Tag: Black Rock City

Thank you to the Burning Man Org and community.

Man Burn

Man Burn

Man Burn

Man Burn

This is what it looks like when you’re so exhausted you completely screw up. I guess next time I should be more prepared and take better care of myself. There is always next year I guess. :( In this image I managed to not only over expose the frame but it’s also out of focus. So frustrating but thought I’d share one of my many many failures this year.

Pyrotechnics at The Man Burn

Pyrotechnics at The Man Burn

Pyrotechnics at The Man Burn

The Man

The Man

The Man

Man Burn Night

Crimson Rose is a badass

Man Burn Night

Man Burn Night

Moon (only real Moons this year?)

Man Base dusk burn night.

The Monumental Mammoth by: Girl Scout Gold Award Recipient Tahoe Mack, Mentor and Protector of Tule Springs Representative Sherri Grotheer, and artists Luis Varela-Rico and Dana Albany from: Las Vegas, NV year: 2019 The Monumental Mammoth project will depict a life-sized steel Colombian mammoth skeleton collaged with metal found objects to tell the story of Tule Spring National Monument’s past, present, and future. The sheer size and struggle of the mammoth’s stance is a representation of the universal call to protect what the earth has given humanity. As a community, we are called together to protect the fossils of our past and the education of our future. Dana Albany and Luis Varela-Rico are pulling together the sleek elements of the interior steel structure and the intricate weavings to represents the distinctive community that is Las Vegas.It also tells the story of a rising feminine power, and shows all women of any age that anything is possible! URL: https://tulemammothproject.wordpress.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVtMUAW

Lovely burner

Disco Jesus and a friend

Burner and RV with amazing artwork. Love the colors here. RV Art by = Sector 17 = [email protected]

Lovely burner

Koro Loko by: Emily Nicolosi from: Salt Lake City, UT year: 2019 A billowing heart made of wire netting filled with hundreds of tiny dichroic plexi squares refracts the spectra of light in all directions. Benches under lightposts encircling the heart provide a place to hunker, commune and daydream. Like the exuberance of colors reflected by this heart, always-present and ever-shifting, this heart conjures the thousands of expressions and materializations of love prospected in the human experience. URL: https://sites.google.com/view/love-is-project/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AW2sUAG

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The man is prepped for the man burn.

Up close with the man

Koro Loko by: Emily Nicolosi from: Salt Lake City, UT year: 2019 A billowing heart made of wire netting filled with hundreds of tiny dichroic plexi squares refracts the spectra of light in all directions. Benches under lightposts encircling the heart provide a place to hunker, commune and daydream. Like the exuberance of colors reflected by this heart, always-present and ever-shifting, this heart conjures the thousands of expressions and materializations of love prospected in the human experience. URL: https://sites.google.com/view/love-is-project/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AW2sUAG

Paraluna by: Christopher Schardt from: Oakland, CA year: 2019 Paraluna is a giant, spinning disc of LEDs. Classical music plays from speakers on the ground while complementary animated patterns are displayed on the disc above. The disc is held up by a boom lift, allowing the disc to be raised, lowered, and tilted, to dramatic effect. URL: http://ledlabs.co/paraluna Contact: [email protected]

Monaco Sail Boat / Mutant Vehicle

Monaco Sail Boat / Mutant Vehicle

Monaco Sail Boat Mutant Vehicle and Cone Down Black and White

Monaco Sail Boat / Mutant Vehicle

Monaco Sail Boat / Mutant Vehicle

Monaco Sail Boat / Mutant Vehicle

DANGER! Men At Twerk

Teamwork makes the dream work.

<3

Two amazing pilots! Thank you for the views.

Always a pleasure to fly on this beauty.

We love you Purple Haze. Thank you!

We love you Purple Haze. Thank you!

Some nature at the foot of Old Razorback mountain

Up close with Old Razorback Mountain

Aerial view of the area around Black Rock City

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

Burning Man 2019 Aerial Photo. I shot this while hanging out the window of a small Cessna. The image was shot on Friday August 31, 2019. Thank you to the pilot of the aircraft Purple Haze.

We love you Purple Haze. Thank you!

We love you Purple Haze. Thank you!

Aircraft at NV88.

Aircraft at NV88.

Aircraft at NV88.

Aircraft at NV88.

Aircraft at NV88.

Aircraft at NV88.

Aircraft at NV88.

Nice layers of shade on this tent.

The ‘I was so exhausted I couldn’t get out of bed so I climbed on the roof of my RV “sunrise” shot’…

Come, come, whoever you are. Wanderer, idolator, worshipper of fire even though you have broken your vows a thousand times, Come, and come yet again. Ours is not a caravan of despair. – Rumi The Wheels of Zoroaster Resurrection by: Anton Viditz-Ward & Deep Creek Experimental from: Telluride, CO year: 2019 Two large wheels hung on two axles driven independently by two drive shafts with hand-cranks. The wheels are cages that will contain firewood that is set on fire and spun by the hand-cranked drive shafts. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW1fUAG

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Green flame at The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly Burn by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Deep playa art at night. Name unknown.

Bathtub near the trash fence at night. Name unknown.

Pyramid Name Unknown

The InnerSun Project by: The InnerSun Crew from: The World year: 2019 This monumental art structure is an eight-story wooden globe gently cradled by a giant pair of hands. Within, the space is lit by a sacred light: the InnerSun. A series of wheelchair accessible ramps wind up the curved walls to an equatorial terrace, where participants will gather inside the sphere. The InnerSun Project: A global art collaboration. Each massive hand on the structure is comprised of individual human-sized hands with messages from across the world written on them — our collective answer to “what’s your InnerSun?” In this way, thousands of people from anywhere in the world can take part in the artwork itself. Many hands, one light, a better world. URL: http://www.theinnersun.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXiaUAG

One of my favorite experiences this burn was controlling these 500AMP spotlights wirelessly using a tablet. You drag your finger across the tablet screen and the spotlights move accordingly. Also these folks let me put on welders glasses so I could stick my face in front of the beam and see the arc light. It was scary as hell and my face got hot very fast but damn was it incredible! Thank you! (These were previously military spotlights that would have infrared beams so the battlefield would be illuminated to soldiers wearing infrared goggles… In that situation the beams were invisible to the enemy.) Project Flashlight by: Neal Strickberger from: San Francisco, CA year: 2019 Project flashlight is the joy of light at grand scale. Pure, incredibly bright white beam-like fingers of God in the dust, contrast with the night sky, scale across the open playa, interplay of beams, light in motion. Military/NASA billion-candlepower searchlights, reanimated for art! Interactive with tablet controls. URL: http://projectflashlight.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AY00UAG

One of my favorite experiences this burn was controlling these 500AMP spotlights wirelessly using a tablet. You drag your finger across the tablet screen and the spotlights move accordingly. Also these folks let me put on welders glasses so I could stick my face in front of the beam and see the arc light. It was scary as hell and my face got hot very fast but damn was it incredible! Thank you! (These were previously military spotlights that would have infrared beams so the battlefield would be illuminated to soldiers wearing infrared goggles… In that situation the beams were invisible to the enemy.) Project Flashlight by: Neal Strickberger from: San Francisco, CA year: 2019 Project flashlight is the joy of light at grand scale. Pure, incredibly bright white beam-like fingers of God in the dust, contrast with the night sky, scale across the open playa, interplay of beams, light in motion. Military/NASA billion-candlepower searchlights, reanimated for art! Interactive with tablet controls. URL: http://projectflashlight.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AY00UAG

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: them[email protected]

It was a real treat to see my brazillian friends. I hadn’t seen them since like 2016.

This bride was looking for a bottle opener. I always carry a multitool on me so I opened the bottle. Then we made htis image.

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

I had been following Steve’s work for ages online so it was nice to meet him IRL.

On the nose but can’t resist.

Wonderful campmates. Thank you for making Burning Man amazing.

Wonderful campmates. Thank you for making Burning Man amazing.

My friend Scott making great images. You can see some of his spectacular work here: https://www.scottlondon.com

Wonderful campmates. Thank you for making Burning Man amazing.

Wonderful campmates. Thank you for making Burning Man amazing.

Wonderful campmates. Thank you for making Burning Man amazing. (with a campmate who couldn’t make the group photo lazily photoshopped in)

Wonderful campmates. Thank you for making Burning Man amazing.

Wonderful campmates. Thank you for making Burning Man amazing.

Wonderful campmates. Thank you for making Burning Man amazing.

Such a nice guy

This fellow had lots of energy and he was very friendly.

Skydivers and The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Ran into Rick while taking a break in the shade of his vehicle.

ICHY Artist Name Unknown

Always great to see to see you on the playa my man!

The Temple of Direction (and El Pulpo Mechanico) by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction (and El Pulpo Mechanico) by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction (and El Pulpo Mechanico) by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Merrilee Proffitt on the Electric Wrecker Mutant Vehicle, by Keith Johnson and Merrilee Proffitt

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

Expansion Pavilion, The Folly, and Old Razorback Mountain

Duane and Micki in front of their El Pulpo Mecanico Mutant Vehicle and Reared In Steel’s Fire Kethedral

El Pulpo Mecanico and Reared In Steel’s Fire Kethedral

Closeup of El Pulpo Mecanico Mutant Vehicle

El Pulpo Mecanico Mutant Vehicle

The Tower by: ART BARF from: Seattle, WA year: 2019 The Tower is an interactive lifeguard stand and observation deck accessible by ladder. Visitors can climb up to the deck and observe the playa from a new vantage. Inside the hut, visitors find simple tools for spontaneous interaction. Made of untreated wood, the simple shape looks both silly and at home on the waterless beach. Named for card 16 in the tarot’s major arcana, where The Tower represents the chaos of sudden change. https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9sTUAS

Stone 27 by: Benjamin Langholz from: California & Berlin, Germany year: 2019 Confront nature and yourself as you journey along 27 stones floating above the Playa. Step into an alternate reality where destructive energy has been harmonized with nature to create moments of physical and mental elevation. Stone 27 finds great inspiration in simplicity, minimalism, and math to create clearness and consciousness in a material world, inviting you to a moment of complete presence. URL: https://stonetwentyseven.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVo2UAG

I run my entire life sober so seeing something like this just totally blows my mind.

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

forget being the art. be the FART!

Portal by: David Oliver and the Art City Monsters from: Ventura, CA year: 2019 A Portal possible of transformation… not to that which is coming, but to things here. With a ring 12′ in diameter made from 4,608 stained glass tiles with a total of 24 colors, graduating the color wheel in a flowing mosaic that is two sided. Two 7-thousand-pound basalt stone columns stand guard from the left and from the right. Portal will also be lit with an increasing laser light show controlled on a theremin device, with sound effects that go off when one enters. Symbiosis. The color in harmony attracts vitality through beauty, like a flower does a bee. The bee gets food in exchange for spreading pollen. In the same manner one attracts to Portal. Coming out with powerful frequencies, to bounce off their friends, their family, the animals, EARTH, and even so called… “enemies.” URL: http://www.facebook.com/PORTALbrc/ https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVueUAG

Danee is a fantastic photogapher and a good friend. You can see his work over at: https://www.daneehazama.com

Love Cow (Thanks to Anastasia for the caption update.)

Thank you for the ocarina performance. Always a pleasure.

Hammock Hangout Camp

Flintstones Mutant Vehicle

Free Photography Zone by John Brennan from Santa Clara, California (Thanks to Reddit user Mookyhands for the caption update here.)

Nice digs at the airport.

Cleaning up MOOP is super important.

Mayan Warrior and Robot Heart

Robot Heart and Mayan Warrior

Nom Nom Nom (Camp name unknown)

Great to meet you.

Nice chatting with you!

Great to meet you!

Ibiza Camp Mutant Vehicle Engine, Robot Heart, And Mayan Warrior

Lovely burner

lovely burners

lovely burners

BROKEN BUT TOGETHER by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 12 X 10 FT 6.5 X 3.6 X 3 M 2019 https://www.michaelbenisty.com

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

The Shrine of Sympathetic Resonance by: tyson ayers and Resonant Arts from: Oakland, CA year: 2019 The Shrine of Sympathetic Resonance is a sanctuary dedicated to letting participants experience the phenomena of sympathetic resonance. All the walls of this epic structure are made of piano harps, surrounding the participant with 20,000 musical strings that echo back every sound they make. All the strings are tuned to pentatonic scales based on the Schumann Resonance, the earth’s fundamental frequency, so that anything played on the strings sounds musical. Five intimate, pentagonal chambers let participants deeply immerse themselves in the experience, while the open-air center space allows for larger gatherings. A 39′ tower rises up from the center’s intricately designed dias while detailed artworks adorn the space. URL: http://www.soundcave.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVn4UAG

Waiting for sunrise.

BROKEN BUT TOGETHER by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 12 X 10 FT 6.5 X 3.6 X 3 M 2019 https://www.michaelbenisty.com

The party continues. This was shot before dawn at Robot Heart and the Mayan Warrior

Name Unknown

Welcome Home by: Joey Howell and Brian Dean of SALT MIND from: Salt Lake City, UT year: 2019 Burners call the playa home. Home not because of the location, but because of the people we share it with; friends, family, lovers, strangers. Welcome Home creates an absurdly normal setting by taking a space associated with default homes and bringing it to our true home. This fully decorated parlour in the sky invites wanderers to climb, explore, and enjoy the view. URL: https://www.saltmindslc.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkeUAG

Name Unknown

Niloticus by: Peter Hazel from: Reno, NV year: 2019 Niloticus is a 40 foot long mosaic crocodile that invites visitors to climb on top of him. His eyes, teeth, and osteoderms will light up in the night. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW2iUAG

Name Unknown

I.L.Y (After the pyrotechnic display) by: Dan Mountain from: Portola Valley, CA year: 2019 A 27 foot forearm and hand, fabricated from engineered steel, recycled and repurposed scrap metal meant to engage participants in various visual, physical, and emotional ways. Housing an internal armature of chains, gears, sprockets, and springs, the involvement of participants allows the fingers and parts of the hand to bring the sculpture to its full realization. The intention of ILY is to encourage communication, collaboration, and eagerness to work together. Contact: [email protected]

I.L.Y. (Pyrotechnic Display) by: Dan Mountain from: Portola Valley, CA year: 2019 A 27 foot forearm and hand, fabricated from engineered steel, recycled and repurposed scrap metal meant to engage participants in various visual, physical, and emotional ways. Housing an internal armature of chains, gears, sprockets, and springs, the involvement of participants allows the fingers and parts of the hand to bring the sculpture to its full realization. The intention of ILY is to encourage communication, collaboration, and eagerness to work together. Contact: [email protected]

Airfield for walking in the clouds by: Weld Queen from: Moscow, Russia year: 2019 “Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.” The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space. URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW

Airfield for walking in the clouds by: Weld Queen from: Moscow, Russia year: 2019 “Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.” The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space. URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

Name Unknown

Name Unknown

Sil-vi mutant vehicle from camp Bojon. (Thanks to Reddit user Zinfidel for the update)

Wanderlust Mutant Vehicle

Burn Name Unknown

Name Unknown

Playa Kiteboarder

Name Unknown

BROKEN BUT TOGETHER by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 12 X 10 FT 6.5 X 3.6 X 3 M 2019

The Shrine of Sympathetic Resonance, the Folly, and Old Razorback in Black and White

Burner holding large American flag.

Temple Guardian

The Flybrary by: Christina Sporrong from: Taos, NM year: 2019 The Flybrary is an extraordinary library within an enormous human head, partially cut open at the top allowing a flock of illuminated birds to emerge. Within the head are several levels of catwalks to climb and nooks and crannies to sit in and enjoy the selection of books. The eyes and mouth are portholes to the outside world. Up above, the open ceiling holds a large chandelier radiating soft light within. It’s a dreamy, transformative space providing an intimate and surreal refuge for contemplation, written wisdom and freedom of thought. URL: https://spitfireworks.blogspot.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW03UAG

The Flybrary by: Christina Sporrong from: Taos, NM year: 2019 The Flybrary is an extraordinary library within an enormous human head, partially cut open at the top allowing a flock of illuminated birds to emerge. Within the head are several levels of catwalks to climb and nooks and crannies to sit in and enjoy the selection of books. The eyes and mouth are portholes to the outside world. Up above, the open ceiling holds a large chandelier radiating soft light within. It’s a dreamy, transformative space providing an intimate and surreal refuge for contemplation, written wisdom and freedom of thought. URL: https://spitfireworks.blogspot.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW03UAG

Daft Punk Bus Stop Poster at The Intersection X by: Invisible Pink Unicorns from: Moscow, Russia year: 2019 Nothing stays the same. We are changing all the time and the world around us is changing as well. In the place of last year intersection the new one appeared. It is the same, but absolutely different. Metamorphose took its toll. URL: https://www.facebook.com/theintersectionart Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVyvUAG

The Intersection X, The Temple of Direction, and the Flybrary

Mutant Vehicle Name Unknown

The TVs by: Steve LaBerge, Damon Koronakos and the TV Artists from: Tacoma, WA; San Francisco, CA year: 2019 The TVs collectively resemble a highway billboard standing about 12 feet tall and 18 feet wide. 20 fiberglass TVs, each embellished by different artists with thoughts of what TV has meant to them. During the day some people will get off their bikes to take a close look at what each of the 20 artists did to each of the TVs regarding the topic: TV. Participants will think about and relate to the messages put forth. At night the display shows beautiful LED animations across all TVs as if the TVs together represent a single large screen. As a participant approaches the installation, the participant’s moving image silhouette will be super-imposed upon the animations and displayed across the wall. #TheTVs URL: https://www.flickr.com/photos/[email protected]/ Contact: [email protected]

MMETAL

Name Unknown

HELL. Burning Man Mutant Vehicle fuel infrastructure.

Name unknown

Name Unknown

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

MDCCLXXVI Mutant Vehicle

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Dust Devil

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

BYTE by: Jason Blanda from: Guttenberg, NJ year: 2019 B.Ÿ.T.E. (Burners for Ÿntelligent Technology Emancipation) consists of two monolithic, anthropomorphic microchips representing the very first sentient robots to be freed from slavery, Chip and Terra. Chip and Terra were first set free to play on the dusty dance floor of deep playa at Black Rock City in 2018. Their virgin year home was one of exploration as they adapted to their newly found liberation. This year, they hope to enter the imago stage of their evolution and return home to embrace the magical whimsy, radical self expression and symbiotic love as they emerge from their chrysalis and blossom into the colorful, loveable creatures they were always meant to embody. They hope to fully complete their Metamorphoses. URL: https://www.cleaveranimated.com/byte-art-installation Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AY6XUAW

The Shrine of Sympathetic Resonance by: tyson ayers and Resonant Arts from: Oakland, CA year: 2019 The Shrine of Sympathetic Resonance is a sanctuary dedicated to letting participants experience the phenomena of sympathetic resonance. All the walls of this epic structure are made of piano harps, surrounding the participant with 20,000 musical strings that echo back every sound they make. All the strings are tuned to pentatonic scales based on the Schumann Resonance, the earth’s fundamental frequency, so that anything played on the strings sounds musical. Five intimate, pentagonal chambers let participants deeply immerse themselves in the experience, while the open-air center space allows for larger gatherings. A 39′ tower rises up from the center’s intricately designed dias while detailed artworks adorn the space. URL: http://www.soundcave.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVn4UAG

The Shrine of Sympathetic Resonance by: tyson ayers and Resonant Arts from: Oakland, CA year: 2019 The Shrine of Sympathetic Resonance is a sanctuary dedicated to letting participants experience the phenomena of sympathetic resonance. All the walls of this epic structure are made of piano harps, surrounding the participant with 20,000 musical strings that echo back every sound they make. All the strings are tuned to pentatonic scales based on the Schumann Resonance, the earth’s fundamental frequency, so that anything played on the strings sounds musical. Five intimate, pentagonal chambers let participants deeply immerse themselves in the experience, while the open-air center space allows for larger gatherings. A 39′ tower rises up from the center’s intricately designed dias while detailed artworks adorn the space. URL: http://www.soundcave.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVn4UAG

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

The Folly in the dust

Love Her But Leave Her Wild – Atticus love, earth by: The love, earth writer collective from: Vancouver, British Columbia, Canada year: 2019 The largest love letter movement ever conceived. The purpose: to inspire a clean climate future by spreading simple commitments to our planet. The art is intended to mobilize citizens to use the power of sending and receiving letters of love from Earth to change, contribute and commit to an environment that we can all be proud of. The installation will be large enough to be captured from space, and thus our imaginations. In year one, a sky-facing comma will emerge and form a love letter altar. Within the wood structure, a writing area would support a hanging collection of completed letters, growing organically, drawing on attendees to contribute to a siren call from Earth, distributed around the world after the event by the artists. URL: http://love.lettersfromearth.org/installation Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T96KUAS

Burners and Dust

love, earth by: The love, earth writer collective from: Vancouver, British Columbia, Canada year: 2019 The largest love letter movement ever conceived. The purpose: to inspire a clean climate future by spreading simple commitments to our planet. The art is intended to mobilize citizens to use the power of sending and receiving letters of love from Earth to change, contribute and commit to an environment that we can all be proud of. The installation will be large enough to be captured from space, and thus our imaginations. In year one, a sky-facing comma will emerge and form a love letter altar. Within the wood structure, a writing area would support a hanging collection of completed letters, growing organically, drawing on attendees to contribute to a siren call from Earth, distributed around the world after the event by the artists. URL: http://love.lettersfromearth.org/installation Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T96KUAS

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

The Folly in the dust by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Maxa Xaman

The Temple of Direction in the dust by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

corpus by: michael christian from: Berkeley, CA year: 2019

corpus by: michael christian from: Berkeley, CA year: 2019

Corpus by: michael christian from: Berkeley, CA year: 2019

Corpus by: michael christian from: Berkeley, CA year: 2019

Corpus by: michael christian from: Berkeley, CA year: 2019

Corpus by: michael christian from: Berkeley, CA year: 2019

Island of Lost Buoys by: Lillian Heyward and The Island of Lost Buoys, a Create Change Project from: Bluffton, SC year: 2019 On the playa is an Island, a wooden tree dominates the center made of recycled pallets, crates and drift wood. Leaves of sculpted plastic bottles rustle in the wind. Strung from a branch is a hammock made of fishing net attached to a ocean buoy marooned on the beach. Hanging from the branches are sea buoys and balls providing a place to write names or leave a message to those who will come after. Hanging from branches are bamboo wind chimes that softly clatter in the breeze. It is an island, a refuge, a place of calm and childhood in the stormy seas of life. It appears out of the playa as a mirage, the fantasy playground of youth. Discarded materials transform into an oasis, as our adult lives transform back to childhood. Bangarang! URL: http://www.createchangeproject.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVsTUAW

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man Base

SACRA by: Kirsten Berg from: Berkeley, CA/Bali, Indonesia year: 2019 Sacra is a totemic gateway, symbolizing a pivotal point between infinite and finite. The sacrum (= ‘holy bone’) is the first gateway through which we metamorphize from space to substance, into the wordly realm. It is also the last bone that disintegrates, holding ritual significance in ancient cultures, as a reminder of the past and future passage that we all share. Sacra’s focal point is a ‘sacral object’, embedded with convex mirrors reflecting our shared cellular origins; a bowed gate like a funnel for source into form; a silhouette echoing Japanese torii gates, which traditionally indicate a passage between the profane/worldly plane to the sacred. “Sacra” mirrors that journey, literally and poetically, in reverse and also ‘in between’. URL: https://www.kirstenberg.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAJBUA4

The Man in the dust

It was a pleasure to chat with you Blade. Congratulations!

Interesting security tactic. Big (plastic) chains on your bike to make them appear to be locked up.

Every time I see my hommie out there he plays me a jam on his ocarina. It’s such a treat.

Name unknown

Great to meet you. Hope that 4k footage turned out!

Sky MOOP. ugh. We can do better. LNT includes the sky.

Great to meet you.

Nice usage of those old recycled electric scooters.

Great to meet you.

BRN 11

Beautiful and happy family.

zOMG! It’s my little friend again!

Spending a little time with my new friend Jamen was one of the highlights of my burn. Jamen is a true gentleman and an outstanding photographer. Thank you for the playa gift. It is one of the best ever! You can see Jamen’s work here: http://www.jamenpercy.com His spectacular photos from this year are here: https://flic.kr/s/aHsmGX6GHu

Make Art

Lovely Burner

Wonderful colors on the side of a mutant vehicle name unknown.

So great to see you again! (Sorry I couldn’t make a better photo at the time but you look great!)

This was a wonderful morning because we had what felt like two sunrises.

Just married

Just married

Lovely burners

Sunrise at Point 3

Sunrise at Point 3

After 8 years of Burning I finally managed to catch the legendary Tycho performing one of his incredible sunrise sets. You can listen the set here: https://soundcloud.com/tycho/inversion-burning-man-sunrise-set-2019

Sunday Sunrise

After 8 years of Burning I finally managed to catch the legendary Tycho performing one of his incredible sunrise sets. You can listen the set here: https://soundcloud.com/tycho/inversion-burning-man-sunrise-set-2019

After 8 years of Burning I finally managed to catch the legendary Tycho performing one of this incredible sunrise sets. You can listen the set here: https://soundcloud.com/tycho/inversion-burning-man-sunrise-set-2019

Hani’s Deep Playa Tax Refueling at Awful’s Gas & Snack by: Matthew Gerring & Crank Factory from: San Francisco, CA year: 2019 Awful’s Gas & Snack: Your Gateway to the Big Wild! See one of the few remaining gasoline stations, painstakingly preserved since the mid-21st century. Travel back to a time when hardy men roamed the “open road” seeking fortune & freedom. Wilderness passes & provisions available. NO GAS AVAILABLE FOR PURCHASE, PLEASE DON’T ASK. URL: http://awfulsgas.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVwVUAW

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Man Base

Henry Chang’s Flux Capacitor Mutant vehicle and I.L.Y by: Dan Mountain from: Portola Valley, CA year: 2019 A 27 foot forearm and hand, fabricated from engineered steel, recycled and repurposed scrap metal meant to engage participants in various visual, physical, and emotional ways. Housing an internal armature of chains, gears, sprockets, and springs, the involvement of participants allows the fingers and parts of the hand to bring the sculpture to its full realization. The intention of ILY is to encourage communication, collaboration, and eagerness to work together. Contact: [email protected]

Playa Penthouse

Name Unknown

Name Unknown

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Folly in the dust

Good times

Mutant Vehicle name unknown

Fragments, 2019 by: Marc Ippon de Ronda from: Paris, France year: 2019 “Fragments” by French artist Marc Ippon de Ronda has been designed for Burning Man 2019. Where the artist turns an old Black Rock Desert legend into reality. The installation plays with the illusion of appearances and our ever-changing perception of self and surroundings, a recurring theme in de Ronda’s work. During the day Burners see their reflections evolve inside the fragmented mirrors as they move through the sand winds and find shelter in its corners and covers. At sunrise and sunset the installation invites for meditation. Burners ascend and descend the central staircase experiencing a golden hue of warmth from the sun. At night, “Fragments” shifts again into abstract LED surfaces creating a magical apparition in the desert darkness. URL: https://fragmentsart.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW2JUAW

Transmutation by: Arturo Gonzalez from: Saltillo, Coahuila Mexico year: 2019 Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter. https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG

Transmutation by: Arturo Gonzalez from: Saltillo, Coahuila Mexico year: 2019 Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter. https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG

Transmutation by: Arturo Gonzalez from: Saltillo, Coahuila Mexico year: 2019 Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter. https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG

Transmutation by: Arturo Gonzalez from: Saltillo, Coahuila Mexico year: 2019 Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter. https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG

Shewolf by: Chris Mack from: Monterey, CA year: 2019 The Shewolf is nature, constantly giving and directing our growth for thousands of years. Only recently has man conquered nature by what we think is a smart and clever manipulation for our benefit. “What nature can do, man can do better.” Or can we? Has man depleted our mother or is she still willing to nurture us? Come out and drink from the elixir from nature’s breasts. Lay in her shadow, protected from harm. Shewolf now has a partner wolf. Can he keep up? Can we keep up? https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9rfUAC

Playa at dusk

Mutant Vehicle (name unknown) and the Head Maze Head Maze by: Matthew Schultz and The Pier from: Reno, NV year: 2019 The Head Maze is a purposeful juxtapositions of two forms, a peaceful meditative reflection and our inevitable struggle with the nature of cognition; a monolithic mind caught in time between multiple selves. The head towers four stories over the playa floor, encased in mulberry paper and epoxy modeled after the work of Yoshio Ikezaki. The head rests in repose while its left hand claws at its mind fighting to reveal a crystalline stained glass structure akin to the “Space Whale” inside. A series of hidden doors in the mouth, wrists and head open into a four story, 18 room maze. Each modular room creates a unique space dedicated to the nature of our minds, our struggles with being and the weird and fanciful process of dreaming. URL: http://www.headmaze.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVtbUAG

Wing Portal by: Suki Somersall, Sven Eberwein, John Briscella, Maria Dubrovskaya, Alexander Green, Stephan Rodan, Josh McFarland, Glenn Fischer, Vincent Lauenstein from: California year: 2019 Built as a gift for California, a sculpture of transcendence made from the ruins of the 2018 fires. This past fall our community here in California was hit by the devastating fires that destroyed hundreds of homes and affected so many lives. These events have deeply changed us. As a visual metaphor to transcendence and metamorphosis, our team is building a sculpture out of the ruins from the fire and is bringing it to another place of deep personal transformation: Burning Man. And after the Burn, the sculpture will be publicly installed in California. The wings span 60 feet across, and are built out of recycled metal, iridescent dichroic acrylic panels and thousands of LED lights. URL: https://www.indiegogo.com/projects/wing-portal-debuting-at-burning-man-2019#/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXjOUAW

Name unknown

Name Unknown

Tulpa Ashrams by: One Art Museum from: Peking, China year: 2019 TULPA ASHRAMS is a tower group represents the fusion of senses. Tulpa is a concept in mysticism and the paranormal of a being or object which is created through spiritual or mental powers. It was adapted by 20th century theosophists from Tibetan: སྤྲུལ་པ་ which means “emanation” or “manifestation”. Emerging from a study into the geometry of Chinese art and architecture, the tower group references motifs and elements traditionally found in Tibetan Buddhism, chanting music, sacred places, and daily objects though in itself. Tulpa Ashrams has ties to no religion. It transcends time and space, memories and culture.They are chaotic eons of the past and a distant future of the unknown. URL: http://bit.ly/2pFBH0Q Contact: [email protected]

Burning Man Is Stupid.

If memory serves this is called The Oasis. Random passerby burners get pampered and fanned. You get misted and they hand feed you fruit in the chair while you recline. Some people were trying to do one of those colorful smokebomb photoshoots upwind from us. The smoke was so thick we could barely breath. I went over and politely asked them if they could take their photoshoot elsewhere. I also asked them to think about whether or not smokebombs are MOOP…

Nice to meet you!

SACRED GROUNDS by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 14.5 X 10 FT 6.5 X 4.5 X 3 M 2019 https://www.michaelbenisty.com

SACRED GROUNDS by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 14.5 X 10 FT 6.5 X 4.5 X 3 M 2019 https://www.michaelbenisty.com

IN CASE OF EMERGENCY USE STAIRS

Lingerie 3rd floor

Name Unknown

The Shrine of Sympathetic Resonance by: tyson ayers and Resonant Arts from: Oakland, CA year: 2019 The Shrine of Sympathetic Resonance is a sanctuary dedicated to letting participants experience the phenomena of sympathetic resonance. All the walls of this epic structure are made of piano harps, surrounding the participant with 20,000 musical strings that echo back every sound they make. All the strings are tuned to pentatonic scales based on the Schumann Resonance, the earth’s fundamental frequency, so that anything played on the strings sounds musical. Five intimate, pentagonal chambers let participants deeply immerse themselves in the experience, while the open-air center space allows for larger gatherings. A 39′ tower rises up from the center’s intricately designed dias while detailed artworks adorn the space. URL: http://www.soundcave.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVn4UAG

Expansion Pavilion by: Shrine from: Pasadena, CA year: 2019 https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001T9HSUA0

Expansion Pavilion by: Shrine from: Pasadena, CA year: 2019 https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001T9HSUA0

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

Name Unknown

Some of my friends discussing their various creative endeavors. Not sure who that interloper is in the back. Just kidding. I freakin love you Mr. Wonderful!

Black Rock City

Black Rock City

Black Rock City

I took a rest sitting up here. I love pieces with chairs… The Bard’s Branch by: Pam Ward from: San Francisco, CA year: 2019 I would like to bring my childhood joy of books and climbing trees to the playa by building a tree library. A comfy armchair will be in the nest at the top for folks to read in, shaded with branches. It will look like an old organic library with bookshelves, staircases and books stacked all over it. Recessed shelves will be hidden in the trunk and books will have light up letters, inspiring words and pop-up images inside. There is a playful childlike energy to the piece. The Bard’s Branch will bring joy & stir the imagination. Contact: [email protected] https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVqXUAW (Thanks to Annelise for the caption update here)

These pink cowgirls were SUPER fun.

BLM Ranger

This guy was about the healthiest looking person I’ve ever seen. So I struck up a conversation with him about health. I’ve got a major dadbod going on these days and he was a doctor. So we had a lovely little chat.

Shout out to the people who maintain their fitness out there. I can’t even stay fit in the default world so it always impresses me when I see folks staying active out there.

Out Of Band III mutant vehicle.

One of my favorite moments from the burn was when this little one came to me and reached out her hand. She was just learning to walk and was curious about my camera. She grabbed my hand and played with all the buttons on my camera! It was so such a sweet little moment.

Mayan Warrior

Some of the people who make Burning Man so great.

So great to meet you and thanks for being such a great person to photograph!

Love this Burner’s whole vibe. He was so nice.

Name Unknown

Drinking from the gas pump at Awful’s Gas & Snack by: Matthew Gerring & Crank Factory from: San Francisco, CA year: 2019 Awful’s Gas & Snack: Your Gateway to the Big Wild! See one of the few remaining gasoline stations, painstakingly preserved since the mid-21st century. Travel back to a time when hardy men roamed the “open road” seeking fortune & freedom. Wilderness passes & provisions available. NO GAS AVAILABLE FOR PURCHASE, PLEASE DON’T ASK. URL: http://awfulsgas.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVwVUAW

Elevation at sunrise by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected]

The Shrine of Sympathetic Resonance by: tyson ayers and Resonant Arts from: Oakland, CA year: 2019 The Shrine of Sympathetic Resonance is a sanctuary dedicated to letting participants experience the phenomena of sympathetic resonance. All the walls of this epic structure are made of piano harps, surrounding the participant with 20,000 musical strings that echo back every sound they make. All the strings are tuned to pentatonic scales based on the Schumann Resonance, the earth’s fundamental frequency, so that anything played on the strings sounds musical. Five intimate, pentagonal chambers let participants deeply immerse themselves in the experience, while the open-air center space allows for larger gatherings. A 39′ tower rises up from the center’s intricately designed dias while detailed artworks adorn the space. URL: http://www.soundcave.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVn4UAG

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

Temple of Brad Pitt by: Geodesic Temple from: Upstate NY year: 2019 The Temple of Brad Pitt channels the famous Hollywood actor. It captures Brad Pitt’s aura, extracts the essence of his being through data gathering and redisplays it as a data portrait and performative sculpture enabling Burning Man 2019 participants who enter a special apparatus to briefly experience what it is to be him. URL: http://tobrit.geodesictemple.com/ https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9nYUAS

Expansion Pavilion by: Shrine from: Pasadena, CA year: 2019 https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001T9HSUA0

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Bee Dance by: Andrea Greenlees, Andy Tibbetts, and Josh Haywood from: London, UK & Reno, NV year: 2019 Bee Dance is a whimsical and inviting art installation in the form of two gigantic Dancing Bees, their legs entwined and their heads touching in a bee kiss. It celebrates one of the most fascinating examples of communication in the natural world — when forager bees return from their exploratory flights and perform the Bee Dance for the other bees, carrying out specific routines in order to communicate the distance and direction of pollen, nectar and water from the hive. Bee Dance is a strong climbable structure that Burners can clamber over and cling to, just as pollen clings to a bee. The Bees are bronze in colour, but on their dancing feet they wear gleaming copper ballet shoes with copper ribbons. The Bees are transformed into dancers. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVlmUAG

The Man Base before sunrise.

The Artery

Welcome Home by: Joey Howell and Brian Dean of SALT MIND from: Salt Lake City, UT year: 2019 Burners call the playa home. Home not because of the location, but because of the people we share it with; friends, family, lovers, strangers. Welcome Home creates an absurdly normal setting by taking a space associated with default homes and bringing it to our true home. This fully decorated parlour in the sky invites wanderers to climb, explore, and enjoy the view. URL: https://www.saltmindslc.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkeUAG

Welcome Home by: Joey Howell and Brian Dean of SALT MIND from: Salt Lake City, UT year: 2019 Burners call the playa home. Home not because of the location, but because of the people we share it with; friends, family, lovers, strangers. Welcome Home creates an absurdly normal setting by taking a space associated with default homes and bringing it to our true home. This fully decorated parlour in the sky invites wanderers to climb, explore, and enjoy the view. URL: https://www.saltmindslc.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkeUAG

Welcome Home by: Joey Howell and Brian Dean of SALT MIND from: Salt Lake City, UT year: 2019 Burners call the playa home. Home not because of the location, but because of the people we share it with; friends, family, lovers, strangers. Welcome Home creates an absurdly normal setting by taking a space associated with default homes and bringing it to our true home. This fully decorated parlour in the sky invites wanderers to climb, explore, and enjoy the view. URL: https://www.saltmindslc.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkeUAG

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

Lee Burridge at DISTRIKT

These folks stopped me and said hey can you take our picture. I was like hell yeah I can!

Lee Burridge at DISTRIKT

Lovely burners.

These ladies were very excited about breastfeeding.

Tzompantli by: T. Booth Haley from: Berkeley, CA year: 2019 Tzompantli were skull racks that were built in front of temples in a number of Mesoamerican civilizations to demonstrate the power of the ruling elite and their gods. The sacrificial victims are thought to have been mostly captives of war. Each victim was skinned and had a hole cut in the cranium by an expert using obsidian blades. Tzompantli is a Nahuatl word, the language of the Aztecs, and the largest one was in the Aztec capital of Tenochtitlan. It was 60 by 30 meters, several meters tall, and contained an estimated 60,000 skulls. This BRC tzompantli is a replica of the ancient ones. The historical tzompantli stood outside the oldest temples of the Americas and here the skull rack stands outside the newest temple of the Americas. https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXAxUAO

Playa hug.

Love this one.

These guys were so nice.

These guys were so nice.

These guys were so nice.

Expansion Pavilion by: Shrine from: Pasadena, CA year: 2019 https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001T9HSUA0

Name Unknown

Transmutation by: Arturo Gonzalez from: Saltillo, Coahuila Mexico year: 2019 Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter. https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVujUAG

Transmutation by: Arturo Gonzalez from: Saltillo, Coahuila Mexico year: 2019 Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter. https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVujUAG

Lovely Burners

Lovely Burners

Nice to see you Takeshi!

Name Unknown

Performance at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Performance at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Performance at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Performance at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Performance at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Performance at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Performance at the Folly

Name unknown

It was a pleasure to meet you.

747

doin it right. 1800 go pudgey.

Name Unknown

Name Unknown

Name Unknown

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction and the Larry Memorial by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Wonderful Burner

Tatanka by: Peter Hazel from: Reno, NV year: 2019 Tatanka is an Indian word for buffalo. For the Northern Plains people Tatanka meant life. Ceremonies and daily life revolved around sacred reverences to Tatanka. They relied upon the bison for food, clothing, housing, tools, just to name a few. This piece is a 9′ tall mosaic buffalo created in Reno, NV by large scale sculpture artist Peter Hazel. The piece is made up of thousands of handmade tiles of various colors, textures, and sizes. https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9wBUAS

Wonderful Burner

Name unknown

Lovely burner

Couple of classy gentlemen and a cool bike.

Lovely burner

BROKEN BUT TOGETHER by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 12 X 10 FT 6.5 X 3.6 X 3 M 2019 https://www.michaelbenisty.com

BROKEN BUT TOGETHER by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 12 X 10 FT 6.5 X 3.6 X 3 M 2019 https://www.michaelbenisty.com

Lovely burner

Connections by: Oxana Belka from: Chicago, IL year: 2019 We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions. As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us. At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TABCUA4 (thanks to Reddit user petrograd for the caption update)

Name unknown (remote controlled couch thing)

Awful’s Gas & Snack by: Matthew Gerring & Crank Factory from: San Francisco, CA year: 2019 Awful’s Gas & Snack: Your Gateway to the Big Wild! See one of the few remaining gasoline stations, painstakingly preserved since the mid-21st century. Travel back to a time when hardy men roamed the “open road” seeking fortune & freedom. Wilderness passes & provisions available. NO GAS AVAILABLE FOR PURCHASE, PLEASE DON’T ASK. URL: http://awfulsgas.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVwVUAW

Lovely burner

Deep playa sunrise

Nice contact lenses. This fellow mentioned they actually worked as lenses!

Deep playa sunrise

Lovely burner

Nice flamethrower! Name unknown

Mayan Warrior

Mutant Vehicle Name Unknown

Robot Heart, Broken But Together, and a Polar Bear (Bear name unknown)

Maxa Xaman Mutant Vehicle

Positive Reactor by: Assaf Allouche from: El Sitio de Playa Venao, Panama Republic year: 2019 The Reactor is a large complexed geometric structure made of endless triangles. From the ground it looks like a crown or a pomograne, but from its center it forms the sacred geometrical shape of the Merkaba. Its purpose is to remind us that acts of kindness reward the giver, the receiver and the witness of the good acts, with a boost of oxytocin, producing good feeling to all and taking nothing in return. Therefore creating energy — a Reactor! URL: https://www.thereactorproject.com Contact: [email protected] (Thanks for Reddit user jlev for the caption update here)

The Shrine of Sympathetic Resonance by: tyson ayers and Resonant Arts from: Oakland, CA year: 2019 The Shrine of Sympathetic Resonance is a sanctuary dedicated to letting participants experience the phenomena of sympathetic resonance. All the walls of this epic structure are made of piano harps, surrounding the participant with 20,000 musical strings that echo back every sound they make. All the strings are tuned to pentatonic scales based on the Schumann Resonance, the earth’s fundamental frequency, so that anything played on the strings sounds musical. Five intimate, pentagonal chambers let participants deeply immerse themselves in the experience, while the open-air center space allows for larger gatherings. A 39′ tower rises up from the center’s intricately designed dias while detailed artworks adorn the space. URL: http://www.soundcave.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVn4UAG

The Larry Memorial by: Dana Albany, Andrew Johnstone, David Best, Flash Hopkins from: San Francisco, CA year: 2019 A stepped pyramid crowned with a palanquin and large spire, flanked on each corner by lamplighter spires. It serves as a physical representation of Larry’s mind palace and contains some of Larry’s books and mementos. Contact: [email protected]

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Taking Flight by: Nicki Adani from: Mill Valley, CA year: 2019 Nicki Adani’s “Taking Flight” emboldens visitors to be who they truly are, inspiring them to leave behind what is holding them back. A 10-foot tall feminine bird-like figure, welded from raw steel rods and tubes, her wings spread wide, takes flight from her perch upon a 10-foot tall spoked wheel, representing the circle of life. Viewers interact by making colorful ropes and weaving them into the wheel as a metaphor of releasing one’s past. Experiences already lived through can’t be erased, but they can speak their truths, and be let go. In the process, individuals can connect to their inner strength allowing them to spread their wings to fly free. URL: http://time2flyart.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW74UAG

The Man Base

Fireworks by DaveX and The Monumental Mammoth by: Girl Scout Gold Award Recipient Tahoe Mack, Mentor and Protector of Tule Springs Representative Sherri Grotheer, and artists Luis Varela-Rico and Dana Albany from: Las Vegas, NV year: 2019 The Monumental Mammoth project will depict a life-sized steel Colombian mammoth skeleton collaged with metal found objects to tell the story of Tule Spring National Monument’s past, present, and future. The sheer size and struggle of the mammoth’s stance is a representation of the universal call to protect what the earth has given humanity. As a community, we are called together to protect the fossils of our past and the education of our future. Dana Albany and Luis Varela-Rico are pulling together the sleek elements of the interior steel structure and the intricate weavings to represents the distinctive community that is Las Vegas.It also tells the story of a rising feminine power, and shows all women of any age that anything is possible! URL: https://tulemammothproject.wordpress.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVtMUAW

Elephant Mutant Vehicle Name Unknown

Elections Fucking Matter (artist name unknown)

Mutant vehicle driver

I love meeting friendly burners who have nothing but good vibes like these dudes.

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Stone 27 by: Benjamin Langholz from: California & Berlin, Germany year: 2019 Confront nature and yourself as you journey along 27 stones floating above the Playa. Step into an alternate reality where destructive energy has been harmonized with nature to create moments of physical and mental elevation. Stone 27 finds great inspiration in simplicity, minimalism, and math to create clearness and consciousness in a material world, inviting you to a moment of complete presence. URL: https://stonetwentyseven.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVo2UAG

Hundroid Mutant Vehicle at Night

J, bring yur dad back and keep going with the real videos my man! Nice to see you again T.

Andromeda Reimagined by: Playa Muses from: Bay Area, CA year: 2019 In myth, Andromeda earned the god’s respect by her earthly deeds and was rewarded with celestial immortality as a constellation. We reimagine the Andromeda Myth, evolving it from a classic male hero focus to a strong feminine and collaborative paradigm. This art piece brings Andromeda back to earth, and asks, should we aspire to immortality? Can our fleeting actions ultimately stack up to monumental outcomes? The piece, built by first-time playa artists, consists of a 26 ft spire, with ornate star-patterned walls. It shines like a Moroccan lantern at night, and beckons viewers to rest in a plush interior, seek shade, duck a windstorm. It incubates change. People come to reflect on their course, and to feel inspired to set their sights higher. URL: http://www.projectandromeda.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9r6UAC

The Phoenix and The Butterfly: A story of metamorphosis by: swig miller from: Topanga, CA year: 2019 Imagine walking across the playa, looking up to see a huge flaming Phoenix flying high in the night sky facing its partner, a beautiful glowing Butterfly. Twenty-five-foot pyramids made of spheres connect you to them and a staircase invites you to share their view. Imagine returning the next day to find these pyramids filled with interactive elements like places to connect, find shade, swing, climb, and view the playa. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AX4uUAG

Bon voyage!

I’m always out shooting alone so it’s really nice when I run into friends. In this instance some friends were going on a little cruise!

Hani’s Deep Playa Taxi at The Folly

This fellow built himself a remote controlled fridge.

Robot Wedding at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Robot Wedding at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Robot Wedding at The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

Garage Mahal Mutant Vehicle from the Bay Area (Thanks to Phil for the caption update)

The gentlemem was standing there when someone walked up and appended the yellow “cutie” badge on him. Cuteness confirmed!

Nice to meet you Benjamin and thanks for the 27 Stones! It scared me!

Airfield for walking in the clouds by: Weld Queen from: Moscow, Russia year: 2019 “Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.” The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space. URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/ Contact: [email protected]dqueen.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW

Airfield for walking in the clouds by: Weld Queen from: Moscow, Russia year: 2019 “Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.” The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space. URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW

Airfield for walking in the clouds by: Weld Queen from: Moscow, Russia year: 2019 “Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.” The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space. URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW

Great to meet you and thank you for our little chat!

Great to meet you and thank you for our little chat!

Good times. Mutant vehicle name unknown.

Jay doing a fun pose for me.

The Dollhouse by: House of Strange Rituals from: Eugene, OR year: 2019 The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within. URL: https://www.houseofstrangerituals.com/the-dollhouse Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW

Friendly burner on the Skywhale: The Not ShyWhale crew.

Skywhale: The Not ShyWhale and The Temple by: Blake Marcus, Chris Welch, Seven from: Amherst, MA year: 2019 The SkyWhale is a life sized flying technicolor whale and she will kindle the flames of imagination and wonder within all who see, touch, and listen to the piece as she arrives into the dusty desert. She strives to open the possibility of using the sky as a 3-dimensional medium for art. In nature, water creatures live in a place physically below that of terrestrial humans, and they have been downstream of many harmful human activities. SkyWhale aims to show that there can be progress and she can help heal and transform the human relationship with Nature. In recognition of the metamorphosis theme, the SkyWhale will embody the transformation of a sea creature to dream that takes to the air. URL: https://www.instagram.com/skywhaleproject/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW6pUAG

Friendly burner. We traded cameras for a while and played around. It was fun.

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Chapel Perilous by: Rob Leifheit & the Enchanted Booty Forest from: Los Angeles, CA year: 2019 Only two walls of the ruins of Chapel Perilous still stand, sunken heavily into the ground over time. From the Black Rock City, the chapel appears dark and mysterious, but from inside, four stained glass windows and a large rosette illuminate the piece. Custom light patterns and ambient sounds engage visitors to learn more about the eight circuits of consciousness and the trappings of Chapel Perilous — a state one enters when facing truth that disagrees with their notion of reality. Once you enter, will you ever leave Chapel Perilous? URL: http://enterchapelperilo.us https://burningman.org/culture/history/brc-history/event-archives/2019-event-archive/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW7JUAW (Thanks to Reddit user sirduke63 for the caption update here.)

Taking Flight by: Nicki Adani from: Mill Valley, CA year: 2019 Nicki Adani’s “Taking Flight” emboldens visitors to be who they truly are, inspiring them to leave behind what is holding them back. A 10-foot tall feminine bird-like figure, welded from raw steel rods and tubes, her wings spread wide, takes flight from her perch upon a 10-foot tall spoked wheel, representing the circle of life. Viewers interact by making colorful ropes and weaving them into the wheel as a metaphor of releasing one’s past. Experiences already lived through can’t be erased, but they can speak their truths, and be let go. In the process, individuals can connect to their inner strength allowing them to spread their wings to fly free. URL: http://time2flyart.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW74UAG

The Flybrary by: Christina Sporrong from: Taos, NM year: 2019 The Flybrary is an extraordinary library within an enormous human head, partially cut open at the top allowing a flock of illuminated birds to emerge. Within the head are several levels of catwalks to climb and nooks and crannies to sit in and enjoy the selection of books. The eyes and mouth are portholes to the outside world. Up above, the open ceiling holds a large chandelier radiating soft light within. It’s a dreamy, transformative space providing an intimate and surreal refuge for contemplation, written wisdom and freedom of thought. URL: https://spitfireworks.blogspot.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW03UAG

The Word on The Street by: Scott Froschauer from: Los Angeles, CA year: 2019 From a distance, one imagines that they are being told that the circular space defined by this piece is inaccessible. Eight signs appear to proclaim “Do Not Enter.” But on closer inspection, the message is much different. URL: http://scottfroschauer.com/?cat=14 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9rzUAC

Golden Gate Bridge Mutant Vehicle and the Man

The Intersection X by: Invisible Pink Unicorns from: Moscow, Russia year: 2019 Nothing stays the same. We are changing all the time and the world around us is changing as well. In the place of last year intersection the new one appeared. It is the same, but absolutely different. Metamorphose took its toll. URL: https://www.facebook.com/theintersectionart Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVyvUAG

The Intersection X by: Invisible Pink Unicorns from: Moscow, Russia year: 2019 Nothing stays the same. We are changing all the time and the world around us is changing as well. In the place of last year intersection the new one appeared. It is the same, but absolutely different. Metamorphose took its toll. URL: https://www.facebook.com/theintersectionart Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVyvUAG

Getting a Tow

Mutant Vehicle Name Unknown with dusty beard.

Always fun to play with you Bonnie!

The Mansonian Institute

Mansonian Museum (apologies for the distorted pano)

Wonderful painting artist name unknown.

I was complaining about the pain in my arm and this lovely man tried to make me feel better. It was nice.

Well done on the rental logo here!

Black Rock City Views

Didn’t notice it at the time but look at this megayurt in the lower right.

Black Rock City Views

Panorama 3/3 from roughly 510 and D. Cannot remember the name of the camp for the life of me.

Panorama 2/3 from roughly 510 and D. Cannot remember the name of the camp for the life of me.

Panorama 1/3 from roughly 510 and D. Cannot remember the name of the camp for the life of me.

HEAT and beyond.

You can see the airport from here.

Black Rock City and Center Camp. (Please do a better job of covering or altering logos. Only because cloning them out takes forever.)

Name unknown.

Name Unknown

Name Unknown Build

Nice to see you again George! George is a great photographer and you can see some of his work here: https://www.georgepostphotography.com/

Some new friends. I was playing around with a super wide lens here so they look like giants. They’re on the Air Pusher crew. Love that thing. Nice to meet you.

Chapel of the Chimes by: Infinity Gathered from: Washington, D.C. year: 2019 You happen upon this beautiful and curvaceous hand-cut building of wood and steel chimes. The love and care that went into each cut is visable. The Chapel of the Chimes awaits you. The love poured into the structure makes it a perfect place to have a ceremony with loved ones. There is an arch inside and platform to stand. Share your vows, commitments, and devotion here. You may also simply take shelter here from the hot sun and relax to the sound of the wind breezing through, giving the wind a different voice and experience. The chimes harmonize and sing you a song you’ve not yet heard. Come and learn of the playa-adjacent origins of the structure! It has quite a story to share. Come early, it burns before the end of the event! URL: http://www.infinitygathered.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXizUAG (Thanks to reddit user sachin571 for the caption update)

Chapel of the Chimes by: Infinity Gathered from: Washington, D.C. year: 2019 You happen upon this beautiful and curvaceous hand-cut building of wood and steel chimes. The love and care that went into each cut is visable. The Chapel of the Chimes awaits you. The love poured into the structure makes it a perfect place to have a ceremony with loved ones. There is an arch inside and platform to stand. Share your vows, commitments, and devotion here. You may also simply take shelter here from the hot sun and relax to the sound of the wind breezing through, giving the wind a different voice and experience. The chimes harmonize and sing you a song you’ve not yet heard. Come and learn of the playa-adjacent origins of the structure! It has quite a story to share. Come early, it burns before the end of the event! URL: http://www.infinitygathered.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXizUAG (Thanks to reddit user sachin571 for the caption update)

Name Unknown

Platonic Two: Tesseract by: gnArt – Prime & Kerri from: Calgary, Canada year: 2019 A shimmering cube of wonder. What will one see when one gazes upon it? https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9uKUAS

Name Unknown

Dang Gang Imperial Cruiser from Disorient (Thanks to Reddit user decktech for letting me know.)

Name Unknown

Name Unknown

Nice piece on the 50th anniversary of the moon landing!

Temple of Brad Pitt by: Geodesic Temple from: Upstate NY year: 2019 The Temple of Brad Pitt channels the famous Hollywood actor. It captures Brad Pitt’s aura, extracts the essence of his being through data gathering and redisplays it as a data portrait and performative sculpture enabling Burning Man 2019 participants who enter a special apparatus to briefly experience what it is to be him. URL: http://tobrit.geodesictemple.com/ https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9nYUAS

elevation by: michael christian from: Berkeley, CA year: 2019 Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXPsUAO

Expansion Pavilion by: Shrine from: Pasadena, CA year: 2019 https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001T9HSUA0

Expansion Pavilion by: Shrine from: Pasadena, CA year: 2019 https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001T9HSUA0

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Folly by: Dave Keane & The Folly Builders from: San Francisco, CA year: 2019 The Folly represents an imaginary shantytown of funky climbable towers and old western storefronts, cobbled together from salvaged and reclaimed lumber from original San Francisco Victorians to be reborn in the desert, affording shelter, entertainment and perspective to the community. URL: www.thefollybrc.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVkAUAW

The Phoenix and The Butterfly: A story of metamorphosis by: swig miller from: Topanga, CA year: 2019 Imagine walking across the playa, looking up to see a huge flaming Phoenix flying high in the night sky facing its partner, a beautiful glowing Butterfly. Twenty-five-foot pyramids made of spheres connect you to them and a staircase invites you to share their view. Imagine returning the next day to find these pyramids filled with interactive elements like places to connect, find shade, swing, climb, and view the playa. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AX4uUAG

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Cocoonap by: Artmisto from: Dnipro, Ukraine year: 2019 Cocoonap is a combination of two words: cocoon and nap. Installation-transformer, which smoothly changes its appearance and tells a small parable. This is a visualization of a metaphorical dream about the changing and cyclical nature of life, about what is its basis. Birth, flourishing, development, dissolution in eternity. The 3×4 meter installation will be made of wood, vividly decorated with LED-stripes for a spectacular show during the night, and the surface of the cocoon itself will be covered with stencils that will project metaphorical illustrations onto the surface of the desert. URL: https://artmisto.com/cocoonap/ https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVq3UAG

The Flybrary at Night Under the Moon by: Christina Sporrong from: Taos, NM year: 2019 The Flybrary is an extraordinary library within an enormous human head, partially cut open at the top allowing a flock of illuminated birds to emerge. Within the head are several levels of catwalks to climb and nooks and crannies to sit in and enjoy the selection of books. The eyes and mouth are portholes to the outside world. Up above, the open ceiling holds a large chandelier radiating soft light within. It’s a dreamy, transformative space providing an intimate and surreal refuge for contemplation, written wisdom and freedom of thought. URL: https://spitfireworks.blogspot.com/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW03UAG The Flybrary, The Flybrary at night, Christina Sporrong, Christina Sporrong

Paraluna by: Christopher Schardt from: Oakland, CA year: 2019 Paraluna is a giant, spinning disc of LEDs. Classical music plays from speakers on the ground while complementary animated patterns are displayed on the disc above. The disc is held up by a boom lift, allowing the disc to be raised, lowered, and tilted, to dramatic effect. URL: http://ledlabs.co/paraluna Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=paraluna#a2I0V000001AVlcUAG

Mariposita by: Chris Carnabuci from: Cold Spring, NY year: 2019 Mariposita, meaning “little butterfly”, represents rebirth – of coming out of a shell, escaping confinement, and breaking through to a more meaningful and enlightening existence or experience. The act of emerging, however, is usually not so simple, and the complexity experienced both within the individual viewer and expressed externally as a communal experience, will become the atmosphere surrounding this piece. A rebirth requires power, curiosity, determination, and support, all characteristics that lead to revival and restoration. Mariposita is meant to inspire awakenings and reawakenings, growth and regrowth, beginnings and ends. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW0NUAW

Mariposita by: Chris Carnabuci from: Cold Spring, NY year: 2019 Mariposita, meaning “little butterfly”, represents rebirth – of coming out of a shell, escaping confinement, and breaking through to a more meaningful and enlightening existence or experience. The act of emerging, however, is usually not so simple, and the complexity experienced both within the individual viewer and expressed externally as a communal experience, will become the atmosphere surrounding this piece. A rebirth requires power, curiosity, determination, and support, all characteristics that lead to revival and restoration. Mariposita is meant to inspire awakenings and reawakenings, growth and regrowth, beginnings and ends. Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW0NUAW

BROKEN BUT TOGETHER by Michael Benisty MIRROR POLISHED STAINLESS STEEL 21 X 12 X 10 FT 6.5 X 3.6 X 3 M 2019 https://www.michaelbenisty.com

eye of metamorphosis by: music vizards from: San Luis Obispo, CA year: 2019 Metamorphosis is our projection on us self. We provide a unique experience at night with the Eye of Metamorphosis: A body-projection art installation creating an individual metamorphosis to be projected on the moving or dancing body. Butterflies, which morph into watchful eyes reminding us that wishful ideals come with the cost of exposition; or flowers, which burn away from the inside, or fire that freezes to ice. A mirror at the bottom of the eye lets participants experience their own metamorphosis. URL: http://musicvizards.io Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXyEUAW

The Dollhouse by: House of Strange Rituals from: Eugene, OR year: 2019 The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within. URL: https://www.houseofstrangerituals.com/the-dollhouse Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW

The Dollhouse by: House of Strange Rituals from: Eugene, OR year: 2019 The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within. URL: https://www.houseofstrangerituals.com/the-dollhouse Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW

The Dollhouse by: House of Strange Rituals from: Eugene, OR year: 2019 The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within. URL: https://www.houseofstrangerituals.com/the-dollhouse Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW

Star Duster

Last light on the mountains.

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Skywhale: The Not ShyWhale by: Blake Marcus, Chris Welch, Seven from: Amherst, MA year: 2019 The SkyWhale is a life sized flying technicolor whale and she will kindle the flames of imagination and wonder within all who see, touch, and listen to the piece as she arrives into the dusty desert. She strives to open the possibility of using the sky as a 3-dimensional medium for art. In nature, water creatures live in a place physically below that of terrestrial humans, and they have been downstream of many harmful human activities. SkyWhale aims to show that there can be progress and she can help heal and transform the human relationship with Nature. In recognition of the metamorphosis theme, the SkyWhale will embody the transformation of a sea creature to dream that takes to the air. URL: https://www.instagram.com/skywhaleproject/ Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW6pUAG

Skywhale: The Not ShyWhale and The Dollhouse

Island of Lost Buoys and Skywhale: The Not ShyWhale Island of Lost Buoys by: Lillian Heyward and The Island of Lost Buoys, a Create Change Project from: Bluffton, SC year: 2019 On the playa is an Island, a wooden tree dominates the center made of recycled pallets, crates and drift wood. Leaves of sculpted plastic bottles rustle in the wind. Strung from a branch is a hammock made of fishing net attached to a ocean buoy marooned on the beach. Hanging from the branches are sea buoys and balls providing a place to write names or leave a message to those who will come after. Hanging from branches are bamboo wind chimes that softly clatter in the breeze. It is an island, a refuge, a place of calm and childhood in the stormy seas of life. It appears out of the playa as a mirage, the fantasy playground of youth. Discarded materials transform into an oasis, as our adult lives transform back to childhood. Bangarang! URL: http://www.createchangeproject.com Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVsTUAW Skywhale: The Not ShyWhale by: Blake Marcus, Chris Welch, Seven from: Amherst, MA year: 2019 The SkyWhale is a life sized flying technicolor whale and she will kindle the flames of imagination and wonder within all who see, touch, and listen to the piece as she arrives into the dusty desert. She strives to open the possibility of using the sky as a 3-dimensional medium for art. In nature, water creatures live in a place physically below that of terrestrial humans, and they have been downstream of many harmful human activities. SkyWhale aims to show that there can be progress and she can help heal and transform the human relationship with Nature. In recognition of the metamorphosis theme, the SkyWhale will embody the transformation of a sea creature to dream that takes to the air. URL: https://www.instagram.com/skywhaleproject/ Contact: [email protected] https://burningman.org

DreamWEaver by: Friends of a Feather from: Reno/Tahoe, NV and Western Canada year: 2019 Dream WEaver is Intended to display non-physical concepts in physical form. To show the invisible connection between our minds and our hands. To show that our hands can be the guide to bring our dreams into light. The dreamweaver is not one, but many beings working together to create something beyond what any single human can accomplish on their own.

Therolin no2 by: Ryan Elmandorf from: Denver, CO year: 2019 Therolin is a Theremin but instead of playing from a speaker the instrument is a very large guitar string electronically strummed, using an 8 inch X 20 ft pipe as a resonating body. The large pipe juts up from the playa at a very low angle. It ends at eye height. Below it’s opening a small podium awaits. As the participant reaches out to touch the podium, they will notice a soft musical sound starting to emit. If they move their hand closer to the antenna, the pitch of the sound will rise, and as they move their hand away the pitch will fall. The experience will be the interface of a traditional theramin, but with a more real, physical sound in lieu of the traditional synthesized sound. URL: http://www.elmendorfgeurts.com/project/therolin https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AY6hUAG

Therolin no2 by: Ryan Elmandorf from: Denver, CO year: 2019 Therolin is a Theremin but instead of playing from a speaker the instrument is a very large guitar string electronically strummed, using an 8 inch X 20 ft pipe as a resonating body. The large pipe juts up from the playa at a very low angle. It ends at eye height. Below it’s opening a small podium awaits. As the participant reaches out to touch the podium, they will notice a soft musical sound starting to emit. If they move their hand closer to the antenna, the pitch of the sound will rise, and as they move their hand away the pitch will fall. The experience will be the interface of a traditional theramin, but with a more real, physical sound in lieu of the traditional synthesized sound. URL: http://www.elmendorfgeurts.com/project/therolin https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AY6hUAG

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Camp MisBeehive solar powering all the things!

Up close with the Man

Under the man and Beyond.

Under the Man

I like these pavillions at the man base.

Wizard’s piece. (Bent out of shape.)

Wizard’s piece got bent out of shape so he didn’t seem to be in the best mood when I was chatting with him.

The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

Some of The Man’s Army Build Crew by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

The Man’s Army Build by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: [email protected]

From There to Here & Here to There by: Teri Bevelacqua from: Olympia, WA year: 2019 Reminiscent of a bygone era of interstate highways… From There to Here & Here to There, is a playa specific ever changing large road sign, crafted to resemble a farm stand type billboard. Closer examination reveals a large scale painting made up of ten painted panels. The paintings, encaustic mixed media, are layers of images, marks and paint creating an ever changing image of journeys, a map. This map will consider time and experiences as additional orienting tools. The images are both personal and universal and like memories you think you have neatly tucked away, they emerge and fade in the strangest ways. Contact: [email protected]

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

Luminous Waveforms by Phil Spitler & Victoria Mara Heilweil http://philspitler.com/luminouswaveforms/ (Thanks to Phil for the caption update here)

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: [email protected] https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI

The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019 The Temple of Direction is organized linearly. It recreates a restricted passage which expands