Duncan Rawlinson - Duncan.co

Phthalo Disc Against Cadmium Field

Duncan Rawlinson created this AI-assisted artwork exploring the interaction of flat color fields and asymmetric balance. A large phthalo green disc anchors the lower left, its curved edge meeting a cadmium red light ground where the complementary hues create optical vibration. A smaller cobalt teal ring floats in the upper right, balancing the composition through placement rather than mass. A thin hansa yellow arc slices across the red field near the top edge. The piece references mid-century screen print aesthetics, with each area rendered as a single solid pigment and white visible only as a hairline gap between forms. The work examines how color complements can generate visual tension and how unequal shapes can achieve equilibrium through careful positioning.

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Red Whorl Over Stratified Green

Duncan Rawlinson created this piece using artificial intelligence to explore color relationships and form. A large red spiral dominates the composition, its outer edge traced by a fine white line that curves through the frame. Within the spiral, an orange wedge steps down toward a flat blue disc, while the surrounding field is built from layered bands of phthalo green. A sliver of yellow marks the upper edge. The work examines how color blocks can suggest depth and movement without perspective. Each hue remains distinct, separated by sharp boundaries that guide the eye through the composition. The AI-generated image balances precise angles with organic curvature, creating a study in contrast between warm reds and oranges and the cool green strata that frame them.

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Five Strata Torn by Yellow Jet

Duncan Rawlinson created this image using artificial intelligence, exploring the collision of color and form through digital means. Five alternating bands of orange and blue stack like torn cliffs, each layer ripped open by a pressurized yellow column that erupts from below and cuts through every stratum. Scraps of paper fold and scatter outward, one catching a violet fragment against dense green. The torn edges are hard and faceted, and the deepest rupture plunges the full height of the composition. A teal staple clings to the top layer, rimmed in black. The yellow breach at lower center-right anchors the event, while the colors—orange, blue, yellow, violet, green, and teal—deliver high contrast and graphic punch.

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Phthalo Fracture with Orange Ray

Duncan Rawlinson created this AI-generated artwork exploring high-intensity color relationships and fractured geometry. Deep phthalo green fills the field, punctured by sharp red splinters that radiate from an off-center origin near the lower right. Each shard meets the green ground with hard-edged precision, triggering optical vibration where complementary hues collide. A single orange ray cuts diagonally through the composition, flanked by a lone yellow accent in the upper corner. White appears only in the narrow fissures separating each fragment. The piece pushes simultaneous contrast to its limit, letting red and green pulse against one another along every seam. Charged color and directional force combine in a study of chromatic rupture.

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Charleston Lake Outlet Building

Duncan Rawlinson photographed this weathered lakeside structure near the outlet of Charleston Lake, Ontario. Heavy snow blankets the gabled roof and surrounds the building, which features dark horizontal siding accented by bright red door and window frames. Dry cattails and winter grasses stand in the snow along the water’s edge, while a boat trailer sits to the right. The overcast light is soft and diffused, giving the image a documentary quality. Bare deciduous trees and scattered evergreens line the shore behind the building, and utility lines stretch across the pale winter sky.

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Work Barge Returns Through Winter Islands

Duncan Rawlinson photographed this aerial view of a work barge carrying excavators as it returns to dock through the frozen channels of the Thousand Islands, Ontario. The monochrome treatment emphasizes the contrast between the dark open water and the snow-covered pines blanketing Bonnie View Island, Fishdam Island, and the surrounding archipelago. The barge, operated by Kehoe Marine Construction, moves through the winter waterway, its industrial purpose set against the ice-edged shoreline. Cottages along Ivy Lea Road and the Niddery Islands are visible in the distance, their structures softened by fresh snow. The photograph documents the intersection of working river life and the natural character of the region during winter.

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Snowfall Over Open Water

Duncan Rawlinson photographed this view of the Thousand Islands region in Ontario, Canada, showing snow falling over unfrozen river water. White’s Island, Otis Island, and Middle Huckleberry Island appear through the gray winter weather, their snow-dusted trees and structures visible across the open water. The lavender-gray sky and cold water create a subdued atmosphere. Diagonal streaks of snow cross the frame, adding movement to the otherwise still scene. The photograph captures a moment of transition, when the river remains liquid despite the cold and the islands wait under winter weather.

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Birches Before They Fell, Browns Bay

Duncan Rawlinson photographed this winter scene at Browns Bay in the 1000 Islands region of Ontario, Canada. The frame records a group of birch and deciduous trees heavy with frost and snow, standing along the frozen shore with open water visible beyond. The trees, which no longer exist, lend the image a documentary significance. Soft overcast light washes the scene in high-key tones, reducing contrast and emphasizing the tracery of bare branches against a pale sky. An evergreen at right provides a darker anchor in the otherwise monochromatic composition. The photograph balances the organic forms of the frost-laden birches with the calm horizontal of the waterline, recording a winter morning that has since passed into memory.

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Moored Boat in Snowfall

Duncan Rawlinson photographed this vintage boat moored at a dock in the 1000 Islands, Ontario, Canada. Fresh snow covers the hull, gunwales, and surrounding ice, while flakes continue to fall across the frame. The green interior trim contrasts with the white accumulation and the gray water beyond. A curved metal railing and frozen shoreline anchor the composition. The boat rests dormant through winter, secured at its berth.

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Construction Barge in Fresh Snow

Duncan Rawlinson photographed this construction barge as snow began to fall over the 1000 Islands in Ontario, Canada. Heavy equipment and pilings stand idle under a fresh layer of white, while the gray winter sky and distant tree line frame the scene. The red hull cuts through the muted colors, anchoring the composition. Snow softens the industrial forms and blurs the far shore, creating a stark contrast between work and weather. This image documents a moment when winter weather halts activity on the water, leaving machinery and materials to wait out the storm.

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