Duncan Rawlinson - Duncan.co

White Chapel and Floating Bubbles

Duncan Rawlinson created this image using photography combined with artificial intelligence. A small white chapel with a pitched roof stands alone on bare earth under a black sky. To the left, a dense cluster of soap bubbles floats above low hills, their transparent surfaces catching and refracting light in shades of blue, copper, and rose. The bubbles resemble the kind you blow, their film-like membranes glowing softly against the dark. The ground appears in muted tan and brown, and the stark contrast between the simple structure and the organic mass of floating forms gives the scene an unreal quality.

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Windswept Ridges at Great Sand Dunes

Duncan Rawlinson photographed this view at Great Sand Dunes National Park and Preserve in Colorado, United States. Late afternoon sun rakes across towering sand formations, carving deep shadows into rippled slopes and illuminating sharp ridgelines. The foreground dune displays fine wind-sculpted texture, while multiple peaks recede toward distant mountains beneath a pale sky. A natural flare punctuates the frame, emphasizing the directional light that defines the contours of this high-desert terrain. The composition balances the angular patterns of windblown sand with the organic flow of the dune field stretching into the distance.

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Backlit Oak in Rural Ontario

Shot by Duncan Rawlinson. Duncan Radwlinson photographed this rural scene in the 1000 Islands region of Ontario, Canada. A solitary oak occupies the center of a green pasture, its branches spreading wide as late-day sun filters through the canopy. Large boulders anchor the foreground, remnants of glacial geology common to this farmland. The sky holds soft clouds tinted with peach and cream, while a line of distant trees marks the far edge of the field. The high dynamic range processing reveals detail in both the shadowed trunk and the lit foliage, preserving the natural tones of grass, stone, and wood. This photograph shows the Ontario countryside where open fields meet wooded edges under changing light.

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Beach Ball Mural, Wildwood Boardwalk

Duncan Rawlinson photographed this mural on a building along the Wildwood boardwalk in New Jersey. The artwork depicts a beach ball, snorkel mask, seashells, and an umbrella resting in sand, evoking the classic imagery of a mid-Atlantic shore town. Power lines slice diagonally across the frame, anchoring the composition in its seaside setting. The mural’s soft blue sky and pastel tones contrast with the weathered siding and practical architecture of the boardwalk structure. This scene captures a slice of Wildwood’s visual identity, where painted nostalgia meets the everyday reality of a working beach community.

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Bighorn Sheep on Badlands Road

Duncan Rawlinson photographed this bighorn sheep standing on a paved road in Badlands National Park, South Dakota. Warm light from late afternoon sun illuminates the animal’s tan coat and curved horns, while a radio collar marks it as part of a wildlife study. The sheep pauses in the middle of the asphalt, with soft-focus juniper shrubs and the hazy blue ridges of the eroded Badlands terrain in the background. The composition contrasts the organic form of the animal against the straight lines of the road, capturing a moment of intersection between wild habitat and human infrastructure. The muted tones of blue pavement, green foliage, and tan fur spread across the frame.

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Layered Plateaus, Canyonlands

Duncan Rawlinson photographed this view across the high desert of Canyonlands National Park in Utah. Multiple tiers of mesas and buttes recede into haze, each layer defined by distinct tonal shifts in the monochrome frame. The foreground reveals textured slopes and scattered rock formations, while the middle distance holds broad plateaus under atmospheric perspective. Distant mountains anchor the far edge beneath a sky streaked with thin cloud. The black-and-white treatment emphasizes the geologic structure and how light falls across the vast, arid terrain. This photograph shows the scale and austere beauty of the American Southwest’s canyon country.

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Red Maple Over Ontario Houses

Duncan Rawlinson photographed this residential street scene in Ontario, Canada. A towering maple in full autumn color dominates the frame, its scarlet and orange canopy contrasting sharply with the muted gray sky and the modest homes below. Power lines cut diagonally through the composition, grounding the image in everyday rural life. The overcast conditions eliminate glare and deepen the saturation of the foliage, allowing the reds to command attention. Evergreens and hedges frame the middle ground, while a parked car and utility pole anchor the scene in the present-day built environment. The photograph captures the subdued drama of fall color in a small-town Canadian setting.

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Sculpted Dunes and Distant Peaks

Duncan Rawlinson photographed this scene at Great Sand Dunes National Park and Preserve in Colorado. Late afternoon light rakes across the sculpted ridges, casting long shadows that define the contours of the tallest dunes in North America. The warm tones of the sand contrast with the cool, distant peaks of the Sangre de Cristo Mountains. Footprints trace a narrow path down one slope, adding human scale to the vast field. Light, texture, and form reveal the wind’s persistent work shaping this high-altitude desert. This photograph captures the grandeur of a place where geology, weather, and time converge.

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Toronto Financial District at Dusk

Duncan Rawlinson photographed this view of Toronto’s downtown core as evening light washes across the glass facades of office towers. Warm interior lighting punctuates the darkening buildings, while a rooftop mechanical structure anchors the foreground. The frame captures the layered density of the Financial District, where reflective surfaces catch the last light of the day. Concrete, steel, and glass converge in a study of urban architecture and the patterns of city life after business hours. The photograph emphasizes how natural and artificial light meet across the built environment.

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Chromatic Eruption on Black

Duncan Rawlinson created this AI-generated artwork exploring intense color relationships and fluid form. Against a pure black background, bulbous structures unfurl in saturated pink, orange, yellow, and electric blue, their edges sharp in some areas and melting in others. Fine particles dust the surfaces, adding texture to the smooth, liquid-like volumes. The piece contrasts organic shapes with aggressive hues, building tension between soft curves and spiky protrusions. This digital art balances chaos with control, offering a study in color theory and abstract composition. The work demonstrates how artificial intelligence can be harnessed to push beyond traditional color palettes into hyper-saturated territory while maintaining compositional coherence.

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