Duncan Rawlinson - Duncan.co

Green Arc Over Red Field

Duncan Rawlinson made this AI-generated image exploring digital color and spatial relationships. A dark phthalo green mass curves over a cadmium red field that functions as both opening and light source. The green appears to emit light rather than reflect it, contradicting normal surface behavior. A thin teal line marks where the two colors meet, creating an optical edge that shifts between foreground and background. A single yellow mark floats without clear spatial position. The composition forces the viewer to recalibrate depth perception and color relationships, sustaining chromatic intensities beyond what traditional pigments can achieve.

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Refracted Disc with Yellow Fault

$Refracted Disc with Yellow Fault$

Duncan Rawlinson produced this AI-generated image, blending digital art methods with contemporary visual exploration. Concentric bands of red, green, purple, and cyan spiral outward from a dark core, each ring brightening as it widens before shearing at the outer edge. A sharp yellow wedge interrupts the circular flow, cutting through the layered arcs like a fault line through folded strata. The colors meet along bright seams that suggest caustic light bending through water or glass. Set against a black field, the disc appears to rotate and pour, its off-center energy pulling the eye through each refractive curve. The saturation and clarity of the hues lend the work an intensity that feels both optical and structural.

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Concentric Fold with Yellow Fault

Duncan Rawlinson produced this AI-assisted artwork exploring how concentric color bands generate optical depth and rotational energy. Rings of cadmium red and phthalo green radiate outward from a deep purple core, each band meeting the next along sharp caustic edges that suggest continuous motion. The arcs brighten as they expand, then shear cleanly at the outer perimeter. A diagonal wedge of hansa yellow slices through the composition like a geological fault interrupting the circular fold. White appears only as hairline seams between the bands. Set against a black ground, the saturated hues intensify, isolating the color structure and emphasizing the off-center core that anchors the piece while red, green, and yellow create chromatic tension across the disc.

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Phthalo Oval Trades Places with Red

Duncan Rawlinson made this AI-generated artwork exploring spatial ambiguity through color. A phthalo green field and a cadmium red opening share an identical elliptical contour, each claiming to be the figure while forcing the other into the background. The shared boundary refuses to settle, outlined by a narrow band of cobalt teal that intensifies the perceptual flip. A single sliver of hansa yellow hovers at an indeterminate depth, further destabilizing the plane. The composition operates at maximum saturation, where complementary hues clash and trade positions along an edge that will not hold still. This piece merges contemporary photography methods with artificial intelligence to examine how color and form can create reversible visual logic.

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Torn Scraps Converge in Red and Green

Duncan Rawlinson created this work using artificial intelligence and digital art techniques. Hundreds of flat, torn shapes in red, green, and black rush toward the center, locking together along raw, jagged edges. The fragments build a dense, layered structure that fills the frame, their motion frozen at the moment of assembly. Small touches of blue, orange, yellow, and violet mark early collision points where pieces have already met. The upper left corner shows a scrap still lifting at its edges, suggesting the force of the inward flight. The composition relies on the tension between red and deep green, amplified by the tactile quality of torn paper.

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Interlocking Zigzag in Teal and Orange

Duncan Rawlinson made this AI-generated image to explore optical tension between saturated complementary hues. Cobalt teal and fluorescent orange lock together in sharp zigzag bands that tilt and accelerate toward the lower right corner. A single wedge of deep red interrupts the pattern off-center, briefly anchoring the eye before the restless chromatic exchange resumes. Thin slivers of yellow appear between the interlocking tongues, adding a third note to the high-contrast field. The hard edges between shapes generate a persistent flicker, and the entire composition refuses to settle into a stable afterimage. This piece examines color interaction and the ways saturated hues can create movement and discomfort within a static frame.

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Interlocked Fingers with Red Wedge

Duncan Rawlinson made this AI-generated image to explore optical interference through color and pattern. Fluorescent orange and cobalt teal interlock in repeating finger-like forms, overlaid slightly out of register to generate a moiré effect that pulses across the surface. Dark and bright interference bands crawl where the two patterns cross, each row skewed progressively as if the scan could not keep pace. A wedge of red light cuts through the composition off-center, holding still against the shifting beat. Hansa yellow appears only in the narrow slots between the interlocking fingers, adding a third complement to the two saturated primaries. The work merges contemporary digital art techniques with visual principles drawn from photography.

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Sheared Stripes with Red Interrupt

This AI-generated artwork by Duncan Rawlinson investigates optical interference through overlapping vertical bands. Fluorescent orange and cobalt teal stripes interlock and shift progressively upward, each column offset from its neighbor to create a scanned, motion-blur effect. The resulting moiré patterns pulse across the composition, producing rhythmic visual beats where the grids collide. A flat wedge of red light breaks the pattern off-center, stabilizing the restless field. Thin yellow seams appear between the color fingers, adding another layer of frequency. The piece examines how repeating grids generate perceptual instability and color interaction when layered at slight angles or offsets.

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Fluorescent Currents on Black

Duncan Rawlinson created this work using artificial intelligence and digital art techniques to explore fluid dynamics at high chromatic saturation. Hot magenta and coral streams sweep diagonally across the frame, meeting cool cyan and violet currents over a deep black field. Hundreds of circular cells and bubbles populate the surface, their edges crisp yet blending where warm and cool zones intersect. The color intensity shifts from fiery orange through electric pink to icy blue, each zone maintaining definition while suggesting scales from microscopic to astronomical. This AI-generated artwork presents high-energy abstraction built on chromatic contrast. The diagonal flow moves from lower left to upper right, anchored by concentric orbs at the corners.

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Crystal Burst Above Night City

Duncan Rawlinson made this image using artificial intelligence to explore synthetic form against urban space. A translucent structure radiates sharp crystalline spikes from a warm orange core, suspended in the foreground above a defocused cityscape. The background shows teal-toned high-rises and scattered lights, their blur providing depth and scale. Fine particulate matter drifts through the frame, adding atmospheric texture. The piece contrasts hard-edged geometry with soft bokeh, and warm interior glow with cool exterior tones. This AI-assisted work examines how digitally generated forms can occupy and interact with representations of built environments, rendered with controlled color and spatial separation.

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