Duncan Rawlinson created this work using artificial intelligence and digital art techniques. Hundreds of flat, torn shapes in red, green, and black rush toward the center, locking together along raw, jagged edges. The fragments build a dense, layered structure that fills the frame, their motion frozen at the moment of assembly. Small touches of blue, orange, yellow, and violet mark early collision points where pieces have already met. The upper left corner shows a scrap still lifting at its edges, suggesting the force of the inward flight. The composition relies on the tension between red and deep green, amplified by the tactile quality of torn paper.
Duncan.co/torn-scraps-converge-in-red-and-green