In Yesterday’s Garden Is Still Dreaming, Duncan Rawlinson blends AI, photographic elements, and painterly textures to create a field that never quite existed—but feels like it did. Each flower carries traces of something once real, now abstracted through layers of digital processing and imagined color. The image wears its distortion like memory wears time—softened at the edges, vivid in places that no longer match the source. It’s a collaboration between technology and intuition, where emotion guides the reconstruction of nature.
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