, OR Chaos and Resonance. Cycles and Epicycles. Movement evokes sound. Forms are implied. An unexpected order arises. Harmonia is a highly interactive spherical sculpture with spokes animated by light in harmonically related motion. Be the artist. Contact: thewiz@sent.com
Harmonia by TheWiz Trammell from Portland, OR Chaos and Resonance. Cycles and Epicycles. Movement evokes sound. Forms are implied. An unexpected order arises. Harmonia is a highly interactive spherical sculpture with spokes animated by light in harmonically related motion. Be the artist. Contact: thewiz@sent.com
DMV Line
DMV Life
Sweet Ride Mutant Vehicle Some friends of my contributed to the build of this lovely mutant vehicle. I had hoped to see it again but never saw it again during the burn. Sorry H and T!
Sweet Ride Mutant Vehicle Some friends of my contributed to the build of this lovely mutant vehicle. I had hoped to see it again but never saw it again during the burn. Sorry H and T!
Sweet Ride Mutant Vehicle First DMV Sticker Some friends of my contributed to the build of this lovely mutant vehicle. I had hoped to see it again but never saw it again during the burn. Sorry H and T!
A New Mutant Vehicle is Born Some friends of my contributed to the build of this lovely mutant vehicle. I had hoped to see it again but never saw it again during the burn. Sorry H and T!
DMV Life
My Friend Known as Tree
DMV Line
DMV Line
DMV Line
DMV Line
DMV Line
DMV Life
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
The Other, 2024 Burning Man, Man Pavilion Chosen as the 2024 Burning Man Pavilion, “The Other” by Jen Lewin invites participants into a whimsical journey of exploration and play. Featuring eight gracefully curved, canyon-shaped tentacles, this interactive installation offers stairways and ramps that lead to various vantage points. As you move through its sweeping pathways, you’ll experience the infinite possibilities of exploration, never quite reaching a destination but instead discovering the beauty of the spaces in between. Gaze outward to The Man and The City, or inward to connect with fellow explorers in this dynamic, ever-changing landscape. The concept for The Other is deliberately crafted around eight distinct tentacles, each possessing its own independent perspectives: inwards, outwards, upwards, away, and towards. Rather than fixating on a singular ‘center,’ participants are encouraged to navigate, meander, and explore each area individually, fostering a sense of discovery that would be unattainable if they were interconnected. This concept prioritizes exploration. For those inclined towards gathering, the design also utilizes negative space—the center, beneath the structure, remains open for congregation, featuring interconnected benches and seating. This aspect underscores the interplay between interior and exterior spaces. It’s about form, but equally about the spaces in between. The Other was made possible by the amazing Man Build Crew, and their talented and incredible build team. Lighting Design and light animation made possible by the amazing talent of @ Mark Slee. https://www.jenlewinstudio.com/portfolio/the-other/
P.O.D.S. (Plants of Dimensional Spatiality) by Tyler FuQua Creations from Eagle Creek, OR PODS is a group of plant-like seating pods which are covered in colorful blossoms. Connecting the three pods is a series of stems that join together in the middle to form one stem, on which sits a colossal flower. Each POD will feature a beautiful circular wooden bench that is made from reclaimed wood. PODS is designed to create a space for people to chill and hang with friends new and old. Contact: tyfu@me.com
P.O.D.S. (Plants of Dimensional Spatiality) by Tyler FuQua Creations from Eagle Creek, OR PODS is a group of plant-like seating pods which are covered in colorful blossoms. Connecting the three pods is a series of stems that join together in the middle to form one stem, on which sits a colossal flower. Each POD will feature a beautiful circular wooden bench that is made from reclaimed wood. PODS is designed to create a space for people to chill and hang with friends new and old. Contact: tyfu@me.com
Magnificent
CONFLUIR by Constanza Castaño from Santiago, Chile CONFLUIR is the result of different suggestions of contrasts: interior and exterior, appear and camouflage, rigid and malleable, reflect and veil, environment and detail. Its distorted reflections embody the contexts that surround it, including the spectators who inhabit it. By concentrating on its outer and concave side, the protagonist of your mirror is an image more similar to the real one, slightly deforming any information that surrounds it. On their interior and convex faces, the prisms produce an abstract result, fragmenting everything we observe into small parts. URL: https://youtu.be/aZV-luQm7sk?si=bOJJd7qgHrTlvVmm Contact: ccastanox@gmail.com
CONFLUIR by Constanza Castaño from Santiago, Chile CONFLUIR is the result of different suggestions of contrasts: interior and exterior, appear and camouflage, rigid and malleable, reflect and veil, environment and detail. Its distorted reflections embody the contexts that surround it, including the spectators who inhabit it. By concentrating on its outer and concave side, the protagonist of your mirror is an image more similar to the real one, slightly deforming any information that surrounds it. On their interior and convex faces, the prisms produce an abstract result, fragmenting everything we observe into small parts. URL: https://youtu.be/aZV-luQm7sk?si=bOJJd7qgHrTlvVmm Contact: ccastanox@gmail.com
CONFLUIR by Constanza Castaño from Santiago, Chile CONFLUIR is the result of different suggestions of contrasts: interior and exterior, appear and camouflage, rigid and malleable, reflect and veil, environment and detail. Its distorted reflections embody the contexts that surround it, including the spectators who inhabit it. By concentrating on its outer and concave side, the protagonist of your mirror is an image more similar to the real one, slightly deforming any information that surrounds it. On their interior and convex faces, the prisms produce an abstract result, fragmenting everything we observe into small parts. URL: https://youtu.be/aZV-luQm7sk?si=bOJJd7qgHrTlvVmm Contact: ccastanox@gmail.com
CONFLUIR by Constanza Castaño from Santiago, Chile CONFLUIR is the result of different suggestions of contrasts: interior and exterior, appear and camouflage, rigid and malleable, reflect and veil, environment and detail. Its distorted reflections embody the contexts that surround it, including the spectators who inhabit it. By concentrating on its outer and concave side, the protagonist of your mirror is an image more similar to the real one, slightly deforming any information that surrounds it. On their interior and convex faces, the prisms produce an abstract result, fragmenting everything we observe into small parts. URL: https://youtu.be/aZV-luQm7sk?si=bOJJd7qgHrTlvVmm Contact: ccastanox@gmail.com
CONFLUIR by Constanza Castaño from Santiago, Chile CONFLUIR is the result of different suggestions of contrasts: interior and exterior, appear and camouflage, rigid and malleable, reflect and veil, environment and detail. Its distorted reflections embody the contexts that surround it, including the spectators who inhabit it. By concentrating on its outer and concave side, the protagonist of your mirror is an image more similar to the real one, slightly deforming any information that surrounds it. On their interior and convex faces, the prisms produce an abstract result, fragmenting everything we observe into small parts. URL: https://youtu.be/aZV-luQm7sk?si=bOJJd7qgHrTlvVmm Contact: ccastanox@gmail.com
Beacon by David Oliver from Ventura, CA A pillar reaching into the sky twenty-four feet. Dressed with three illuminated stained-glass Tiffany style “Collection Pan” lamps up high, and topped with a highly reflective steel alloy “Beacon Ball” that measures two feet in diameter. Shadowed light runs vertically below the lamps on the main body tucked neatly inside the applied steel tubing called, “Transfer Pipes”. Four louvered panel “Exhaust Fins” are also internally illuminated, emit smoke (fog), and act as feet to support this towering structure. All steel components of project Beacon are to be of a metallic finish ranging from aluminum to copper. URL: https://www.facebook.com/groups/511422599441315/
Beacon by David Oliver from Ventura, CA A pillar reaching into the sky twenty-four feet. Dressed with three illuminated stained-glass Tiffany style “Collection Pan” lamps up high, and topped with a highly reflective steel alloy “Beacon Ball” that measures two feet in diameter. Shadowed light runs vertically below the lamps on the main body tucked neatly inside the applied steel tubing called, “Transfer Pipes”. Four louvered panel “Exhaust Fins” are also internally illuminated, emit smoke (fog), and act as feet to support this towering structure. All steel components of project Beacon are to be of a metallic finish ranging from aluminum to copper. URL: https://www.facebook.com/groups/511422599441315/
Lovely Burner It was such a pleasure to see you again. Thank you for your art!
Sky Gazing by Patrick Shearn, Poetic Kinetics Studio from: Colorado Springs, CO Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
Sky Gazing (build) by Patrick Shearn Poetic Kinetics Studio from Colorado Springs, CO Sky Gazing is an aerial canopy of ribbons of colorful fabric moving dramatically with the wind, creating an illusion of a floating, dancing kaleidoscopic cloud hovering magically in the sky. Underneath, the murmuration of vibrant colors is immersive overhead, and breathtaking as it ascends to full height. Unexpectedly, the sound is gentle, like a rushing river. URL: https://www.poetickinetics.com/river-of-light/ Contact: info@poetickinetics.com
MOTHERSHIP
Mudita
The Actual Robot Heart Lineup In the lead up to Burning Man 2024 a controversial call was made to encourage large sound camps to publicly announce who would be playing. Some say this was to encourage people to buy more tickets since the event did not sell out. Some camps followed the directive and posted who would be playing. Robot Heart posted their lineup but in a cryptic hangman puzzle which was mostly blank. This was a fun joke and a little poke at the org. So it was quite funny when I just happened to be on the spot when they actually filled out their real lineup on the playa. You can see the aforementioned cryptic “lineup” at the link below. Props to Gary and Ben! https://www.instagram.com/p/C-szfs4vRwc/
Bruno’s Country Club LMAO (RIP btw)
Empty Robot Heart Bus
Great Hat
Reflections
Burning Man Is Hilarious One of the most misunderstood parts of Burning Man culture is how funny it is. The culture makes fun of itself and authority figures in good spirit. For context Marian is the CEO of this whole thing and some random staff were wearing these pins around. I have it on good authority that the person who made the pins didn’t give one to Marian but Marian emerged wearing one the first time the pin maker saw Marian. Nicely done Marian!
Same Haha
Temple Builder Campmates My campmates help build the temple each year. They are badasses and also make a fine paella.
Lovely Burner I think the way she wound her hair into her crown is amazing. Great look!
Burning Man 2024 Man Base “The Other” by Jen Lewin and the Man Base Crew The Other features eight gracefully curved, canyon-shaped tentacles that wind as stairways and ramps, each leading to an upper and lower vantage point. Moving around the work, participants can gaze outward and inward, viewing The Man, The City, and each other. Jen Lewin — @jenlewinstudio jenlewinstudio.com https://journal.burningman.org/2024/03/burning-man-arts/brc-art/announcing-the-2024-man-pavilion/
Dream Slide by William Nemitoff from New Orleans, LA A glowing unicorn, larger than life. A journey into dreams and out the other side. White facets by day, a luminescent aurora by night. A slide runs down the glowing mane. Dream Slide embodies childhood wonder and fantastic visions, responding to our bodies as our dreams respond to our minds. Contact: thedreamslide@gmail.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=H&support_project=0#a2IVI000000EpsH2AS
Polychroma (build week) by In Theory Art Collective from Huntsville, UT Polychroma is an iridescent LED rainbow with interactive cloud pillars and relaxing benches. Citizens of BRC can lay awash in the beauty of the full-color spectra here and belly flop into the concept of ‘polychromatism,’ which is an expansive, subversive, heterogeneous way of thinking, being, understanding, and relating to others that cultivates beauty, diversity, strength, fulfillment, justice, and planetary health. It is set in contrast to ‘monochromatism,’ a limiting, black-and-white, homogenous, conventional way of thinking, being, understanding, and relating to others that leads to domination, weakness, boredom, injustice, and social, personal, and ecological disease. Contact: emily.nicolosi@gmail.com
Dream Slide by William Nemitoff from New Orleans, LA A glowing unicorn, larger than life. A journey into dreams and out the other side. White facets by day, a luminescent aurora by night. A slide runs down the glowing mane. Dream Slide embodies childhood wonder and fantastic visions, responding to our bodies as our dreams respond to our minds. Contact: thedreamslide@gmail.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=H&support_project=0#a2IVI000000EpsH2AS
Unicorn Dune The Man and Man Pavilion were entirely powered by a 34kW / 124kWh portable solar plus energy storage prototype (the “Unicorn”) designed and built by Burning Man Project. https://burningman.org/about/about-us/sustainability/
Razorback Obsession
Build Week Continues
Down the Rabbit Hole by Darrell Ansted and Katie D’Arcangelo from Boulder, CO (build week) Down the Rabbit Hole is a 10′ tunnel of steel rings, each 8 feet in diameter, aglow with LED lights leading to a 10-foot tall, polygon-faceted rabbit of reflective stainless steel on a LED interactive floor, dancing to the rhythm of sounds. The installation is a beacon of invitation, reflection, and chromatic bursts. The metaphorical “Down the Rabbit Hole” invites a journey into the unknown, igniting curiosity and discovery, urging them to shed the constraints of time and societal norms to embrace the joy, play, and wonder of exploration. It’s a celebration of art’s transformative power, uniting people in wonder and play. URL: http://www.downtherabbitholeagain.com Contact: darrellansted@gmail.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000G2PF2A0
Down the Rabbit Hole by Darrell Ansted and Katie D’Arcangelo from Boulder, CO (build week) Down the Rabbit Hole is a 10′ tunnel of steel rings, each 8 feet in diameter, aglow with LED lights leading to a 10-foot tall, polygon-faceted rabbit of reflective stainless steel on a LED interactive floor, dancing to the rhythm of sounds. The installation is a beacon of invitation, reflection, and chromatic bursts. The metaphorical “Down the Rabbit Hole” invites a journey into the unknown, igniting curiosity and discovery, urging them to shed the constraints of time and societal norms to embrace the joy, play, and wonder of exploration. It’s a celebration of art’s transformative power, uniting people in wonder and play. URL: http://www.downtherabbitholeagain.com Contact: darrellansted@gmail.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000G2PF2A0
The Speed of the Earth by Kevin Kelly and David Rumsey from San Francisco, CA (build) The streaking visualization of the Earth’s rotation will be visible from any angle on the playa. However, the ideal angle for maximum effect is neither head-on nor perpendicular, but viewed at an oblique angle. The location of Speed of the Earth will therefore run from the trash fence directly towards the Temple (see map) at an oblique angle to the main city. This light course will span just 800 feet shy of a mile. Each run will last 4.5 seconds, and will recycle every 15 seconds. The virtual speed of the streaking lights will be 784 mph. The placement of the lights will enable this phenomenon to be seen almost anywhere along the esplanade, or in the outer and deep playa. URL: https://kk.org/ Contact: kk@kk.org https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000Dov32AC
The Speed of the Earth by Kevin Kelly and David Rumsey from San Francisco, CA (build) The streaking visualization of the Earth’s rotation will be visible from any angle on the playa. However, the ideal angle for maximum effect is neither head-on nor perpendicular, but viewed at an oblique angle. The location of Speed of the Earth will therefore run from the trash fence directly towards the Temple (see map) at an oblique angle to the main city. This light course will span just 800 feet shy of a mile. Each run will last 4.5 seconds, and will recycle every 15 seconds. The virtual speed of the streaking lights will be 784 mph. The placement of the lights will enable this phenomenon to be seen almost anywhere along the esplanade, or in the outer and deep playa. URL: https://kk.org/ Contact: kk@kk.org https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000Dov32AC
The Speed of the Earth by Kevin Kelly and David Rumsey from San Francisco, CA (build) The streaking visualization of the Earth’s rotation will be visible from any angle on the playa. However, the ideal angle for maximum effect is neither head-on nor perpendicular, but viewed at an oblique angle. The location of Speed of the Earth will therefore run from the trash fence directly towards the Temple (see map) at an oblique angle to the main city. This light course will span just 800 feet shy of a mile. Each run will last 4.5 seconds, and will recycle every 15 seconds. The virtual speed of the streaking lights will be 784 mph. The placement of the lights will enable this phenomenon to be seen almost anywhere along the esplanade, or in the outer and deep playa. URL: https://kk.org/ Contact: kk@kk.org https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000Dov32AC
The Speed of the Earth by Kevin Kelly and David Rumsey from San Francisco, CA (build) The streaking visualization of the Earth’s rotation will be visible from any angle on the playa. However, the ideal angle for maximum effect is neither head-on nor perpendicular, but viewed at an oblique angle. The location of Speed of the Earth will therefore run from the trash fence directly towards the Temple (see map) at an oblique angle to the main city. This light course will span just 800 feet shy of a mile. Each run will last 4.5 seconds, and will recycle every 15 seconds. The virtual speed of the streaking lights will be 784 mph. The placement of the lights will enable this phenomenon to be seen almost anywhere along the esplanade, or in the outer and deep playa. URL: https://kk.org/ Contact: kk@kk.org https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000Dov32AC
The Speed of the Earth by Kevin Kelly and David Rumsey from San Francisco, CA (build) The streaking visualization of the Earth’s rotation will be visible from any angle on the playa. However, the ideal angle for maximum effect is neither head-on nor perpendicular, but viewed at an oblique angle. The location of Speed of the Earth will therefore run from the trash fence directly towards the Temple (see map) at an oblique angle to the main city. This light course will span just 800 feet shy of a mile. Each run will last 4.5 seconds, and will recycle every 15 seconds. The virtual speed of the streaking lights will be 784 mph. The placement of the lights will enable this phenomenon to be seen almost anywhere along the esplanade, or in the outer and deep playa. URL: https://kk.org/ Contact: kk@kk.org https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000Dov32AC
The Speed of the Earth by Kevin Kelly and David Rumsey from San Francisco, CA (build) The streaking visualization of the Earth’s rotation will be visible from any angle on the playa. However, the ideal angle for maximum effect is neither head-on nor perpendicular, but viewed at an oblique angle. The location of Speed of the Earth will therefore run from the trash fence directly towards the Temple (see map) at an oblique angle to the main city. This light course will span just 800 feet shy of a mile. Each run will last 4.5 seconds, and will recycle every 15 seconds. The virtual speed of the streaking lights will be 784 mph. The placement of the lights will enable this phenomenon to be seen almost anywhere along the esplanade, or in the outer and deep playa. URL: https://kk.org/ Contact: kk@kk.org https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000Dov32AC
The King by David Posner from Charlottesville, VA The King is a geometrically shaped, octagonal King Chess Piece of monumental scale. The King is designed to express the shortcomings and follies of contemporary power dynamics and gender roles. We want the citizens of BRC to first be inspired by the scale and construction of the piece. Then, as they explore and inhabit the spaces, we hope to invoke thought and discussion around the roles we play and the ways we participate in contemporary patriarchy. We believe that these roles are damaging to all people, and we aim to create an approachable platform for that idea to be shared. URL: https://thekingburns.weebly.com/ Contact: posner.david@gmail.com
Down the Rabbit Hole by Darrell Ansted and Katie D’Arcangelo from Boulder, CO (build week) Down the Rabbit Hole is a 10′ tunnel of steel rings, each 8 feet in diameter, aglow with LED lights leading to a 10-foot tall, polygon-faceted rabbit of reflective stainless steel on a LED interactive floor, dancing to the rhythm of sounds. The installation is a beacon of invitation, reflection, and chromatic bursts. The metaphorical “Down the Rabbit Hole” invites a journey into the unknown, igniting curiosity and discovery, urging them to shed the constraints of time and societal norms to embrace the joy, play, and wonder of exploration. It’s a celebration of art’s transformative power, uniting people in wonder and play. URL: http://www.downtherabbitholeagain.com Contact: darrellansted@gmail.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000G2PF2A0
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
The World Reimagined by Project Aikido x The World Reimagined from London, UK Eight globes measure 5.5 feet tall and 4.6 feet in diameter. Each globe has been individually curated by a different artist and embodies The World Reimagined themes of: Mother Africa; The Reality of Being Enslaved; Stolen Legacy: The Rebirth of a Nation; Abolition & Emancipation; A Complex Triangle; Echoes in the Present; Still We Rise; Expanding Soul; Reimagine the Future; and Community. The World Reimagined is built on the belief in the transformative power of art: to inspire, to move, and to open our imagination to new possibilities. Project Aikido was created to showcase all aspects of African culture, creativity, and technical skills of the underrepresented, both on the continent and in the Diaspora. URL: https://www.projectaikido.com/
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Hábitat by Mark Rivera aka Kidnetick from Santurce, Puerto Rico A habitat is where an organism lives. The goal of Hábitat is to show the beauty of coexistence and community through a sculpture thats feels like it is a living organism, breathing and thriving when whatever is living inside can live together in peace. Contact: kidnetickart@gmail.com
Down the Rabbit Hole by Darrell Ansted and Katie D’Arcangelo from Boulder, CO Down the Rabbit Hole is a 10′ tunnel of steel rings, each 8 feet in diameter, aglow with LED lights leading to a 10-foot tall, polygon-faceted rabbit of reflective stainless steel on a LED interactive floor, dancing to the rhythm of sounds. The installation is a beacon of invitation, reflection, and chromatic bursts. The metaphorical “Down the Rabbit Hole” invites a journey into the unknown, igniting curiosity and discovery, urging them to shed the constraints of time and societal norms to embrace the joy, play, and wonder of exploration. It’s a celebration of art’s transformative power, uniting people in wonder and play. URL: http://www.downtherabbitholeagain.com Contact: darrellansted@gmail.com
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine
Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down.
This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet.
Contact: lioshasay@gmail.com
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
Burning Man 2024 Man Base “The Other” by Jen Lewin and the Man Base Crew The Other features eight gracefully curved, canyon-shaped tentacles that wind as stairways and ramps, each leading to an upper and lower vantage point. Moving around the work, participants can gaze outward and inward, viewing The Man, The City, and each other. Jen Lewin — @jenlewinstudio jenlewinstudio.com https://journal.burningman.org/2024/03/burning-man-arts/brc-art/announcing-the-2024-man-pavilion/
Burning Man 2024 Man Base “The Other” by Jen Lewin and the Man Base Crew The Other features eight gracefully curved, canyon-shaped tentacles that wind as stairways and ramps, each leading to an upper and lower vantage point. Moving around the work, participants can gaze outward and inward, viewing The Man, The City, and each other. Jen Lewin — @jenlewinstudio jenlewinstudio.com https://journal.burningman.org/2024/03/burning-man-arts/brc-art/announcing-the-2024-man-pavilion/
Burning Man 2024 Man Base “The Other” by Jen Lewin and the Man Base Crew The Other features eight gracefully curved, canyon-shaped tentacles that wind as stairways and ramps, each leading to an upper and lower vantage point. Moving around the work, participants can gaze outward and inward, viewing The Man, The City, and each other. Jen Lewin — @jenlewinstudio jenlewinstudio.com https://journal.burningman.org/2024/03/burning-man-arts/brc-art/announcing-the-2024-man-pavilion/
Beacon by David Oliver from Ventura, CA A pillar reaching into the sky twenty-four feet. Dressed with three illuminated stained-glass Tiffany style “Collection Pan” lamps up high, and topped with a highly reflective steel alloy “Beacon Ball” that measures two feet in diameter. Shadowed light runs vertically below the lamps on the main body tucked neatly inside the applied steel tubing called, “Transfer Pipes”. Four louvered panel “Exhaust Fins” are also internally illuminated, emit smoke (fog), and act as feet to support this towering structure. All steel components of project Beacon are to be of a metallic finish ranging from aluminum to copper. URL: https://www.facebook.com/groups/511422599441315/
Tall Tails by Clinton Lesh from Bozeman, MT This Jackalope, standing at 10 feet tall, is your imagination come to life. Tall Tails is made from many individual hairs of stainless steel, heat treated to color the hare in iridescent golds, blues and purples and sculpted in a running position to add dynamics and movement. Artist Clinton Lesh is thrilled to share this mythical project paired with the western flair that is inspired by his childhood and upbringing in rural Montana. URL: https://www.clintonleshsculptures.com/ Contact: clintonjesselesh@gmail.com
Tall Tails by Clinton Lesh from Bozeman, MT This Jackalope, standing at 10 feet tall, is your imagination come to life. Tall Tails is made from many individual hairs of stainless steel, heat treated to color the hare in iridescent golds, blues and purples and sculpted in a running position to add dynamics and movement. Artist Clinton Lesh is thrilled to share this mythical project paired with the western flair that is inspired by his childhood and upbringing in rural Montana. URL: https://www.clintonleshsculptures.com/ Contact: clintonjesselesh@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Rhinoceros by Barry Crawford A mechanically-styled rhinoceros made from found objects and new steel. It has multiple manual parts for participants to enjoy. Contact: barrycrawfordart@gmail.com
Rhinoceros by Barry Crawford A mechanically-styled rhinoceros made from found objects and new steel. It has multiple manual parts for participants to enjoy. Contact: barrycrawfordart@gmail.com
Dream Slide by William Nemitoff from New Orleans, LA A glowing unicorn, larger than life. A journey into dreams and out the other side. White facets by day, a luminescent aurora by night. A slide runs down the glowing mane. Dream Slide embodies childhood wonder and fantastic visions, responding to our bodies as our dreams respond to our minds. Contact: thedreamslide@gmail.com
Dream Slide by William Nemitoff from New Orleans, LA A glowing unicorn, larger than life. A journey into dreams and out the other side. White facets by day, a luminescent aurora by night. A slide runs down the glowing mane. Dream Slide embodies childhood wonder and fantastic visions, responding to our bodies as our dreams respond to our minds. Contact: thedreamslide@gmail.com
Dream Slide by William Nemitoff from New Orleans, LA A glowing unicorn, larger than life. A journey into dreams and out the other side. White facets by day, a luminescent aurora by night. A slide runs down the glowing mane. Dream Slide embodies childhood wonder and fantastic visions, responding to our bodies as our dreams respond to our minds. Contact: thedreamslide@gmail.com
Banana for Scale by Caroline Kamm from Brussels, Belgium The banana is used online as a universal measuring stick, to provide a concept of scale when photographing objects. Banana for Scale plays with the disorienting size and contrasting visual cues of Black Rock Desert, by placing a massive inflatable banana on the playa. This enormous banana offers little to no real visual information, and that’s the point! Banana for Scale celebrates the importance of silliness in our lives and work as artists. It also highlights one of the unique challenges of making art for Burning Man: everything looks small in the expanse of the desert. This piece intentionally pokes fun at the conundrum of perspective on the playa, as well as the seemingly arbitrary choice of using a banana to demonstrate scale. URL: https://thebananaforscale.com/ Contact: hello@thebananaforscale.com
Banana for Scale by Caroline Kamm from Brussels, Belgium The banana is used online as a universal measuring stick, to provide a concept of scale when photographing objects. Banana for Scale plays with the disorienting size and contrasting visual cues of Black Rock Desert, by placing a massive inflatable banana on the playa. This enormous banana offers little to no real visual information, and that’s the point! Banana for Scale celebrates the importance of silliness in our lives and work as artists. It also highlights one of the unique challenges of making art for Burning Man: everything looks small in the expanse of the desert. This piece intentionally pokes fun at the conundrum of perspective on the playa, as well as the seemingly arbitrary choice of using a banana to demonstrate scale. URL: https://thebananaforscale.com/ Contact: hello@thebananaforscale.com
Banana for Scale by Caroline Kamm from Brussels, Belgium The banana is used online as a universal measuring stick, to provide a concept of scale when photographing objects. Banana for Scale plays with the disorienting size and contrasting visual cues of Black Rock Desert, by placing a massive inflatable banana on the playa. This enormous banana offers little to no real visual information, and that’s the point! Banana for Scale celebrates the importance of silliness in our lives and work as artists. It also highlights one of the unique challenges of making art for Burning Man: everything looks small in the expanse of the desert. This piece intentionally pokes fun at the conundrum of perspective on the playa, as well as the seemingly arbitrary choice of using a banana to demonstrate scale. URL: https://thebananaforscale.com/ Contact: hello@thebananaforscale.com
Build Week
Build Week
Build Week – Where are you Greg?!
Build Week
Name Unknown
I’m Fine :) by Oleksiy Sai from Kyiv, Ukraine Regardless of cultural or geographical boundaries, all people feel joy, sadness, anger, fear and love – these are the emotions that make us human. “I’m Fine” speaks to a situation familiar to all of us, when we automatically respond with “I’m fine” to the question “Are you ok?” even though we might be feeling pain, anxiety or confusion deep down. This piece particularly resonates with Ukrainians who continue to face daily challenges both personally and as a nation. Yet this story is universal and relatable to everyone on the planet. Contact: lioshasay@gmail.com
Temple of Together (build week) by Caroline Ghosn and Temple Crew The Temple of Together is about the light that emerges when we come together with all parts of ourselves and with the oneness we share with every other living being. In this time of global challenge and conflict, she invites each of us to unfurl under her protection and be seen, loved, and inspired. URL: http://www.2024temple.com Contact: volunteer@2024temple.com
Build Week
Temple of Together (build week) by Caroline Ghosn and Temple Crew The Temple of Together is about the light that emerges when we come together with all parts of ourselves and with the oneness we share with every other living being. In this time of global challenge and conflict, she invites each of us to unfurl under her protection and be seen, loved, and inspired. URL: http://www.2024temple.com Contact: volunteer@2024temple.com
Build Week
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Build Week Notice the build attire of these pros. Sun protection, eye protection, mask, radio, chapstick at the ready! They are ready to build and for what comes. They even have labels on their clothes and tools. I have removed the labels in this photo so as not to doxx them. I wasn’t sure if they wanted their names out there… These folks were kind setting up lights to demark internal roads and paths for the epic AEZ.
Build Week
Build Week
Build Week
Spiral of Secrets by Oz Wilcox from Richland, WA SOS consists of four spiraling hallways that converge into a central atrium. The atrium holds a large cocoon, which houses a small kiosk where new secrets may be submitted. The piece will present old secrets via diorama peepholes, printed booklets, and sound collages. Old secret cards will be presented as paper mache attachments flanking the atrium and the entrances. The cocoon also hides a steel helix-shaped sculpture that will be revealed during our OF1 burn. The walls will be painted in abstract swirling spiral-galaxy style, at the direction of muralist CaroCaro. The layout of the piece is designed to create a giant fire vortex when burned, using the passageways as air channels. Contact: crazysafeart@gmail.com
Spiral of Secrets by Oz Wilcox from Richland, WA SOS consists of four spiraling hallways that converge into a central atrium. The atrium holds a large cocoon, which houses a small kiosk where new secrets may be submitted. The piece will present old secrets via diorama peepholes, printed booklets, and sound collages. Old secret cards will be presented as paper mache attachments flanking the atrium and the entrances. The cocoon also hides a steel helix-shaped sculpture that will be revealed during our OF1 burn. The walls will be painted in abstract swirling spiral-galaxy style, at the direction of muralist CaroCaro. The layout of the piece is designed to create a giant fire vortex when burned, using the passageways as air channels. Contact: crazysafeart@gmail.com
Spiral of Secrets by Oz Wilcox from Richland, WA SOS consists of four spiraling hallways that converge into a central atrium. The atrium holds a large cocoon, which houses a small kiosk where new secrets may be submitted. The piece will present old secrets via diorama peepholes, printed booklets, and sound collages. Old secret cards will be presented as paper mache attachments flanking the atrium and the entrances. The cocoon also hides a steel helix-shaped sculpture that will be revealed during our OF1 burn. The walls will be painted in abstract swirling spiral-galaxy style, at the direction of muralist CaroCaro. The layout of the piece is designed to create a giant fire vortex when burned, using the passageways as air channels. Contact: crazysafeart@gmail.com
Organic Study No. 4 by Luis Varela-Rico from Las Vegas, NV and Guadalajara, Mexico Organic Study No. 4 is a large-scale steel sculpture that is a clear celebration of Mexican culture. It draws inspiration from Dia de Los Muertos, the Catholic church, and colonialism. It includes an upside down cross in the archway. It acknowledges the history of colonization and its negative impact on the global community. OS No. 4 challenges the status quo and makes an argument that we don’t need to subscribe to dogmatic belief systems to accept each other. The piece uses historical and cultural references to remind people how beautiful we can be if we base our behavior from a place of love instead of greed or fear. URL: https://luisvarelarico.com/ Contact: luisvarelarico@gmail.com
Slide on School Bus Conversion
Walk in Camping
Mayan Warrior (build week)
Cool Vehicle
Art 20 – Years by Denny Smith “Dragnet” from Manhattan Beach, CA Twenty years on the playa for BlinkingManCamp97. This year’s project is #13 on the deep playa trash fence. Art 20 – Years will have about 70 tennis rackets with unique, repurposed and recycled folk art pieces attached to them. Many will have art from contributors ranging in ages from 6 to 80’s. Each piece windgineered to produce no MOOP! Your ride along the fence will be more fun than a barrel of playa chickens. More fun than Eggs Bar – well a close second. But you will definitely be smiling and enjoy the efforts of many different artists. And of course the usual yard sale and thrift store gems given a new life in the sun wind and dust (maybe a bit of rain too). Art 20 at the trash fence – It’s not just for breakfast any more! Contact: dragnetart@gmail.com
Art 20 – Years by Denny Smith “Dragnet” from Manhattan Beach, CA Twenty years on the playa for BlinkingManCamp97. This year’s project is #13 on the deep playa trash fence. Art 20 – Years will have about 70 tennis rackets with unique, repurposed and recycled folk art pieces attached to them. Many will have art from contributors ranging in ages from 6 to 80’s. Each piece windgineered to produce no MOOP! Your ride along the fence will be more fun than a barrel of playa chickens. More fun than Eggs Bar – well a close second. But you will definitely be smiling and enjoy the efforts of many different artists. And of course the usual yard sale and thrift store gems given a new life in the sun wind and dust (maybe a bit of rain too). Art 20 at the trash fence – It’s not just for breakfast any more! Contact: dragnetart@gmail.com
Art 20 – Years by Denny Smith “Dragnet” from Manhattan Beach, CA Twenty years on the playa for BlinkingManCamp97. This year’s project is #13 on the deep playa trash fence. Art 20 – Years will have about 70 tennis rackets with unique, repurposed and recycled folk art pieces attached to them. Many will have art from contributors ranging in ages from 6 to 80’s. Each piece windgineered to produce no MOOP! Your ride along the fence will be more fun than a barrel of playa chickens. More fun than Eggs Bar – well a close second. But you will definitely be smiling and enjoy the efforts of many different artists. And of course the usual yard sale and thrift store gems given a new life in the sun wind and dust (maybe a bit of rain too). Art 20 at the trash fence – It’s not just for breakfast any more! Contact: dragnetart@gmail.com
The Trash Fence This was Aug 23and the fence was already doing it’s job.
Just Me and Point 3
Mercurialosity by Michael Emery from Santa Cruz, CA “Picture yourself in a boat on a river”, or a bicycle on a dry lakebed, laughing and playing as you cantor around the Black Rock Playa. Look over there! Something shiny! Approach it! We dare you. As you get closer you will notice the shiny thing gets very intricate, a steel onion dome shape with a fractal pattern cut into it, creating a 3-dimensional steel doily. Come in closer, it’s talking to you. What is it saying? Where is it leading you? “Turn off your mind, relax and float downstream.” Contact: miko111@comcast.net https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000CPFZ2A4
Mercurialosity by Michael Emery from Santa Cruz, CA “Picture yourself in a boat on a river”, or a bicycle on a dry lakebed, laughing and playing as you cantor around the Black Rock Playa. Look over there! Something shiny! Approach it! We dare you. As you get closer you will notice the shiny thing gets very intricate, a steel onion dome shape with a fractal pattern cut into it, creating a 3-dimensional steel doily. Come in closer, it’s talking to you. What is it saying? Where is it leading you? “Turn off your mind, relax and float downstream.” Contact: miko111@comcast.net https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000CPFZ2A4
Always a pleasure to see you out there shooting!
Big Spinning Wheels by PDA from Roxbury, NY Prepare to embark on a journey of contemplation and creativity with Big Spinning Wheels. More than mere sculptures, BSW stands as a beacon of meditative art, meticulously crafted to ignite inspiration and evoke introspection. Nestled at the bounds of BRC and the limits of reality, BSW offers a sanctuary for thought and reflection amidst the cacophony of the desert. Here, at the edge of the known and the unknown, BSW invites participants to explore the depths of their imagination and the vast expanse of their inner landscape. But what exactly is BSW, you ask? Well, that’s the beauty of it—open to interpretation, these magnificent creations defy categorization. After all, beauty lies in the eye of the beholder. Patience is a virtue. PDA URL: https://pdabk.com/ Contact: pdawoodwork@gmail.com
Polychroma (build week) by In Theory Art Collective from Huntsville, UT Polychroma is an iridescent LED rainbow with interactive cloud pillars and relaxing benches. Citizens of BRC can lay awash in the beauty of the full-color spectra here and belly flop into the concept of ‘polychromatism,’ which is an expansive, subversive, heterogeneous way of thinking, being, understanding, and relating to others that cultivates beauty, diversity, strength, fulfillment, justice, and planetary health. It is set in contrast to ‘monochromatism,’ a limiting, black-and-white, homogenous, conventional way of thinking, being, understanding, and relating to others that leads to domination, weakness, boredom, injustice, and social, personal, and ecological disease. Contact: emily.nicolosi@gmail.com
Peace of Mind
Coney McConeface: The Life and Death of a Traffic Cone (build week) by Chris “Kiwi” Hankins, ConeCophony Collective from Dargaville, New Zealand and Reno, NV Coney McConeface is a larger than life traffic cone. At 60 feet tall he will tower over the playa. He is painted in bright safety orange and reflective silver bands. He has steam rising around and through him. This steam is coming from a crack in the playa caused from geothermal activity deep below the surface. Coney has been built on top of this geothermal activity to project the citizens of Black Rock City from falling into the cavity and and being injured or burnt. Coney is a symbol of safety and protection, an image we all very familiar with in our day to day lives…traffic cones are everywhere… URL: https://www.conecophony.com/
Spyntonia by Love Growing from: San Jose, CA In this installation, individuals are depicted as sparks within swirling tornadoes of light, each following the unpredictable paths of life. These sparks meet and part within their luminous tempests, creating a dance of connection and separation. From afar, this chaotic dance merges into a stunning vista, reflecting the beauty in life’s transience and the ephemeral nature of human connections. It is a visual ode to the delicate balance between chaos and harmony, inviting contemplation on the fleeting moments that unite us all.
The Quiet Before
METAHEART (build week) by Johnny Crash from Marshall, NC METAHEART is mirror-clad, three dimensional sculpture that rises 23′ from the ground, reflecting the love and energy of the community. Three arching stainless steel arms form a heart motif, and at it’s center hangs a rotating structure in the ancient geometric shape of a Metatron’s cube. METAHEART invites the viewer to reflect on and expand beyond the confines of their heart. By looking inward, we see beyond ourselves and our perceived constraints to connection. The piece symbolizes the discovery of love, for the self and others, in every axis and plane, across time, space and infinity. Contact: heyjohnnycrash@gmail.com
Radial Sonic Runway (build week) by The Runway Crew from: Berkeley, CA The Runway Crew is back! The Radial Sonic Runway visualizes sound waves rippling across the desert. Twenty-five gates with LED spokes form a corridor stretching out into the open playa, through which participants can walk or bike. A microphone at one end triggers patterns of light that ripple out at the speed of sound. The original Sonic Runway, in 2003, was one-dimensional – a streak of strobe lights triggered by each bass thump. In 2016, we added another dimension – each gate was illuminated with a string of LEDs, allowing for complex patterns representing different frequencies. With this new piece, audio waves can truly reshape the space itself. As it picks up sound and music, the Radial Sonic Runway twists, pulses, and ripples to life! URL: https://www.sonicrunway.com/ Contact: sonicrunway@gmail.com
Temple in Pieces (build week)
Lost in Thought by Matthew Schultz from Somewhere sunny with a workshop and some water Lost in Thought is a life-sized sculpture of a person meditating, with the layers of self splitting away like the leaves of a lotus flower to reveal a skeleton in repose. Lost in Thought is a simple project inspired by the challenging conditions from Burning Man 2022 and Burning Man 2023 and the feelings that I struggled with while trying to find joy in suffering. Lost in Thought is made of blown playa dust sculpted onto a simple recycled metal frame and is meant to decay into just the skeletal frame underneath as the week goes by. Contact: mrschultz@gmail.com
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Rushmore by Mr and Mrs Ferguson Art from Alameda, CA Here are North America’s top animal predators presented in poses similar to the Mount Rushmore carvings of four famed United States presidents. For our animal carvings, we will employ using coins in concrete to create the color and dimension of fur. The effect has the charm of being tactile and durable for many to enjoy. When the participant first sees this project they likely will see the Mount Rushmore comparison. Mount Rushmore’s reputation is an impressive tribute to the U.S. presidents who formed this nation; and in being that they are cut from stone, only makes their legacy seem indelible. Our substitution with predators should also create that legacy impression. URL: https://www.mr-and-mrs-ferguson.com/rushmore Contact: us@mr-and-mrs-ferguson.com https://burningman.org/event/2024-art-installations/?yyyy=&artType=&support_project=0#a2IVI000000EnvJ2AS
Glimmer by Iron Monkeys from Seattle, WA Glimmer is a grand crown made of steel vines, vibrant resin and steel flowers, and colorful gems. Inside the crown a fire pit and benches invite people to pause, observe, and consider the reality around them. At night gems will glow and points of the crown will ignite, creating a spectacle of light and heat. URL: https://www.ironmonkeyarts.org/glimmer-2024.html Contact: info@ironmonkeyarts.org
H E A R T H by McKenzie Genin and The Green Bucket Lab from Woodside, CA HEARTH is an expression of ambivalence and symbolism, the individual and interconnectedness, with a strong emphasis on the duality of human and planetary experiences. Exploring themes of healing and destruction, liberation and confinement, and the complex interplay between these elements. HEARTH encourages a shift in perspective from the individual human experience to a broader, collective and planetary viewpoint. In essence, the philosophy of HEARTH is to use ART as a vehicle to explore the nature of individual and collective human existence and its intricate relationship with the planet, acknowledging the ambiguity and tensions that arise as we grapple with these complex emotions and challenges. URL: https://www.greenbucketlab.org/ Contact: mckenzie.genin@gmail.com
How To Load a Giant Unicorn on a Trailer
These Shade Structures Don’t Build Themselves (yet)
Teamwork
Don’t Quit Your Daydream
Build Week
Windy
Caution Junk in Trunk
Center Camp In The Dust (Build Week)
Nicely Organized Piles
Get After It
Hard to Build When Everything Blowing Around
There Be Dragons
Build Week Microcosm If there was a microcosm of build week it would be this. Everything is sort of frantic and a mess. Everyone is pulling you in different directions. You need to build your camp, build your art, and somehow also remember to piss clear.
Solar Panels on Wheels If anyone sees this and knows what this is please tell me. I’m curious about why they have wheels and what this array is used for.
Lovely Burner Operating VR
Teamwork
Build Week
Santacon 2024
Working Smart
Painting a Sky (Build Week)
Painting a Sky (Build Week)
Painting a Sky (Build Week)
Cool Paint Job
Build Pile
Build Week
Build Week
Build Week
Build Week
Nice Ramp Stair Combox
Teamwork Makes The Dream Work Some of my campmates and great photographers and filmmakers. I’m pretty sure I almost never saw them again after this as we were all busy shooting so much. Great job out there guys!
United Site Cyclones
Welcome Home!
One of Us One of Us!
You Go Girl!
Wonderful Campmates picking up staff credentials and all the things at the Box Office
Wonderful Campmates picking up staff credentials and all the things at the Box Office
Me After a Burn AKA RIGHT NOW OMG
Lovely Burner Volunteering at Gate
LEOs on Gate Road
If You Drive Fast It Dusts Up BRC
From Gravel To Playa In Dust We Trust
Obligatory Gerlach Sign
I find it quite fitting that the very first photo I shot on this go round was this lovely burner giving an impromptu salute. She didn’t know this was going to be the last image of the year and also the first. “Oh hey it’s you” etc etc Mark Day style. Thank you! Time is a circle etc etc. Thank you THANK YOU ALL. Much love.
THANK YOU
Special thanks to Dorothy, James, and Nina for your support!
Additionally, shoutout and thank you to: Jamen Percy and Chriselle, Scott London, QuickDraw, Jazzy, Balthazar, Mama Bear, Benoit, Cathy, Mattias, Hot Rod, Manon, Xavier, Nate, Gary, Drew, Vanessa, Milne CC Pocock, Harold, Tracey, Marian, Leslie, Dominique, Gabe, Crimson Rose, DA/Resto Crew, the Doc Team, Michael F, Michael V, Stewart, Media Mecca Gang, David, Sam, Prescott, and Strombo. Thank you all for your support!
See you next year. Remember, next year was better!