A poetic collision of photography and AI, this surreal artwork by Duncan Rawlinson blurs the boundaries between nature and machine. Abstract botanical forms rise from shadowy terrain, blooming in electric hues. Vertical lines cascade like data streams, slicing through the sky with rhythm and intensity. Blending visual poetry, generative imagery, and photographic elements, this piece evokes emotion born from glitch, memory, and synthetic growth.
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A sweeping aerial view captures the snow-covered shoreline of the St. Lawrence River during peak winter. Cottages sit quietly among frosted trees, their rooftops blending into the icy landscape. The river is partially frozen, with a smooth expanse of ice stretching into the horizon where Brockville, Ontario, faintly appears. The crisp sky transitions from soft pastels to pale blue, amplifying the stark calm of this Canadian winter. This image was shot by Duncan Rawlinson.
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Created by Duncan Rawlinson using AI and photography, this image captures a surge of red and orange streaks piercing a turquoise field. The composition suggests speed, memory, and the physical trace of warmth in motion—like the rush of summer air or a moment dissolving in heat. Saturated tones and fluid textures merge to create a charged, expressive work that speaks in color and motion alone.
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Created by Duncan Rawlinson using a blend of photography and AI, this artwork depicts a fractured, futuristic terrain formed of towering blocks with gold interiors and cyan-tinted surfaces. The reflective structures suggest a landscape carved by both time and technology, hinting at forgotten civilizations or advanced systems. Rich textures and bold contrasts between warm and cool tones create a dynamic visual experience rooted in curiosity and transformation.
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A colossal skull, etched with glowing data grids, emerges from an icy expanse—a remnant of a civilization that transcended biology and merged with the digital unknown. Reflections ripple across the water as fiery embers pulse beneath the surface, hinting at an intelligence long past or still lurking within the code. This image is a fusion of photography and AI, blending organic decay with futuristic vision to explore the mysteries of time, technology, and existence. Image by Duncan Rawlinson.
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What if flowers remembered things we don’t? What if nature started over and got a little weirder the second time around? Strange Flowers for Strange Times is a collection of botanical inventions—grown not from soil, but from somewhere between a dream, a lens, and a machine. Created by Duncan Rawlinson using a blend of photography and AI, these works imagine a future where beauty mutates and flourishes in new, unexpected forms.
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This structure curves forward like it’s growing toward something unseen. Soft gradients streak across thick, curling petals, their edges flecked like memory half-erased. It’s familiar, but not quite—grown in the space between real and invented. Created by Duncan Rawlinson using AI, photography, and intuition.
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Built like a structure that should exist underwater, this piece twists into itself with soft force. Floral, but not entirely plant. Natural, but only barely. Part reef, part bloom, part subconscious sketch, it’s a product of Duncan Rawlinson’s ongoing exploration of the line between real and imagined through AI and photography.
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Like a structure trying to fold in on itself but erupting instead, this green loop births petals in all directions. It hums with movement, tension, and architectural precision. Part machine, part meadow, imagined by Duncan Rawlinson with a blend of photography, AI, and dream logic.
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Something about this form feels engineered—but not by us. The deep, saturated blues pull you inward, while the sweeping lines hold everything just beyond reach. It’s complex without chaos. Created by Duncan Rawlinson through a hybrid process of photography and AI, it imagines flora evolved in silence, somewhere far from Earth.
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