Duncan Rawlinson - Duncan.co

Phthalo Oval Trades Places with Red

Duncan Rawlinson made this AI-generated artwork exploring spatial ambiguity through color. A phthalo green field and a cadmium red opening share an identical elliptical contour, each claiming to be the figure while forcing the other into the background. The shared boundary refuses to settle, outlined by a narrow band of cobalt teal that intensifies the perceptual flip. A single sliver of hansa yellow hovers at an indeterminate depth, further destabilizing the plane. The composition operates at maximum saturation, where complementary hues clash and trade positions along an edge that will not hold still. This piece merges contemporary photography methods with artificial intelligence to examine how color and form can create reversible visual logic.

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Torn Scraps Converge in Red and Green

Duncan Rawlinson created this work using artificial intelligence and digital art techniques. Hundreds of flat, torn shapes in red, green, and black rush toward the center, locking together along raw, jagged edges. The fragments build a dense, layered structure that fills the frame, their motion frozen at the moment of assembly. Small touches of blue, orange, yellow, and violet mark early collision points where pieces have already met. The upper left corner shows a scrap still lifting at its edges, suggesting the force of the inward flight. The composition relies on the tension between red and deep green, amplified by the tactile quality of torn paper.

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Interlocking Zigzag in Teal and Orange

Duncan Rawlinson made this AI-generated image to explore optical tension between saturated complementary hues. Cobalt teal and fluorescent orange lock together in sharp zigzag bands that tilt and accelerate toward the lower right corner. A single wedge of deep red interrupts the pattern off-center, briefly anchoring the eye before the restless chromatic exchange resumes. Thin slivers of yellow appear between the interlocking tongues, adding a third note to the high-contrast field. The hard edges between shapes generate a persistent flicker, and the entire composition refuses to settle into a stable afterimage. This piece examines color interaction and the ways saturated hues can create movement and discomfort within a static frame.

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Interlocked Fingers with Red Wedge

Duncan Rawlinson made this AI-generated image to explore optical interference through color and pattern. Fluorescent orange and cobalt teal interlock in repeating finger-like forms, overlaid slightly out of register to generate a moiré effect that pulses across the surface. Dark and bright interference bands crawl where the two patterns cross, each row skewed progressively as if the scan could not keep pace. A wedge of red light cuts through the composition off-center, holding still against the shifting beat. Hansa yellow appears only in the narrow slots between the interlocking fingers, adding a third complement to the two saturated primaries. The work merges contemporary digital art techniques with visual principles drawn from photography.

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Sheared Stripes with Red Interrupt

This AI-generated artwork by Duncan Rawlinson investigates optical interference through overlapping vertical bands. Fluorescent orange and cobalt teal stripes interlock and shift progressively upward, each column offset from its neighbor to create a scanned, motion-blur effect. The resulting moiré patterns pulse across the composition, producing rhythmic visual beats where the grids collide. A flat wedge of red light breaks the pattern off-center, stabilizing the restless field. Thin yellow seams appear between the color fingers, adding another layer of frequency. The piece examines how repeating grids generate perceptual instability and color interaction when layered at slight angles or offsets.

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Fluorescent Currents on Black

Duncan Rawlinson created this work using artificial intelligence and digital art techniques to explore fluid dynamics at high chromatic saturation. Hot magenta and coral streams sweep diagonally across the frame, meeting cool cyan and violet currents over a deep black field. Hundreds of circular cells and bubbles populate the surface, their edges crisp yet blending where warm and cool zones intersect. The color intensity shifts from fiery orange through electric pink to icy blue, each zone maintaining definition while suggesting scales from microscopic to astronomical. This AI-generated artwork presents high-energy abstraction built on chromatic contrast. The diagonal flow moves from lower left to upper right, anchored by concentric orbs at the corners.

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Crystal Burst Above Night City

Duncan Rawlinson made this image using artificial intelligence to explore synthetic form against urban space. A translucent structure radiates sharp crystalline spikes from a warm orange core, suspended in the foreground above a defocused cityscape. The background shows teal-toned high-rises and scattered lights, their blur providing depth and scale. Fine particulate matter drifts through the frame, adding atmospheric texture. The piece contrasts hard-edged geometry with soft bokeh, and warm interior glow with cool exterior tones. This AI-assisted work examines how digitally generated forms can occupy and interact with representations of built environments, rendered with controlled color and spatial separation.

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White Chapel and Floating Bubbles

Duncan Rawlinson created this image using photography combined with artificial intelligence. A small white chapel with a pitched roof stands alone on bare earth under a black sky. To the left, a dense cluster of soap bubbles floats above low hills, their transparent surfaces catching and refracting light in shades of blue, copper, and rose. The bubbles resemble the kind you blow, their film-like membranes glowing softly against the dark. The ground appears in muted tan and brown, and the stark contrast between the simple structure and the organic mass of floating forms gives the scene an unreal quality.

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Windswept Ridges at Great Sand Dunes

Duncan Rawlinson photographed this view at Great Sand Dunes National Park and Preserve in Colorado, United States. Late afternoon sun rakes across towering sand formations, carving deep shadows into rippled slopes and illuminating sharp ridgelines. The foreground dune displays fine wind-sculpted texture, while multiple peaks recede toward distant mountains beneath a pale sky. A natural flare punctuates the frame, emphasizing the directional light that defines the contours of this high-desert terrain. The composition balances the angular patterns of windblown sand with the organic flow of the dune field stretching into the distance.

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Backlit Oak in Rural Ontario

Shot by Duncan Rawlinson. Duncan Radwlinson photographed this rural scene in the 1000 Islands region of Ontario, Canada. A solitary oak occupies the center of a green pasture, its branches spreading wide as late-day sun filters through the canopy. Large boulders anchor the foreground, remnants of glacial geology common to this farmland. The sky holds soft clouds tinted with peach and cream, while a line of distant trees marks the far edge of the field. The high dynamic range processing reveals detail in both the shadowed trunk and the lit foliage, preserving the natural tones of grass, stone, and wood. This photograph shows the Ontario countryside where open fields meet wooded edges under changing light.

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