Duncan Rawlinson - Duncan.co

Icicle Branch Through Winter Trees

Duncan Rawlinson photographed this winter scene in the 1000 Islands region of Ontario, Canada. Bare branches frame a single limb heavy with icicles, its frozen formations catching the diffused light of a snowy afternoon. The monochrome treatment emphasizes the contrast between the dark trunks and the white ground, while a small building sits partially visible through the trees in the background. The composition draws the eye through the forest to the ice-laden branch at center, capturing the stillness of a cold day in rural Ontario.

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Autumn Patchwork, 1000 Islands

Duncan Rawlinson photographed this aerial view over the 1000 Islands region of Ontario, Canada. The low-angle light picks out individual trees in their fall colors scattered across open fields and along a pair of dirt roads that divide the frame. The terrain rolls gently, with patches of low vegetation in burgundy and rust tones filling the spaces between the trees. Shot from above, the composition reveals the texture of the land and the way the trees cluster and thin out across the hillside. The photograph shows the character of rural Ontario in autumn, where working land meets scattered forest.

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Green Armada Wrecks on Red Blade

Duncan Rawlinson created this image using artificial intelligence and contemporary digital art techniques. A file of nested green crescents stretches across the frame, each form riding inside the next, until the lead shape strikes a red blade rising from below. The collision sends the entire procession into a rolling pile-up, green rims grinding against red at the impact point in the left third. Flung cargo—an orange barrel, a blue bell, a yellow coin rimmed in white, and a violet plum—hangs suspended mid-crash. The grounded lead crescent, impaled on its red obstacle, anchors the composition. Dense green, coral red, and a warm beige ground fill the color scheme.

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Coral Reef Glitch on Black

Duncan Rawlinson created this image using artificial intelligence and digital art techniques. Red and blue forms ripple across a black field, their surfaces textured with glitch patterns and concentric circles. The composition suggests organic structures—coral, fans, or flowering shapes—rendered through computational processes. Warm reds shift into cooler blues along the edges, creating a horizontal band of color that draws the eye across the frame. Each segment varies in texture, from smooth gradients to sharp, striated lines. This AI-generated work examines how algorithmic processes can produce shapes that resemble natural forms while remaining distinctly synthetic.

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Failing Border Between Red and Green

Duncan Rawlinson created this AI-generated artwork exploring the unstable boundary between two opposing color fields. A dark fracture line struggles to separate an intense red zone from deep phthalo green, but the division collapses as red tongues breach the green territory and green pushes back through gaps. Where the hues collide, a third intermediate tone appears, neither red nor green. Bright orange and yellow fragments mark earlier crossings. The composition reads as pure color under pressure, with the border fraying and the breach spreading across the frame. This piece blends digital art techniques with contemporary fine art abstraction.

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Walker at Dusk

Duncan Rawlinson created this piece using artificial intelligence and contemporary digital techniques. A lone figure in a conical hat walks a stone path through rolling grassland as the sun sets, casting deep reds and oranges across the sky. Tall grasses bend in the evening air, lit by the fading light. Dark tree silhouettes frame the composition on either side. The work blends fantasy illustration with naturalistic lighting to depict a solitary traveler moving through an open field at day’s end.

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Phthalo Plume Ruptures Orange Crust

Duncan Rawlinson created this image using artificial intelligence, blending digital art techniques with a contemporary aesthetic. A column of phthalo blue rises through a fractured layer of cadmium orange, scattering textured fragments outward along a jagged seam. The blue surface is deeply fluted, with vertical striations that run the full height of the form. At the apex, a small purple tab meets a contrasting yellow element. The orange crust shows granular, coral-like texture, with fine black hairlines tracing mineral-like inclusions. The composition isolates the moment of rupture, where two distinct materials meet and break apart. The piece explores form, color, and the tension between solid structure and explosive force.

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Snow-Covered Island, 1000 Islands

Duncan Rawlinson photographed this aerial view of a small island in the 1000 Islands region of Ontario, Canada. Fresh snow clings to the crowns of conifers and deciduous trees, their branches forming a textured canopy above the rocky shoreline. Dark water surrounds the island, dotted with scattered ice fragments that drift across the frame. A small dock and boathouse sit on a neighboring island to the upper right, partially obscured by snow-laden pines. The overhead perspective reveals the island’s irregular contours and the contrast between the white-blanketed vegetation and the cold, gray-blue water below. The scene shows a still moment in the region’s cold-weather cycle, with ice beginning to form and snow settling across the terrain.

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Muskrat Swimming in Ontario

Duncan Rawlinson photographed this muskrat as it swims through calm water in the 1000 Islands region of Ontario, Canada. The animal’s brown fur is slicked back by the water, and its small dark eye and visible whiskers are sharply defined. Concentric ripples fan out behind the muskrat, catching the soft blue tones of the overcast sky reflected on the surface. The photograph captures the muskrat’s movement through the water, showing both the texture of its wet coat and the ripples it creates as it glides forward. The composition centers on the animal’s head and upper body, with the water providing a minimal, clean backdrop that emphasizes the subject’s natural behavior.

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Yellow Maples in Algonquin Forest

Duncan Rawlinson photographed this hardwood forest scene in Algonquin Provincial Park, Ontario. The understory glows with yellow maple leaves catching filtered light, while darker trunks and evergreen saplings create contrast throughout the frame. Multiple levels of foliage recede into shadow, showing the density and structure of a mature mixed forest. The composition balances warm yellows against deep greens and bark textures. This photograph captures the complexity of a protected woodland interior, where light, color, and vertical forms define the space.

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